Mona Schieren – författare

Dedicated to the stories of migrants, refugees, asylum seekers and exiles, this collection asks how these stories are interwoven with art, art practices, activism, reception, and (re-)presentation. It explores the complex entanglements of art and aesthetic practices with migration, flight and other forms of enforced dislocation and border/border crossings in global contexts – the latter significant phenomena of social transformation in the twentieth and twenty-first centuries.These entanglements take centre stage when migration shapes forms and aesthetics (and vice versa), when actors employ image politics and visualisation strategies in and about migration at different times and places, or when materialities, sites and spaces gain importance for decision-making processes.Giving space to these stories of art and migration and its power of pluriverse knowledge production, the book takes an art and cultural studies perspective and questions the significance of spatial changes for artistic practice in migration and elaborates on new or different theory formation. Bringing together its case studies and theoretical approaches, the argumentation unfolds over the five sections of the book.Visibilities | Invisibilities, Sites | Spaces, Materiality | Materialisation, Racism | Resistance and Practices | Performativity.

Dedicated to the stories of migrants, refugees, asylum seekers and exiles, this collection asks how these stories are interwoven with art, art practices, activism, reception, and (re-)presentation. It explores the complex entanglements of art and aesthetic practices with migration, flight and other forms of enforced dislocation and border/border crossings in global contexts – the latter significant phenomena of social transformation in the twentieth and twenty-first centuries.These entanglements take centre stage when migration shapes forms and aesthetics (and vice versa), when actors employ image politics and visualisation strategies in and about migration at different times and places, or when materialities, sites and spaces gain importance for decision-making processes.Giving space to these stories of art and migration and its power of pluriverse knowledge production, the book takes an art and cultural studies perspective and questions the significance of spatial changes for artistic practice in migration and elaborates on new or different theory formation. Bringing together its case studies and theoretical approaches, the argumentation unfolds over the five sections of the book.Visibilities | Invisibilities, Sites | Spaces, Materiality | Materialisation, Racism | Resistance and Practices | Performativity.

The work of Agnes Martin has frequently been associated with East Asian philosophies. Particularly highlighting the oeuvre of this US artist, Mona Schieren presents comprehensive research on the influence of Asianist aesthetics in post-1945 American art. More than just historical analysis, her study opens an entirely new perspective on Martin’s appropriation of Asianisms by focusing on transcultural translation and redefining Martin’s work beyond Abstract Expressionism and Minimalism. This offers new viewpoints on the aesthetic, philosophical, and visual relationships in American postwar art and takes a nuanced approach that moves beyond generalized notions of “Zen” in the US art world. Schieren’s exploration of the intentional and specific uses of Asianist aesthetics profoundly contributes to insights in international art histories and cultural translations.