Inbunden, Engelska, 2024
Entangled Histories of Art and Migration
Theories, Sites and Research Methods
Av Cathrine Bublatzky, Burcu Dogramaci, Kerstin Pinther, Mona Schieren
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Beskrivning
Produktinformation
- Utgivningsdatum: 2024-09-27
- Mått: 170 x 244 x 28 mm
- Vikt: 1 041 g
- Format: Inbunden
- Språk: Engelska
- Antal sidor: 428
- Förlag: Intellect
- ISBN: 9781789389616
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Cathrine Bublatzky, Ph.D., is a visual and media anthropologist. She is a senior lecturer and researcher at the Department of Social and Cultural Anthropology at Tübingen University in Germany. In her recent research and publications she focuses on migration, visual cultures, and the aesthetics and politics of belonging.Burcu Dogramaci is professor of twentieth-century and contemporary art history at the Ludwig-Maximilians-Universität Munich (LMU). In 2016 she was been awarded an ERC Consolidator Grant and leads the research project 'Relocating Modernism: Global Metropolises, Modern Art and Exile' (METROMOD).Kerstin Pinther is a professor of African art history and curator for modern and contemporary art in a global context at the Staatliche Museen Berlin, Germany.Mona Schieren is professor of transcultural art histories at the Hochschule fur Kunste, Bremen, Germany. She is a member of the DFG research network Entangled Histories of Art and Migration: Forms, Visibilities, Agents and the SNSF research project Materialized memories (in) the landscape at the Zurich University of the Arts.
Recensioner i media
The essays gathered in Entangled Histories of Art and Migration: Theories, Sites and Research Methods epitomize the recent ‘migratory turn’ in art-related studies, which has introduced new critical and interdisciplinary methodologies and a much-needed reappraisal of the ways in which migrants, exiles, refugees and asylum seekers are represented in art, architecture, activism, exhibitions, and more. By exploring topical subjects such as the practices of (in)visibilization of migrant and refugee lifeworlds and the production of space and images in diaspora, along with racism and anti-racism resistance in museums and curating, the volume’s in-depth case studies make a valuable, pluriversal contribution to contemporary debates on how migration and forced displacement figure within the field of global art.
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