Morgan Parker - Böcker

Publishers Weekly's Ten Best Poetry Collections of Spring A Most Anticipated book at Buzzfeed, NYLON and Bustle One of i-D's emerging female authors to read in 2017 'Outstanding collection of poems. So much soul. So much intelligence in how Parker folds in cultural references and the experiences of black womanhood. Every poem will get its hooks into you. And of course, the poems about Beyonce are the greatest because Beyonce is our queen.' Roxane Gay 'I can and have read Morgan Parker's poems over and over ...She writes history and pleasure and kitsch and abstraction, then vanishes like a god in about 13 inches.' Eileen Myles 'Morgan Parker has a mind like wildfire and these pages are lit. I can't recall being this enthralled, entertained, and made alert by a book in a very long time.' Jami Attenberg The only thing more beautiful than Beyonce is God, and God is a black woman sipping rose and drawing a lavender bath, texting her mom, belly-laughing in the therapist's office, feeling unloved, being on display, daring to survive. Morgan Parker stands at the intersections of vulnerability and performance, of desire and disgust, of tragedy and excellence.Unrelentingly feminist, tender, ruthless and sequinned, these poems are an altar to the complexities of black American womanhood in an age of non-indictments and deja vu, and a time of wars over bodies and power. These poems celebrate and mourn. They are a chorus chanting: You're gonna give us the love we need.

'To read MAGICAL NEGRO it is to wonder what each poem will do next, and to be reminded, over and over, of Parker's extraordinary lyric gifts' Meghan O'RourkeMAGICAL NEGRO is an archive of Black everydayness, a catalogue of contemporary folk heroes, an ethnography of ancestral grief, and an inventory of figureheads, idioms and customs. These poems are both elegy and jive, joke and declaration, songs of congregation and self-conception. They connect themes of loneliness, displacement, grief, ancestral trauma and objectification, while exploring tropes and stereotypes of Black Americans. Focused primarily on depictions of Black womanhood alongside personal narratives, the collection tackles interior and exterior politics - of both the body and society, of both the individual and the collective experience. In MAGICAL NEGRO, Morgan Parker creates a space of witness, of airing grievances, of pointing out patterns. In these poems are living documents, pleas, latent traumas, inside jokes and unspoken anxieties situated as firmly in the past as in the present - timeless Black melancholies and triumphs.

'Unflinchingly irreverent, laugh out loud funny and heartbreakingly honest' Elizabeth Acevedo, bestselling author of The Poet X'Morgan Parker put this song on - and I hope it never turns off' Nic Stone, bestselling author of Dear MartinWHEN THE WORLD SAYS FIT IN, ASK WHYTrapped in sunny, stifling, small-town suburbia, seventeen-year-old Morgan knows why she's in therapy. She can't count the number of times she's been the only non-white person at the sleepover, been teased for her "weird" outfits, and been told she's not "really" black. Also, she's spent most of her summer crying in bed. So there's that, too.Lately, it feels like the whole world is listening to the same terrible track on repeat - and it's telling them how to feel, who to vote for, what to believe. Morgan wonders, when can she turn this song off and begin living for herself?Life may be a never-ending hamster wheel of agony, but Morgan finds her crew of fellow outcasts, blasts music like there's no tomorrow, discovers what being black means to her, and finally puts her mental health first. She decides that, no matter what, she will always be intense, ridiculous, passionate, and sometimes hilarious. After all, darkness doesn't have to be a bad thing. Darkness is just real.Loosely based on her own teenage life and diaries, Morgan Parker's WHO PUT THIS SONG ON? is an outstanding debut, full of courage, generosity and reasons to live.

From the author of Magical Negro, Winner of the National Book Critic's Circle Award'Hilarious and hard-hitting . . . it ripples with energy, insight, and searing music' Tracy K. Smith, author of Wade in the WaterOther People's Comfort Keeps Me Up at Night - the book that launched the career of one of our most important young American poets - is now in print for the first time in the UK, featuring a new introduction from Danez Smith.The debut collection from award-winning poet Morgan Parker demonstrates why she's become one of the most beloved writers working today. Her command of language is on full display. Parker bobs and weaves between humor and pathos, grief and anxiety, Gwendolyn Brooks and Jay-Z, the New York School and reality television. She collapses any foolish distinctions between the personal and the political, the 'high' and the 'low'. Other People's Comfort Keeps Me Up at Night not only introduced an essential new voice to the world, it contains everything readers have come to love about Morgan Parker's work.

The American Civil Liberties Union partners with award-winning authors Michael Chabon and Ayelet Waldman in this “forceful, beautifully written” (Associated Press) collection that brings together many of our greatest living writers, each contributing an original piece inspired by a historic ACLU case. On January 19, 1920, a small group of idealists and visionaries, including Helen Keller, Jane Addams, Roger Baldwin, and Crystal Eastman, founded the American Civil Liberties Union. A century after its creation, the ACLU remains the nation’s premier defender of the rights and freedoms guaranteed by the Constitution. In collaboration with the ACLU, authors Michael Chabon and Ayelet Waldman have curated an anthology of essays “full of struggle, emotion, fear, resilience, hope, and triumph” (Los Angeles Review of Books) about landmark cases in the organization’s one-hundred-year history. Fight of the Century takes you inside the trials and the stories that have shaped modern life. Some of the most prominent cases that the ACLU has been involved in—Brown v. Board of Education, Roe v. Wade, Miranda v. Arizona—need little introduction. Others you may never even have heard of, yet their outcomes quietly defined the world we live in now. Familiar or little-known, each case springs to vivid life in the hands of the acclaimed writers who dive into the history, narrate their personal experiences, and debate the questions at the heart of each issue. Hector Tobar introduces us to Ernesto Miranda, the felon whose wrongful conviction inspired the now-iconic Miranda rights—which the police would later read to the man suspected of killing him. Yaa Gyasi confronts the legacy of Brown v. Board of Education, in which the ACLU submitted a friend of- the-court brief questioning why a nation that has sent men to the moon still has public schools so unequal that they may as well be on different planets. True to the ACLU’s spirit of principled dissent, Scott Turow offers a blistering critique of the ACLU’s stance on campaign finance. These powerful stories, along with essays from Neil Gaiman, Meg Wolitzer, Salman Rushdie, Ann Patchett, Viet Thanh Nguyen, Louise Erdrich, George Saunders, and many more, remind us that the issues the ACLU has engaged over the past one hundred years remain as vital as ever today, and that we can never take our liberties for granted. Chabon and Waldman are donating their advance to the ACLU and the contributors are forgoing payment.