. Morrison – författare

A companion to the prize-winning exhibition catalogue "Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe", edited by Thomas Kren and Scot McKendrick (2003), this volume contains thirteen selected papers presented at the two conferences held in conjunction with the exhibition. The first was organized by the Getty Museum, and the second was held at the Courtauld Institute of Art, under the sponsorship of the Courtauld and the Royal Academy of Arts. Added here is an essay by Margaret Scott on the role of dress in the Burgundian court. Chapters include Lorne Campbell's research into Rogier van der Weyden's work as an illuminator, Nancy Turner's investigation of materials and methods of painting in Flemish manuscripts, and trenchant commentary by Jonathan Alexander and James Marrow on the state of current research on Flemish illumination. Although topics are wide ranging, one recurring theme is the structure of collaboration in manuscript production. Essays uncover an important new patron of manuscript illumination and address the role of illuminated manuscripts at the Burgundian court along with the contributions of individual illuminators.A series of biographies of Burgundian scribes is also included.

This beautiful volume examines the most important illuminations found in French history manuscripts. From around the mid 13th to the end of the 16th century, the most important and original work being done in secular illumination was unquestionably in French vernacular history manuscripts. This beautiful volume celebrates the vivid historical imagery produced during these years by bringing together around 55 manuscripts representing some of the finest masterpieces of illumination created in the Middle Ages. As such, it is the first major publication to focus on exploring the ways in which text and illumination worked together to help show medieval readers the role and purpose of history. The images enabled the past to come alive before the eyes of medieval readers by relating the adventures of epic figures such as Hector, Alexander, Charlemagne, and the Virgin Mary.

In the 1880s and 1890s, Walter Besant was one of Britain’s most lionized living novelists. Like many popular writers of the period, Besant suffered from years of critical neglect. Yet his centrality to Victorian society and culture all but ensured a revival of interest. While literary critics are now rediscovering the more than forty works of fiction that he penned or co-wrote, as part of a more general revaluation of Victorian popular literature, legal scholars have argued that Besant, by advocating for copyright reform, played a crucial role in consolidating a notion of literary property as the exclusive possession of the individuated intellect. For their part, historians have recently shown how Besant – as a prominent philanthropist who campaigned for the cultural vitalization of impoverished areas in east and south London – galvanized late Victorian social reform activities. The expanding corpus of work on Besant, however, has largely kept the domains of authorship and activism, which he perceived as interrelated, conceptually distinct. Analysing the mutually constitutive interplay in Besant’s career between philanthropy and the professionalization of authorship, Walter Besant: The Business of Literature and the Pleasures of Reform highlights their fundamental interconnectedness in this Victorian intellectual polymath’s life and work.

This is the first definitive sport climbing guide for Scotland, written by 18 of the leading Scottish sport climbers. The guidebook includes 1300 routes, from grades 3 to 9a spread across over 100 crags from the Central Belt to Shetland and Arisaig to Aberdeen. It is lavishly illustrated with action photos for each main crag, easy-to-use maps and photo diagrams, and a colour-coded route grading system. The guide covers sport climbing as well all Scotland's world-class 'dry tooling' routes. The landscape format is designed to lay open at the crags, and the cover flaps contain useful reference information for those new to sport climbing as well as climbers visiting from other countries. Sport climbing has a wider audience than traditional climbing; with quick drying accessible crags, it suits the busy modern climber and the family-friendly climbing day.