Nat Cutter – författare

From the mid-seventeenth to early eighteenth century, a wide network of English-speaking men, women, and children took up residence in the Ottoman Maghrebi regencies of Algiers, Tunis, and Tripoli. There they formed expatriate communities, engaged with the societies around them, and undertook their businesses, from trading to captivity redemption to international politics.Moving beyond official diplomatic records and printed texts, this book delves into thousands of personal letters and financial records, where we find friendship, conflict, adoration, derision, manipulation, and scandal across cultures and countries. In so doing, it offers new ways of thinking about British-Maghrebi relations in a transitional age for global trade and military-naval power, moving beyond plaintive consular complaints, gunboat diplomacy, and brutal captivity to accommodate positive cooperation and mutual benefit. These expatriates became embedded mediators, hybridised European and Ottoman cultural forms, and experienced distanciation from both homeland and hostland to enjoy and manipulate both. For them, Algiers, Tunis, and Tripoli were not solely sites for danger or exploitation but, as peace was progressively established with each regency, increasingly places for pragmatic cooperation, personal and professional advancement, commercial success, and enjoyment. Expansive networks of correspondence and cooperation around the Maghreb, Mediterranean, and Britain embedded the expatriates in a cross-cultural trade in material goods and information and allowed them to manipulate the course of trade and diplomacy between Britain and the Maghreb. The expatriates were less marginal, miserable, and misbehaving Britons and more embedded, canny, Mediterranean actors.

From the mid-seventeenth to early eighteenth century, a wide network of English-speaking men, women, and children took up residence in the Ottoman Maghrebi regencies of Algiers, Tunis, and Tripoli. There they formed expatriate communities, engaged with the societies around them, and undertook their businesses, from trading to captivity redemption to international politics. Moving beyond official diplomatic records and printed texts, this book delves into thousands of personal letters and financial records, where we find friendship, conflict, adoration, derision, manipulation, and scandal across cultures and countries. In so doing, it offers new ways of thinking about British-Maghrebi relations in a transitional age for global trade and military-naval power, moving beyond plaintive consular complaints, gunboat diplomacy, and brutal captivity to accommodate positive cooperation and mutual benefit. These expatriates became embedded mediators, hybridised European and Ottoman cultural forms, and experienced distanciation from both homeland and hostland to enjoy and manipulate both. For them, Algiers, Tunis, and Tripoli were not solely sites for danger or exploitation but, as peace was progressively established with each regency, increasingly places for pragmatic cooperation, personal and professional advancement, commercial success, and enjoyment. Expansive networks of correspondence and cooperation around the Maghreb, Mediterranean, and Britain embedded the expatriates in a cross-cultural trade in material goods and information and allowed them to manipulate the course of trade and diplomacy between Britain and the Maghreb. The expatriates were less marginal, miserable, and misbehaving Britons and more embedded, canny, Mediterranean actors.

From the mid-seventeenth to early eighteenth century, a wide network of English-speaking men, women, and children took up residence in the Ottoman Maghrebi regencies of Algiers, Tunis, and Tripoli. There they formed expatriate communities, engaged with the societies around them, and undertook their businesses, from trading to captivity redemption to international politics.Moving beyond official diplomatic records and printed texts, this book delves into thousands of personal letters and financial records, where we find friendship, conflict, adoration, derision, manipulation, and scandal across cultures and countries. In so doing, it offers new ways of thinking about British-Maghrebi relations in a transitional age for global trade and military-naval power, moving beyond plaintive consular complaints, gunboat diplomacy, and brutal captivity to accommodate positive cooperation and mutual benefit. These expatriates became embedded mediators, hybridised European and Ottoman cultural forms, and experienced distanciation from both homeland and hostland to enjoy and manipulate both. For them, Algiers, Tunis, and Tripoli were not solely sites for danger or exploitation but, as peace was progressively established with each regency, increasingly places for pragmatic cooperation, personal and professional advancement, commercial success, and enjoyment. Expansive networks of correspondence and cooperation around the Maghreb, Mediterranean, and Britain embedded the expatriates in a cross-cultural trade in material goods and information and allowed them to manipulate the course of trade and diplomacy between Britain and the Maghreb. The expatriates were less marginal, miserable, and misbehaving Britons and more embedded, canny, Mediterranean actors.

This book presents a timely and original study of the meaning, uses, and impact of cultural data today. Working across critical and creative strands of inquiry, the book situates cultural data in the context of contemporary social, environmental, and political challenges such as the future of the arts and climate change.Drawing on fields ranging from sociology and art history through to computer science and digital heritage, Cultural Data expands the possibilities for the study of arts and culture using computational methods at a critical moment for both national and global discussions about the future of digitisation and cultural data. Combining computer-assisted quantitative research with qualitative and theoretical approaches, this book examines historical trends, demographic politics, and data cultures alongside experimental data visualisations that build distinctive narratives for the arts and creative industries. Through using and manipulating the open-source interoperability of arts and cultural data, the book presents new approaches, both theoretical and empirical, for telling stories about individual artistic careers, events, organisations, and networks. It also explores the unspoken, often hidden or obscured, content of cultural data: its murky histories, gaps, inconsistencies, silences and bias.This book will be of interest to students, scholars, and practitioners in fields including cultural heritage studies, creative and performing arts, archival science, cultural policy, gender studies, art history, and cultural theory. It will also be of interest to the growing community of digital humanities laboratories and centres around the globe that operate at the intersection of humanities research, data science and creative practice.

This book presents a timely and original study of the meaning, uses, and impact of cultural data today. Working across critical and creative strands of inquiry, the book situates cultural data in the context of contemporary social, environmental, and political challenges such as the future of the arts and climate change.Drawing on fields ranging from sociology and art history through to computer science and digital heritage, Cultural Data expands the possibilities for the study of arts and culture using computational methods at a critical moment for both national and global discussions about the future of digitisation and cultural data. Combining computer-assisted quantitative research with qualitative and theoretical approaches, this book examines historical trends, demographic politics, and data cultures alongside experimental data visualisations that build distinctive narratives for the arts and creative industries. Through using and manipulating the open-source interoperability of arts and cultural data, the book presents new approaches, both theoretical and empirical, for telling stories about individual artistic careers, events, organisations, and networks. It also explores the unspoken, often hidden or obscured, content of cultural data: its murky histories, gaps, inconsistencies, silences and bias.This book will be of interest to students, scholars, and practitioners in fields including cultural heritage studies, creative and performing arts, archival science, cultural policy, gender studies, art history, and cultural theory. It will also be of interest to the growing community of digital humanities laboratories and centres around the globe that operate at the intersection of humanities research, data science and creative practice.