Tyne Daile Sumner – författare

Lyric Eye: The Poetics of Twentieth-Century Surveillance presents the first detailed study of the relationship between poetry and surveillance. It critically examines the close connection between American lyric poetry and a burgeoning US state surveillance apparatus from 1920 to the 1960s. The book explores the myriad ways that poets—Ezra Pound, William Carlos Williams, W.H. Auden, Langston Hughes, James Baldwin, Sylvia Plath, Gertrude Stein, Robert Lowell, Allen Ginsberg and others—explored a developing and fraught environment in which the growing power of American investigative agencies, such as the FBI under J. Edgar Hoover, imposed new pressures on cultural discourse and personal identity. In analysing twentieth-century American poetry and its various ideas about "the self," Lyric Eye demonstrates the extent to which poetry and surveillance employ similar styles of information-gathering such as observation, overhearing, imitation, abstraction, repurposing of language, subversion, fragmentation and symbolism.

Ground-breaking and prescient, this book will be of great interest to scholars and researchers of literature, politics, surveillance and intelligence studies, and digital humanities.

Lyric Eye: The Poetics of Twentieth-Century Surveillance presents the first detailed study of the relationship between poetry and surveillance. It critically examines the close connection between American lyric poetry and a burgeoning US state surveillance apparatus from 1920 to the 1960s. The book explores the myriad ways that poets—Ezra Pound, William Carlos Williams, W.H. Auden, Langston Hughes, James Baldwin, Sylvia Plath, Gertrude Stein, Robert Lowell, Allen Ginsberg and others—explored a developing and fraught environment in which the growing power of American investigative agencies, such as the FBI under J. Edgar Hoover, imposed new pressures on cultural discourse and personal identity. In analysing twentieth-century American poetry and its various ideas about "the self," Lyric Eye demonstrates the extent to which poetry and surveillance employ similar styles of information-gathering such as observation, overhearing, imitation, abstraction, repurposing of language, subversion, fragmentation and symbolism.

Ground-breaking and prescient, this book will be of great interest to scholars and researchers of literature, politics, surveillance and intelligence studies, and digital humanities.

This book presents a timely and original study of the meaning, uses, and impact of cultural data today. Working across critical and creative strands of inquiry, the book situates cultural data in the context of contemporary social, environmental, and political challenges such as the future of the arts and climate change.

Drawing on fields ranging from sociology and art history through to computer science and digital heritage, Cultural Data expands the possibilities for the study of arts and culture using computational methods at a critical moment for both national and global discussions about the future of digitisation and cultural data. Combining computer-assisted quantitative research with qualitative and theoretical approaches, this book examines historical trends, demographic politics, and data cultures alongside experimental data visualisations that build distinctive narratives for the arts and creative industries. Through using and manipulating the open-source interoperability of arts and cultural data, the book presents new approaches, both theoretical and empirical, for telling stories about individual artistic careers, events, organisations, and networks. It also explores the unspoken, often hidden or obscured, content of cultural data: its murky histories, gaps, inconsistencies, silences and bias.

This book will be of interest to students, scholars, and practitioners in fields including cultural heritage studies, creative and performing arts, archival science, cultural policy, gender studies, art history, and cultural theory. It will also be of interest to the growing community of digital humanities laboratories and centres around the globe that operate at the intersection of humanities research, data science and creative practice.