Natalia Jonsson-Skradol – författare
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4 produkter
4 produkter
E-bok
PDF, Engelska, 20221 283 kr
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Stalin''s reign of terror was not all doom and gloom, much of it was (meant to be) funny! From comedy films to satirical theatre, from caricature to court speeches, and from Stalin''s own writings to bawdy folk songs, humour pervaded the popular culture of the USSR. Until now, conventional wisdom has held that humour was a hallmark of the subversive, but in State Laughter Dobrenko and Jonsson-Skradol do away with that notion. Instead, tracing the development of official humour, satire, and comedy from the revolution through to the 1950s, they explore how and why laughter was a core component of the survival of the Soviet regime. Grounded in Soviet intellectual and cultural history, State Laughter offers the first comprehensive analysis of state-sponsored popular culture in Stalin''s Soviet Union.
E-bok
Engelska, 20211 238 kr
Läs direkt efter köp
Stalin''s reign of terror was not all doom and gloom, much of it was (meant to be) funny! From comedy films to satirical theatre, from caricature to court speeches, and from Stalin''s own writings to bawdy folk songs, humour pervaded the popular culture of the USSR. Until now, conventional wisdom has held that humour was a hallmark of the subversive, but in State Laughter Dobrenko and Jonsson-Skradol do away with that notion. Instead, tracing the development of official humour, satire, and comedy from the revolution through to the 1950s, they explore how and why laughter was a core component of the survival of the Soviet regime. Grounded in Soviet intellectual and cultural history, State Laughter offers the first comprehensive analysis of state-sponsored popular culture in Stalin''s Soviet Union.
Inbunden, Engelska, 2022
1 555 kr
Skickas inom 5-8 vardagar
Stalin's reign of terror was not all doom and gloom, much of it was (meant to be) funny! From comedy films to satirical theatre, from caricature to court speeches, and from Stalin's own writings to bawdy folk songs, humour pervaded the popular culture of the USSR. Until now, conventional wisdom has held that humour was a hallmark of the subversive, but in State Laughter Dobrenko and Jonsson-Skradol do away with that notion. Instead, tracing the development of official humour, satire, and comedy from the revolution through to the 1950s, they explore how and why laughter was a core component of the survival of the Soviet regime. Grounded in Soviet intellectual and cultural history, State Laughter offers the first comprehensive analysis of state-sponsored popular culture in Stalin's Soviet Union.
Del 1 - Anthem Series on Russian, East European and Eurasian Studies
Socialist Realism in Central and Eastern European Literatures under Stalin
Institutions, Dynamics, Discourses
Inbunden, Engelska, 2018
1 836 kr
Skickas inom 5-8 vardagar
Socialist Realism in Central and Eastern European Literatures' is the first published work to offer a variety of alternative perspectives on the literary and cultural Sovietization of Central and Eastern Europe after World War II and emphasize the dialogic relationship between the ‘centre’ and the ‘satellites’ instead of the traditional top-down approach. The introduction of the Soviet cultural model was not quite the smooth endeavour that it was made to look in retrospect; rather, it was always a work in progress, often born out of a give-andtake with the local authorities, intellectuals and interest groups. Relying on archival resources, the authors examine one of the most controversial attempts at a cultural unification in Europe by providing an overview with a focus on specific case-studies, an analysis of distinct particularities with attention to the patterns of negotiation and adaptation that were being developed in the process.