Natascha Gentz - Böcker
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The Confucius Institute for Scotland in the University of Edinburgh presents this beautiful bilingual Chinese/Scottish Collector's Edition of a selection of poems by Robert Burns.The volume contains eleven well-known Burns poems in English, including 'I love my Jean', 'My Love is Like a Red, Red Rose' and 'John Anderson, My Jo', together with facing-page Chinese translations. The translations, from the 1920s, are by Su Manshu, Wu Fangji, and Liu Pu and finely capture the lyric quality of Burns's poems. Each poem is introduced by an illustration page of Chinese calligraphy by Mr Chi Zhang, MSC BA, Chinese Calligraphy/Brush Painting artist at the University of Edinburgh.
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Explores the role of media in the construction of cultural identities.Globalization, Cultural Identities, and Media Representations provides a multidirectional approach for understanding the role of media in constructing cultural identities in a newly globalized media environment. The contributors cover a wide range of topics from different geopolitical areas, historical periods, and media genres. Case studies examined include the shift from print to Internet, local representations of modern world cinema and glo/cal television, narrative strategies in transnational literature, and cultural economics of the mediation of world music in India, China, Algeria, Israel, Europe, and the United States. This case study approach allows for deeper insights into the complexity of each cultural subsystem as part of the whole media culture system. This book exemplifies a transcultural and transdisciplinary dialogue that maps out new-relocalized-territories and borders for mediated cultural identities and also reveals the complexity and connectedness of all of these discourses.
441 kr
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Explores the role of media in the construction of cultural identities.Globalization, Cultural Identities, and Media Representations provides a multidirectional approach for understanding the role of media in constructing cultural identities in a newly globalized media environment. The contributors cover a wide range of topics from different geopolitical areas, historical periods, and media genres. Case studies examined include the shift from print to Internet, local representations of modern world cinema and glo/cal television, narrative strategies in transnational literature, and cultural economics of the mediation of world music in India, China, Algeria, Israel, Europe, and the United States. This case study approach allows for deeper insights into the complexity of each cultural subsystem as part of the whole media culture system. This book exemplifies a transcultural and transdisciplinary dialogue that maps out new-relocalized-territories and borders for mediated cultural identities and also reveals the complexity and connectedness of all of these discourses.