A chilling reenactment of the Federal government’s anti-Communist investigations

Eric Bentley has chosen highlights from the thirty-year record of the House Un-American Activities Committee to demonstrate HUAC’s focus on artists, intellectuals, and performers. Volume 2: 1951–1952 includes the testimonies of Clifford Odets, Edward G. Robinson, Elia Kazan, Jose Ferrer, Bud Schulberg, Sterling Hayden, Abe Burroughs, Lillian Hellman, and many others. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the federal government’s anti-Communist investigations

The testimony that Eric Bentley has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly dramatic and compelling collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignified” manner to a huge, unrelenting accusatory finger from which almost no one was safe. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the Federal government’s anti-Communist investigations

Eric Bentley has chosen highlights from the thirty-year record of the House Un-American Activities Committee to demonstrate HUAC’s focus on artists, intellectuals, and performers. Volume 2: 1951–1952 includes the testimonies of Clifford Odets, Edward G. Robinson, Elia Kazan, Jose Ferrer, Bud Schulberg, Sterling Hayden, Abe Burroughs, Lillian Hellman, and many others. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the federal government’s anti-Communist investigations

The testimony that Eric Bentley has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly dramatic and compelling collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignified” manner to a huge, unrelenting accusatory finger from which almost no one was safe. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.