First published in 1967 The Theatre of Commitment presents miscellaneous collection of seven essays written over fifteen years. Eric Bentley deals with themes like is the drama an extinct species; the American drama; what is theatre; the pro and con of political theatre; letter to a would-be playwright and the theatre of commitment. For most people, theatre of commitment is political theater, though Bentley indicates that the word commitment is broad enough to embrace the work of any serious writer even if the commitment is to non-commitment. This is an interesting read for students of theatre and performance studies.

First published in 1967 The Theatre of Commitment presents miscellaneous collection of seven essays written over fifteen years. Eric Bentley deals with themes like is the drama an extinct species; the American drama; what is theatre; the pro and con of political theatre; letter to a would-be playwright and the theatre of commitment. For most people, theatre of commitment is political theater, though Bentley indicates that the word commitment is broad enough to embrace the work of any serious writer even if the commitment is to non-commitment. This is an interesting read for students of theatre and performance studies.

A chilling reenactment of the federal government’s anti-Communist investigations

Eric Bentley has chosen highlights from the thirty-year record of the House Un-American Activities Committee to demonstrate HUAC’s focus on artists, intellectuals, and performers. Volume 1: 1938–1948 includes the testimonies of Hallie Flanagan, Ayn Rand, Adolphe Menjou, Robert Taylor, Ronald Reagan, Gary Cooper, Bertolt Brecht and many others. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the Federal government’s anti-Communist investigations

Eric Bentley has chosen highlights from the thirty-year record of the House Un-American Activities Committee to demonstrate HUAC’s focus on artists, intellectuals, and performers. Volume 2: 1951–1952 includes the testimonies of Clifford Odets, Edward G. Robinson, Elia Kazan, Jose Ferrer, Bud Schulberg, Sterling Hayden, Abe Burroughs, Lillian Hellman, and many others. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the federal government’s anti-Communist investigations

The testimony that the author has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly readable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignified” manner to a huge, unrelenting accusatory finger from which almost no one was safe. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the federal government’s anti-Communist investigations

The testimony that Eric Bentley has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly dramatic and compelling collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignified” manner to a huge, unrelenting accusatory finger from which almost no one was safe. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the federal government’s anti-Communist investigations

The testimony that Eric Bentley has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly dramatic and compelling collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignified” manner to a huge, unrelenting accusatory finger from which almost no one was safe. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

First published in 1967 The Theatre of Commitment presents miscellaneous collection of seven essays written over fifteen years. Eric Bentley deals with themes like is the drama an extinct species; the American drama; what is theatre; the pro and con of political theatre; letter to a would-be playwright and the theatre of commitment. For most people, theatre of commitment is political theater, though Bentley indicates that the word commitment is broad enough to embrace the work of any serious writer even if the commitment is to non-commitment. This is an interesting read for students of theatre and performance studies.

First published in 1967 The Theatre of Commitment presents miscellaneous collection of seven essays written over fifteen years. Eric Bentley deals with themes like is the drama an extinct species; the American drama; what is theatre; the pro and con of political theatre; letter to a would-be playwright and the theatre of commitment. For most people, theatre of commitment is political theater, though Bentley indicates that the word commitment is broad enough to embrace the work of any serious writer even if the commitment is to non-commitment. This is an interesting read for students of theatre and performance studies.

A chilling reenactment of the federal government’s anti-Communist investigations

Eric Bentley has chosen highlights from the thirty-year record of the House Un-American Activities Committee to demonstrate HUAC’s focus on artists, intellectuals, and performers. Volume 1: 1938–1948 includes the testimonies of Hallie Flanagan, Ayn Rand, Adolphe Menjou, Robert Taylor, Ronald Reagan, Gary Cooper, Bertolt Brecht and many others. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the Federal government’s anti-Communist investigations

Eric Bentley has chosen highlights from the thirty-year record of the House Un-American Activities Committee to demonstrate HUAC’s focus on artists, intellectuals, and performers. Volume 2: 1951–1952 includes the testimonies of Clifford Odets, Edward G. Robinson, Elia Kazan, Jose Ferrer, Bud Schulberg, Sterling Hayden, Abe Burroughs, Lillian Hellman, and many others. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the federal government’s anti-Communist investigations

The testimony that the author has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly readable and absorbing collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignified” manner to a huge, unrelenting accusatory finger from which almost no one was safe. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the federal government’s anti-Communist investigations

The testimony that Eric Bentley has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly dramatic and compelling collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignified” manner to a huge, unrelenting accusatory finger from which almost no one was safe. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.

A chilling reenactment of the federal government’s anti-Communist investigations

The testimony that Eric Bentley has gleaned for this book from the thirty-year record of the House Un-American Activities Committee focuses on HUAC’s treatment of artists, intellectuals, and performers. This highly dramatic and compelling collection of significant excerpts from the hearings shows with painful clarity how HUAC grew from a panel that investigated possible subversive activities in a “dignified” manner to a huge, unrelenting accusatory finger from which almost no one was safe. Thirty Years of Treason serves as a warning for the future and creates living history from the documentary record.