Georg Büchner – författare

Collected in this volume are powerful dramas and psychological fiction by the nineteenth-century iconoclast now recognized as a major figure of world literature. Also included are selections from Büchner's letters and philosophical writings.

Collected in this volume are powerful dramas and psychological fiction by the nineteenth-century iconoclast now recognized as a major figure of world literature. Also included are selections from Büchner's letters and philosophical writings.

George Duchner died in 1837 at a tragically early age, and his three works for the stage remained virtually unknown for half a century. Today all three, especially Danton's Death, his great play about the French Revolution are performed regularly. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Georg Büchner Prize is the highest literary honor for German language writers, and the full extent of Büchner’s influence—from Gerhart Hauptmann to Christa Wolf, Max Reinhardt to Robert Wilson, Alban Berg to Tom Waits—defies cataloging.When Georg Büchner died in 1837 at the age of twenty-three, he left behind a small and heterogenous body of work, most of it unpublished: three plays, a novella, a political pamphlet, a dissertation, medical lectures, and letters. Matthew Wilson Smith has newly translated Büchner’s introduction to On Cranial Nerves. Each text is accompanied by explanatory annotations. The editor’s introduction examines the complexities of Büchner’s short life and how they informed his writing. The volume also contains ten illustrations.“Contexts” includes Büchner’s correspondence with the people who knew him best, impressions of Büchner from a fellow medical student, excerpts from Büchner’s diary, the wanted poster calling for Büchner’s arrest for political conspiracy as well as the real-life inspirations his novella, Lenz, and his best-known play, Woyzeck.For ease of reference, “Criticism” is topically arranged by work and includes assessments by, among others, Laura Ginters, Victor Brombert, Bertolt Brecht, Henry Schmidt, Andrew Webber, Rainer Maria Rilke, and George Steiner. Three accounts of important productions of Danton’s Death are reprinted, including John Houseman’s remarks on Orson Welles’s staging. Finally, the speeches of four winners of the Georg Büchner Prize—Paul Celan, Christa Wolf, Heiner Müller, and Durs Grünbein—are reprinted in their entirety.A Chronology of Büchner’s life and work and a Selected Bibliography are also included.

The complete collection of Buchner's plays in one volume Buchner was acknowledged by figures as divergent as Antonin Artaud and Bertolt Brecht to be the forefather of modern theatre. On his death at the age of 23, he left behind some outstanding dramatic works: his historical drama, Danton's Death, 'the most remarkable first play in European culture' (Guardian), translated here by Howard Brenton and Jane Fry; the innovatory tragedy, Woyzeck, translated by John Mackendrick; and the absurdist comedy, Leonce and Lena, translated by Anthony Meech. He also left a powerful short story, Lenz, an important account of his research into cranial nerves, and his revolutionary pamphlet, The Hessian Courier. All these are collected in this one volume and supplemented with a selection of his remarkable letters.

Written in 1836, Woyzeck is often considered to be the first truly modern play.The story of a soldier driven mad by inhuman military discipline and acute social deprivation is told in splintered dialogue and jagged episodes, which are as shocking and telling today as they were when first performed, almost a century after the author's death, in Munich 1913.This edition contains introductory commentary and notes by Laura Martin from the University of Glasgow. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright’s life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.

Written in 1836, Woyzeck is often considered to be the first truly modern play.The story of a soldier driven mad by inhuman military discipline and acute social deprivation is told in splintered dialogue and jagged episodes, which are as shocking and telling today as they were when first performed, almost a century after the author''s death, in Munich 1913.This edition contains introductory commentary and notes by Laura Martin from the University of Glasgow. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright''s life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.

Written in 1836, Woyzeck is often considered to be the first truly modern play.The story of a soldier driven mad by inhuman military discipline and acute social deprivation is told in splintered dialogue and jagged episodes, which are as shocking and telling today as they were when first performed, almost a century after the author''s death, in Munich 1913.This edition contains introductory commentary and notes by Laura Martin from the University of Glasgow. METHUEN DRAMA STUDENT EDITIONS are expertly annotated texts of a wide range of plays from the modern and classic repertoires. A well as the complete text of the play itself, this volume contains:· A chronology of the play and the playwright''s life and work· an introductory discussion of the social, political, cultural and economic context in which the play was originally conceived and created· a succinct overview of the creation processes followed and subsequent performance history of the piece· an analysis of, and commentary on, some of the major themes and specific issues addressed by the text· a bibliography of suggested primary and secondary materials for further study.

This is your rhetoric translated. These wretches, these executioners, the guillotine are your speeches come to life. You have built your doctrines out of human heads...Why should an event that transforms the whole of humanity not advance through blood? 1794: the French Revolution reaches its climax. After a series of bloody purges the life-loving, volatile Danton is tormented by his part in the killing. His political rival, the driven, ascetic Robespierre, decides Danton's fate. A titanic struggle begins. Once friends who wanted to change the world, now one stands for compromise the other for ideological purity as the guillotine awaits. A revolutionary himself, George Buchner was 21 when he wrote the play in 1835, while hiding from the police. With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton's Death has a claim to be the greatest political tragedy ever written. In his newly-revised translation, Howard Brenton captures Buchner's exhilarating energy as Danton struggles to avoid his inexorable fall.

This is your rhetoric translated. These wretches, these executioners, the guillotine are your speeches come to life. You have built your doctrines out of human heads... Why should an event that transforms the whole of humanity not advance through blood? 1794: the French Revolution reaches its climax. After a series of bloody purges the life-loving, volatile Danton is tormented by his part in the killing. His political rival, the driven, ascetic Robespierre, decides Danton''s fate. A titanic struggle begins. Once friends who wanted to change the world, now one stands for compromise the other for ideological purity as the guillotine awaits. A revolutionary himself, George Büchner was 21 when he wrote the play in 1835, while hiding from the police. With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton''s Death has a claim to be the greatest political tragedy ever written. In his newly-revised translation, Howard Brenton captures Büchner''s exhilarating energy as Danton struggles to avoid his inexorable fall.

This is your rhetoric translated. These wretches, these executioners, the guillotine are your speeches come to life. You have built your doctrines out of human heads... Why should an event that transforms the whole of humanity not advance through blood? 1794: the French Revolution reaches its climax. After a series of bloody purges the life-loving, volatile Danton is tormented by his part in the killing. His political rival, the driven, ascetic Robespierre, decides Danton''s fate. A titanic struggle begins. Once friends who wanted to change the world, now one stands for compromise the other for ideological purity as the guillotine awaits. A revolutionary himself, George Büchner was 21 when he wrote the play in 1835, while hiding from the police. With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton''s Death has a claim to be the greatest political tragedy ever written. In his newly-revised translation, Howard Brenton captures Büchner''s exhilarating energy as Danton struggles to avoid his inexorable fall.