Howard Brenton – författare
Visar alla böcker från författaren Howard Brenton. Handla med fri frakt och snabb leverans.
42 produkter
42 produkter
Häftad, Engelska, 1986
375 kr
Skickas inom 10-15 vardagar
Howard Brenton is one of Britain's best-known and most controversial dramatists Christie in Love is based on the story of John Christie, the 19th century serial killer, "like Genet, [Brenton] feels for the outcast...But he's less sentimentally involved with his criminals, clearer about his ultimate strategy to show the unreality of straight lines in a curved universe, of the roles society forces on us." (Observer). "Doing our 'umble best, Ma'am to wreck society", Magificence puts the small people and their protests against the bourgeois state on stage; it was described as "A wonderful piece of theatre; annexing whole new chunks of modern life and presenting them in a style at once fruitful and magnified." (The Times) In The Churchill Play, Brenton brings Churchill back to life to view the future that he invented for England and "Brenton finds a way of making us look again at the past which has shaped the future into which he sees us drifting" (New Society).Weapons of Happiness is "a vision of revolution which is quite extraordinary in its creative ambiguity, its richness, its power to stimulate, to threaten and to inspire" (Sunday Times) while Epsom Downs "echoes Bartholomew Fair: a great public festival, held on common land and pulling in punters of every degree...a teaming, Bruegel-like composition" (The Times) The last play in this collection Sore Throats, is a witty and harsh examination of sexual proclivities from within and outside marriage: "No recent play compares for theatrical power and painful bravado." (Observer)
Häftad, Engelska, 2004
215 kr
Skickas inom 10-15 vardagar
These five short plays date from Brenton's early involvement in such 'shoestring' groups as Portable Theatre. They are deliberately intended for the 'poor theatre' - as relevant today as when they were first written - since each play requires a small cast and minimal set, yet yields maximum theatricality.Christie in Love, Gum and Goo, Heads and The Education of Skinny Spew, were all first staged in 1969. The Saliva Milkshake was first staged in 1975.
Häftad, Engelska, 1990
375 kr
Skickas inom 10-15 vardagar
Howard Brenton is one of Britain's best-known and most controversial dramatists The Romans in Britain was the play that brought calls to bring back censorship when it was first staged at the National in 1980. It conjures up "an era that is culturally as well as historically remote which is a notoriously difficult task, but Mr Brenton acheives it with great skill and effect...a very good play indeed." In The Thirteenth Night: "He sets the characters of Shakespeare to find the elements in the British character which could transform an Englishman into a Stalin, and closes in on his creation with an overall wit to match his horror" (The Times). The Genius "is teeming with memorable stage pictures, and bristling with Brenton's very best writing: flinty, impassioned, explosive" (Financial Times). In Bloody Poetry "Brenton is doing something markedly ambitious in this phantasmagoric play. He is celebrating the idea of the committed artist who seeks to stir and provoke sullen, defeated bourgeois England. At the same time, with clear-eyed honesty, he shows how difficult it is to upset the moral order" (The Guardian).Greenland is "on the one hand a cry of disillusionment with established political forms, on the other it is full of typically lively Brentonesque satire and lampoons...Brenton's message is a welcome antidote to the madness in which we all now seem to be living and a sharp blast against patriarchy as well as other attendant woes" (City Limits).
Häftad, Engelska, 2010
272 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2016
215 kr
Skickas inom 10-15 vardagar
I loathe us, I loathe our stupid puerile view of the world … That we have only to do it, that we have only to go puff, and the monster buildings will go splat ...London, the early 70s. Poverty, homelessness, rising inequality, unemployment, industrial disputes. Five young activists squat a disused building and try to make a stand against it all.Fired up by left-wing idealism, but short on pragmatism, they discover that the revolution may be a long time coming and when the protest leads to tragedy, some of them are driven to more violent methods. Meanwhile, two Tory MPs meet for a quiet chat to pass over the reins of power.Both epic and intimate, Howard Brenton's 1973 play Magnificence takes us from the grubby barracks of the revolutionary struggle to the heart of centre-right Tory politicking, creating a panoramic vision of Britain at a pivotal moment in history. Many of its themes remain burning issues today – police brutality, drug abuse, the deceptions of professional politicians, the social housing crisis and whether violence can ever be justified for political ends.Magnificence originally premiered at the Royal Court Theatre, London, in June 1973, directed by Max Stafford-Clark and with a cast that included Pete Postlethwaite, Kenneth Cranham, Michael Kitchen and Robert Eddison. This edition was published to coincide with the first professional London revival in over 40 years at the Finborough Theatre in October 2016.
Häftad, Engelska, 2010
214 kr
Skickas inom 10-15 vardagar
This is your rhetoric translated. These wretches, these executioners, the guillotine are your speeches come to life. You have built your doctrines out of human heads...Why should an event that transforms the whole of humanity not advance through blood? 1794: the French Revolution reaches its climax. After a series of bloody purges the life-loving, volatile Danton is tormented by his part in the killing. His political rival, the driven, ascetic Robespierre, decides Danton's fate. A titanic struggle begins. Once friends who wanted to change the world, now one stands for compromise the other for ideological purity as the guillotine awaits. A revolutionary himself, George Buchner was 21 when he wrote the play in 1835, while hiding from the police. With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton's Death has a claim to be the greatest political tragedy ever written. In his newly-revised translation, Howard Brenton captures Buchner's exhilarating energy as Danton struggles to avoid his inexorable fall.
E-bok
PDF, Engelska, 2013219 kr
Läs direkt efter köp
This is your rhetoric translated. These wretches, these executioners, the guillotine are your speeches come to life. You have built your doctrines out of human heads... Why should an event that transforms the whole of humanity not advance through blood? 1794: the French Revolution reaches its climax. After a series of bloody purges the life-loving, volatile Danton is tormented by his part in the killing. His political rival, the driven, ascetic Robespierre, decides Danton''s fate. A titanic struggle begins. Once friends who wanted to change the world, now one stands for compromise the other for ideological purity as the guillotine awaits. A revolutionary himself, George Büchner was 21 when he wrote the play in 1835, while hiding from the police. With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton''s Death has a claim to be the greatest political tragedy ever written. In his newly-revised translation, Howard Brenton captures Büchner''s exhilarating energy as Danton struggles to avoid his inexorable fall.
E-bok
Engelska, 2013219 kr
Läs direkt efter köp
This is your rhetoric translated. These wretches, these executioners, the guillotine are your speeches come to life. You have built your doctrines out of human heads... Why should an event that transforms the whole of humanity not advance through blood? 1794: the French Revolution reaches its climax. After a series of bloody purges the life-loving, volatile Danton is tormented by his part in the killing. His political rival, the driven, ascetic Robespierre, decides Danton''s fate. A titanic struggle begins. Once friends who wanted to change the world, now one stands for compromise the other for ideological purity as the guillotine awaits. A revolutionary himself, George Büchner was 21 when he wrote the play in 1835, while hiding from the police. With its hair-raising on-rush of scenes and vivid dramatisation of complex, visionary characters, Danton''s Death has a claim to be the greatest political tragedy ever written. In his newly-revised translation, Howard Brenton captures Büchner''s exhilarating energy as Danton struggles to avoid his inexorable fall.
E-bok
Engelska, 2014386 kr
Läs direkt efter köp
Howard Brenton is one of Britain''s best-known and most controversial dramatistsChristie in Love is based on the story of John Christie, the 19th century serial killer, "like Genet, [Brenton] feels for the outcast...But he''s less sentimentally involved with his criminals, clearer about his ultimate strategy to show the unreality of straight lines in a curved universe, of the roles society forces on us." (Observer). "Doing our ''umble best, Ma''am to wreck society", Magificence puts the small people and their protests against the bourgeois state on stage; it was described as "A wonderful piece of theatre; annexing whole new chunks of modern life and presenting them in a style at once fruitful and magnified." (The Times) In The Churchill Play, Brenton brings Churchill back to life to view the future that he invented for England and "Brenton finds a way of making us look again at the past which has shaped the future into which he sees us drifting" (New Society). Weapons of Happiness is "a vision of revolution which is quite extraordinary in its creative ambiguity, its richness, its power to stimulate, to threaten and to inspire" (Sunday Times) while Epsom Downs "echoes Bartholomew Fair: a great public festival, held on common land and pulling in punters of every degree...a teaming, Bruegel-like composition" (The Times) The last play in this collection Sore Throats, is a witty and harsh examination of sexual proclivities from within and outside marriage: "No recent play compares for theatrical power and painful bravado." (Observer)
E-bok
Engelska, 2013386 kr
Läs direkt efter köp
Howard Brenton is one of Britain''s best-known and most controversial dramatistsThe Romans in Britain was the play that brought calls to bring back censorship when it was first staged at the National in 1980. It conjures up "an era that is culturally as well as historically remote which is a notoriously difficult task, but Mr Brenton acheives it with great skill and effect...a very good play indeed." In The Thirteenth Night: "He sets the characters of Shakespeare to find the elements in the British character which could transform an Englishman into a Stalin, and closes in on his creation with an overall wit to match his horror" (The Times). The Genius "is teeming with memorable stage pictures, and bristling with Brenton''s very best writing: flinty, impassioned, explosive" (Financial Times). In Bloody Poetry "Brenton is doing something markedly ambitious in this phantasmagoric play. He is celebrating the idea of the committed artist who seeks to stir and provoke sullen, defeated bourgeois England. At the same time, with clear-eyed honesty, he shows how difficult it is to upset the moral order" (The Guardian). Greenland is "on the one hand a cry of disillusionment with established political forms, on the other it is full of typically lively Brentonesque satire and lampoons...Brenton''s message is a welcome antidote to the madness in which we all now seem to be living and a sharp blast against patriarchy as well as other attendant woes" (City Limits).
E-bok
PDF, Engelska, 2014386 kr
Läs direkt efter köp
Howard Brenton is one of Britain''s best-known and most controversial dramatistsChristie in Love is based on the story of John Christie, the 19th century serial killer, "like Genet, [Brenton] feels for the outcast...But he''s less sentimentally involved with his criminals, clearer about his ultimate strategy to show the unreality of straight lines in a curved universe, of the roles society forces on us." (Observer). "Doing our ''umble best, Ma''am to wreck society", Magificence puts the small people and their protests against the bourgeois state on stage; it was described as "A wonderful piece of theatre; annexing whole new chunks of modern life and presenting them in a style at once fruitful and magnified." (The Times) In The Churchill Play, Brenton brings Churchill back to life to view the future that he invented for England and "Brenton finds a way of making us look again at the past which has shaped the future into which he sees us drifting" (New Society). Weapons of Happiness is "a vision of revolution which is quite extraordinary in its creative ambiguity, its richness, its power to stimulate, to threaten and to inspire" (Sunday Times) while Epsom Downs "echoes Bartholomew Fair: a great public festival, held on common land and pulling in punters of every degree...a teaming, Bruegel-like composition" (The Times) The last play in this collection Sore Throats, is a witty and harsh examination of sexual proclivities from within and outside marriage: "No recent play compares for theatrical power and painful bravado." (Observer)
E-bok
PDF, Engelska, 2013400 kr
Läs direkt efter köp
Howard Brenton is one of Britain''s best-known and most controversial dramatistsThe Romans in Britain was the play that brought calls to bring back censorship when it was first staged at the National in 1980. It conjures up "an era that is culturally as well as historically remote which is a notoriously difficult task, but Mr Brenton acheives it with great skill and effect...a very good play indeed." In The Thirteenth Night: "He sets the characters of Shakespeare to find the elements in the British character which could transform an Englishman into a Stalin, and closes in on his creation with an overall wit to match his horror" (The Times). The Genius "is teeming with memorable stage pictures, and bristling with Brenton''s very best writing: flinty, impassioned, explosive" (Financial Times). In Bloody Poetry "Brenton is doing something markedly ambitious in this phantasmagoric play. He is celebrating the idea of the committed artist who seeks to stir and provoke sullen, defeated bourgeois England. At the same time, with clear-eyed honesty, he shows how difficult it is to upset the moral order" (The Guardian). Greenland is "on the one hand a cry of disillusionment with established political forms, on the other it is full of typically lively Brentonesque satire and lampoons...Brenton''s message is a welcome antidote to the madness in which we all now seem to be living and a sharp blast against patriarchy as well as other attendant woes" (City Limits).
407 kr
Skickas inom 10-15 vardagar
Drawing together the work of ten leading playwrights – a mixture of established and current writers – National Theatre Connections 2013 offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre’s literary department and reflects the past year’s programming at the venue in the plays’ ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased.The volume features an introduction by Anthony Banks, Associate Director for the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises.Published to coincide with the 2013 Connections festival, and the 50th anniversary of the National Theatre, this year's collection features work from Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson, and Anya Reiss.
435 kr
Läs direkt efter köp
Drawing together the work of ten leading playwrights – a mixture of established and current writers – National Theatre Connections 2013 offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre''s literary department and reflects the past year''s programming at the venue in the plays'' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased.The volume features an introduction by Anthony Banks, Associate Director for the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises.Published to coincide with the 2013 Connections festival, and the 50th anniversary of the National Theatre, this year''s collection features work from Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson, and Anya Reiss.
420 kr
Läs direkt efter köp
Drawing together the work of ten leading playwrights – a mixture of established and current writers – National Theatre Connections 2013 offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre''s literary department and reflects the past year''s programming at the venue in the plays'' ideas, themes and styles. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased.The volume features an introduction by Anthony Banks, Associate Director for the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises.Published to coincide with the 2013 Connections festival, and the 50th anniversary of the National Theatre, this year''s collection features work from Howard Brenton, Jim Cartwright, Lucinda Coxon, Ryan Craig, Stacey Gregg, Jonathan Harvey, Lenny Henry, Jemma Kennedy, Morna Pearson, and Anya Reiss.
E-bok
Engelska, 2014219 kr
Läs direkt efter köp
These five short plays date from Brenton''s early involvement in such ''shoestring'' groups as Portable Theatre. They are deliberately intended for the ''poor theatre'' - as relevant today as when they were first written - since each play requires a small cast and minimal set, yet yields maximum theatricality.Christie in Love, Gum and Goo, Heads and The Education of Skinny Spew, were all first staged in 1969. The Saliva Milkshake was first staged in 1975.
E-bok
PDF, Engelska, 2014220 kr
Läs direkt efter köp
These five short plays date from Brenton''s early involvement in such ''shoestring'' groups as Portable Theatre. They are deliberately intended for the ''poor theatre'' - as relevant today as when they were first written - since each play requires a small cast and minimal set, yet yields maximum theatricality.Christie in Love, Gum and Goo, Heads and The Education of Skinny Spew, were all first staged in 1969. The Saliva Milkshake was first staged in 1975.
Häftad, Engelska, 2015
198 kr
Skickas inom 10-15 vardagar
First staged at London's National Theatre in 1980, having been commissioned by Peter Hall, The Romans in Britain contrasts Julius Caesar's Roman invasion of Celtic Britain with the Saxon invasion of Romano-Celtic Britain, and finally Britain's involvement in Northern Ireland during The Troubles of the late twentieth century. As these scenes bleed into one another, Brenton suggests what it might have been like for these people to meet. Three Roman soldiers sexually assault a young druid priest. A lone, wounded Saxon soldier stumbles into a field, a nightmare made real. An army intelligence officer begins to lose his mind in the Irish fields. Brenton’s sinewy vernaculars summon a lost history of cultural collision and oppression, of fear and sorrow.This edition features an introduction by Philip Roberts, Emeritus Professor of Drama & Theatre Studies at the University of Leeds, and a foreword by director Sam West.
E-bok
PDF, Engelska, 2015202 kr
Läs direkt efter köp
First staged at London''s National Theatre in 1980, having been commissioned by Peter Hall, The Romans in Britain contrasts Julius Caesar''s Roman invasion of Celtic Britain with the Saxon invasion of Romano-Celtic Britain, and finally Britain''s involvement in Northern Ireland during The Troubles of the late twentieth century. As these scenes bleed into one another, Brenton suggests what it might have been like for these people to meet. Three Roman soldiers sexually assault a young druid priest. A lone, wounded Saxon soldier stumbles into a field, a nightmare made real. An army intelligence officer begins to lose his mind in the Irish fields. Brenton''s sinewy vernaculars summon a lost history of cultural collision and oppression, of fear and sorrow.This edition features an introduction by Philip Roberts, Emeritus Professor of Drama & Theatre Studies at the University of Leeds, and a foreword by director Sam West.
E-bok
Engelska, 2015202 kr
Läs direkt efter köp
First staged at London''s National Theatre in 1980, having been commissioned by Peter Hall, The Romans in Britain contrasts Julius Caesar''s Roman invasion of Celtic Britain with the Saxon invasion of Romano-Celtic Britain, and finally Britain''s involvement in Northern Ireland during The Troubles of the late twentieth century. As these scenes bleed into one another, Brenton suggests what it might have been like for these people to meet. Three Roman soldiers sexually assault a young druid priest. A lone, wounded Saxon soldier stumbles into a field, a nightmare made real. An army intelligence officer begins to lose his mind in the Irish fields. Brenton''s sinewy vernaculars summon a lost history of cultural collision and oppression, of fear and sorrow.This edition features an introduction by Philip Roberts, Emeritus Professor of Drama & Theatre Studies at the University of Leeds, and a foreword by director Sam West.
Häftad, Engelska, 2015
198 kr
Skickas inom 10-15 vardagar
The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart, and democracy itself cannot function. Pravda (which means "truth") is a satire written at the height of Thatcherism when huge political changes were afoot. The play essentially studies, through black humour and close scrutiny, the tabloid ethic and the media industry as a get-rich-quick-fix. In the programme for the original 1985 production of Pravda, Brenton wrote: "Pravda means 'the truth'. English newspapers aren't propaganda sheets. The question is, why do so many of them choose to behave as if they are?"The character of Lambert Le Roux is a South African newspaper tycoon and the owner of several companies, striding his way through the regional papers en route to Fleet Street. Turning broadsheets tabloid, dumbing down the message, and stretching the truth, Le Roux takes no prisoners as he manipulates politicians and creates a media monopoly out of a once-respected industry.Le Roux is bent on dominating England's press as he has elsewhere in the world. As we see Le Roux accomplish his aims, we see also how the press is not the organ of truth we like to think it is. The dissemination of the truth is no longer its primary goal under the 'Lambert Le Rouxs' of our world. What is important now is what sells.The play is an epic satire on the media in the Thatcher era; a morality tale about how Andrew, a young liberal journalist, finally succumbs to Le Roux, who makes him editor of a tabloid; and – allegedly – the play is a direct representation of Rupert Murdoch who, even in 1985, was a major force in media ownership. Howard Brenton's and David Hare's first collaboration since Brassneck in 1973, Pravda was premiered at the National Theatre in May 1985, starring Anthony Hopkins and directed by David Hare, and was awarded the London Standard Best Play Award, the City Limits Best Play Award, and the Plays and Players Best Play Award.This Modern Classics edition features an introduction by Philip Roberts, Emeritus Professor of Drama and Theatre Studies at the University of Leeds, and a foreword by Jonathan Church.
E-bok
PDF, Engelska, 2015202 kr
Läs direkt efter köp
The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart, and democracy itself cannot function. Pravda (which means "truth") is a satire written at the height of Thatcherism when huge political changes were afoot. The play essentially studies, through black humour and close scrutiny, the tabloid ethic and the media industry as a get-rich-quick-fix. In the programme for the original 1985 production of Pravda, Brenton wrote: "Pravda means ''the truth''. English newspapers aren''t propaganda sheets. The question is, why do so many of them choose to behave as if they are?"The character of Lambert Le Roux is a South African newspaper tycoon and the owner of several companies, striding his way through the regional papers en route to Fleet Street. Turning broadsheets tabloid, dumbing down the message, and stretching the truth, Le Roux takes no prisoners as he manipulates politicians and creates a media monopoly out of a once-respected industry.Le Roux is bent on dominating England''s press as he has elsewhere in the world. As we see Le Roux accomplish his aims, we see also how the press is not the organ of truth we like to think it is. The dissemination of the truth is no longer its primary goal under the ''Lambert Le Rouxs'' of our world. What is important now is what sells.The play is an epic satire on the media in the Thatcher era; a morality tale about how Andrew, a young liberal journalist, finally succumbs to Le Roux, who makes him editor of a tabloid; and – allegedly – the play is a direct representation of Rupert Murdoch who, even in 1985, was a major force in media ownership. Howard Brenton''s and David Hare''s first collaboration since Brassneck in 1973, Pravda was premiered at the National Theatre in May 1985, starring Anthony Hopkins and directed by David Hare, and was awarded the London Standard Best Play Award, the City Limits Best Play Award, and the Plays and Players Best Play Award.This Modern Classics edition features an introduction by Philip Roberts, Emeritus Professor of Drama and Theatre Studies at the University of Leeds, and a foreword by Jonathan Church.
E-bok
Engelska, 2015202 kr
Läs direkt efter köp
The press and politicians. A delicate relationship. Too close, and danger ensues. Too far apart, and democracy itself cannot function. Pravda (which means "truth") is a satire written at the height of Thatcherism when huge political changes were afoot. The play essentially studies, through black humour and close scrutiny, the tabloid ethic and the media industry as a get-rich-quick-fix. In the programme for the original 1985 production of Pravda, Brenton wrote: "Pravda means ''the truth''. English newspapers aren''t propaganda sheets. The question is, why do so many of them choose to behave as if they are?"The character of Lambert Le Roux is a South African newspaper tycoon and the owner of several companies, striding his way through the regional papers en route to Fleet Street. Turning broadsheets tabloid, dumbing down the message, and stretching the truth, Le Roux takes no prisoners as he manipulates politicians and creates a media monopoly out of a once-respected industry.Le Roux is bent on dominating England''s press as he has elsewhere in the world. As we see Le Roux accomplish his aims, we see also how the press is not the organ of truth we like to think it is. The dissemination of the truth is no longer its primary goal under the ''Lambert Le Rouxs'' of our world. What is important now is what sells.The play is an epic satire on the media in the Thatcher era; a morality tale about how Andrew, a young liberal journalist, finally succumbs to Le Roux, who makes him editor of a tabloid; and – allegedly – the play is a direct representation of Rupert Murdoch who, even in 1985, was a major force in media ownership. Howard Brenton''s and David Hare''s first collaboration since Brassneck in 1973, Pravda was premiered at the National Theatre in May 1985, starring Anthony Hopkins and directed by David Hare, and was awarded the London Standard Best Play Award, the City Limits Best Play Award, and the Plays and Players Best Play Award.This Modern Classics edition features an introduction by Philip Roberts, Emeritus Professor of Drama and Theatre Studies at the University of Leeds, and a foreword by Jonathan Church.
Ljudbok
Engelska, 2023200 kr
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A chilling collection of classic gothic horror and ghost stories adapted or written by women In this breathtaking collection of gothic horror and eerie tales, draw the curtains and pull the blankets close for two classic Victorian horror tales in new adaptations, Dracula starring Nicky Henson, Charles Edwards, Don Gilet and Ellie Kendrick and Frankenstein, with Jamie Parker (Harry Potter) as Frankenstein and Shaun Dooley (Gentleman Jack, Broadchurch) as the Monster. Next is a thrilling drama about the scandalous Mary Shelley and Lord Byron in Bloody Poetry. In the sensational psycho-sexual thriller The Mysteries of Udolpho with Robert Glenister (Suspicion, Spooks), a young woman is trapped in a castle of nightmares and villains. But who can she trust?Four spine-chilling dramatised tales follow: The Cold Embrace, where a handsome artist makes a terrible mistake, Man-size in Marble, in which newly-weds must face a horrifying truth, Afterward sees a couple paying the price for an unexpected windfall, and The Demon Lover, featuring Jenny Howe (Silent Witness, Eastenders) about a woman struggling home through the Blitz.Finally, two of Mary Shelley's finest short stories, 'The Mortal Immortal '- when a young apprentice drinks a potion to cure his heartbreak but discovers a feeling far worse - and 'Rodger Dodworth: The Reanimated Englishman' - where a man is woken after 170 years encased in ice.Cast and credits Dracula Written by Rebecca LenkiewiczStory written by Bram StokerDirected by Jessica DromgooleFirst broadcast on BBC Radio 4, 14 October 2012Frankenstein Dramatised by Lucy CatherineWritten by Mary ShelleyDirected by Marc BeebyFirst broadcast on BBC Radio 4, 28 October - 4 November 2012Bloody Poetry Written by Howard BrentonAdapted by Alison HindellDirected by Alison HindellFirst broadcast on BBC Radio 4, 20 October 2012The Mysteries of Udolpho Written by Ann RadcliffeDramatised by Catherine CzerkawskaDirected by David BlountFirst broadcast on BBC Radio 4, 13 October - 24 October 1996The Cold Embrace Written by Mary BraddonProduced by Marion NancarrowDirected by Christopher HawesFirst broadcast on BBC Radio 4, 26 July 1997Man-size in Marble Written by Edith NesbitProduced by Marion NancarrowDramatised by Christopher HawesFirst broadcast on BBC Radio 4, 17 November 1997Afterward Written by Edith WhartonProduced by Marion NancarrowDirected by Christopher HawesFirst broadcast on BBC Radio 4, 24 November 1997The Demon LoverWritten by Elizabeth BowenProduced by Marion NancarrowDirected by Christopher HawesFirst broadcast on BBC Radio 4, 17 July 1997'The Mortal Immortal'Written by Mary ShelleyProduced by Gemma JenkinsFirst broadcast on BBC Radio 4, 3 December 2005'Rodger Dodworth: The Reanimated Englishman'Written by Mary ShelleyProduced by John CardyFirst broadcast on BBC Radio 4, 24 May 1982(c)2023 BBC Studios Distribution Ltd (P)2023 BBC Studios Distribution Ltd
Ljudbok
Engelska, 2023163 kr
Lyssna direkt efter köp
A collection of Howard Brenton''s finest plays, produced for BBC radioOne of Britain''s leading contemporary playwrights, Howard Brenton is well known for his controversial state-of-the-nation plays, dark comedies and powerful political satires. He has written over 50 works for the theatre and numerous screenplays, including 13 episodes of the hit TV series Spooks. Included here are some of his most acclaimed dramas, including the award-winning Pravda, co-written with David Hare.Epsom Downs - Set on Derby Day in the Silver Jubilee year 1977, this provocative drama presents a teeming, Brueghel-like array of characters: from the gamblers, bookmakers and trainers to the jockeys, the horses and the Derby course itself... Among the ensemble cast are Peter Woodthorpe and Nigel Anthony.Pravda - Lambert Le Roux is an enormously powerful South African media tycoon. He''s also a monster manipulating all, including Fleet Street. Anthony Hopkins and Bill Nighy star in this caustic black comedy.Thirteenth Night - Jack Beaty is an activist in a ''piddling little Labour Party ward.'' What would he do if he came to power tomorrow? Tom Wilkinson, Frances Tomelty and Bill Nighy star in Brenton''s surreal parody of Macbeth, with its horror-comic vision of a totalitarian state run mad.Nasser''s Eden- 1956. Sir Anthony Eden and Gamal Abdel Nasser battle over Egypt nationalising the Suez Canal - Britain''s last symbol of her empire. Written specially for radio and starring Alec McCowen and Nadim Sawalha, this fast-paced drama looks behind the politics to reveal the personalities who changed the face of history.Bloody Poetry - Switzerland, 1816. The poet Shelley, his future wife Mary and her step-sister Claire meet the infamous Lord Byron. But their dreams of a utopian future result in tragedy... Oliver Ryan, Clare Corbett, Patrick Kennedy and Sarah Ovens star in Brenton''s compelling play celebrating these four young artistic radicals.Text copyright © Howard Brenton 1977 (Epsom Downs), 1981 (Thirteenth Night), 1984 (Bloody Poetry), 1998 (Nassar''s Eden) Pravda text copyright © David Hare and Howard Brenton 1985Cast and creditsWritten by Howard BrentonPravda written by Howard Brenton and David HareEpsom DownsCast: Peter Woodthorpe, Nigel Anthony, Heather Bell, Peter Baldwin, Michael Spice, Graham Chinn, Jean Rogers, Chas Byer, Cliff Burnett, Mary Clare Nash, John Bull, Petra Davies, Eva Stuart, John Levitt, Susan Sheridan, Wilfrid Carter, Martin Muncaster, Tammy Ustinov, Heather Bell, Olivier Pierre, Michael McStay, Peter Gordon, Fred Bryant, David Tate, Andrew BranchAdapted for radio by Howard BrentonDirected by Richard WortleyPravdaCast: Anthony Hopkins, Bill Nighy, Robert Glenister, Suzanne Burden, Frederick Treves,Garard Green, Stephen Tompkinson, David King, Christopher Good, Vincent Brimble,James Greene, Simon Treves, Danny Schiller, Nicholas GilbrookAdapted and directed by Richard Wortley.Thirteenth NightCast: Tom Wilkinson, Frances Tomelty, Bill Nighy, Peter Woodthorpe, Sean Barrett,Timothy Bateson, Maggie McCarthy, Eileen Tully, Pauline SiddleWith Alex Jennings, Richard Huw and Michael JennerDirected by Michael Heffernan.Nasser''s EdenCast: Alec McCowen, Nadim Sawalha With Bob Peck, Nigel Davenport, Saeed Jaffrey, Raad Rawi, Trevor Peacock, James Laurenson, Alix Refaie, Antony Zaki, Clifford Rose, John Rowe, Peter Birrel, Vic Tablian and Ajay ChabraProduced by Carolyn Horn.Bloody PoetryCast: Oliver Ryan, Clare Corbett, Patrick Kennedy, Sarah Ovens, Gareth PierceAdapted for radio and directed by Alison Hindell© 2023 BBC Studios Distribution Ltd. (P) 2023 BBC Studios Distribution Ltd
Häftad, Engelska, 2015
263 kr
Skickas inom 10-15 vardagar
Four new short plays inspired by the 800th anniversary of the Magna Carta by internationally renowned playwrights Howard Brenton, Anders Lustgarten, Timberlake Wertenbaker and Sally Woodcock.RANSOMED by Howard BrentonIn the sleepy Cathedral City of Melchester, a crime has been committed. The Cathedral’s prize possession, a copy of the original Magna Carta, has been stolen in a daring heist. Who is responsible and what price will the British Government be prepared to pay for the document’s safe return? As the plot thickens, Detective Inspector Ellie Baxter seeks to find the truth in this brilliant new Magna Carta comedy.KINGMAKERS by Anders LustgartenTen years after the signing of Magna Carta, the barons' takeover isn’t quite going to plan. With the peasants grumbling about enormous castles and broken promises, the threat of rebellion hangs in the air. Perhaps the solution is to distract and deflect by bringing the confused and humbled king back into the fold? What about a royal wedding? A royal baby? All at the common man’s expense, of course… A fictional story from the 13th century that may just be about now.WE SELL RIGHT by Timberlake WertenbakerIn 1215, when the King of England abuses his extraordinary power, the barons’ take action. In 2015, when the kings of global business and finance abuse their extraordinary power, who will take action and what will confrontation look like? In the decades that follow, what will remain of the values we hold most dear? A gripping drama about the consequences of confronting power on a global scale.PINK GIN by Sally WoodcockIn 21st century Africa, a visionary President stands on the cusp of greatness. With international investors poised to develop large tracks of land, the financial future looks bright. But why has it been raining for 97 days, and who is leading the angry mob in the streets outside? A compelling contemporary allegory throwing light on the oft overlooked companion to Magna Carta, The Charter of the Forest.
E-bok
Engelska, 2015279 kr
Läs direkt efter köp
Four new short plays inspired by the 800th anniversary of the Magna Carta by internationally renowned playwrights Howard Brenton, Anders Lustgarten, Timberlake Wertenbaker and Sally Woodcock. RANSOMED by Howard BrentonIn the sleepy Cathedral City of Melchester, a crime has been committed. The Cathedral’s prize possession, a copy of the original Magna Carta, has been stolen in a daring heist. Who is responsible and what price will the British Government be prepared to pay for the document’s safe return? As the plot thickens, Detective Inspector Ellie Baxter seeks to find the truth in this brilliant new Magna Carta comedy. KINGMAKERS by Anders LustgartenTen years after the signing of Magna Carta, the barons' takeover isn’t quite going to plan. With the peasants grumbling about enormous castles and broken promises, the threat of rebellion hangs in the air. Perhaps the solution is to distract and deflect by bringing the confused and humbled king back into the fold? What about a royal wedding? A royal baby? All at the common man’s expense, of course… A fictional story from the 13th century that may just be about now. WE SELL RIGHT by Timberlake WertenbakerIn 1215, when the King of England abuses his extraordinary power, the barons’ take action. In 2015, when the kings of global business and finance abuse their extraordinary power, who will take action and what will confrontation look like? In the decades that follow, what will remain of the values we hold most dear? A gripping drama about the consequences of confronting power on a global scale. PINK GIN by Sally WoodcockIn 21st century Africa, a visionary President stands on the cusp of greatness. With international investors poised to develop large tracks of land, the financial future looks bright. But why has it been raining for 97 days, and who is leading the angry mob in the streets outside? A compelling contemporary allegory throwing light on the oft overlooked companion to Magna Carta, The Charter of the Forest.
Häftad, Engelska, 2022
143 kr
Skickas
'They say Pericles caught democracy from you in bed.'Today, Socrates is revered as the founding father of Western philosophy. But in 399 BC Athens, he was a pain in the neck.The plague is over, democracy is (just about) restored, and everyone would like to get back to normal. How hard is it for one ageing firebrand to stop asking questions? It's time to shut him up...Based on eyewitness accounts, Howard Brenton's Cancelling Socrates is a provocative and witty play about an uncompromising voice in dangerous times. It was premiered at Jermyn Street Theatre, London, in June 2022, directed by the venue's Artistic Director Tom Littler.
Häftad, Engelska, 2025
148 kr
Skickas
'Everything is possible in Moscow at night.'The Kremlin, Moscow, 1942. A top-secret meeting between Winston Churchill and Joseph Stalin: one, a wealthy aristocrat from a blue-blooded line of English nobility; the other, a Georgian peasant, hell-bent on destroying capitalism and the class system. Can these two leaders find common ground? As diplomats struggle to control the escalating chaos, two interpreters find themselves caught in the eye of the storm.Howard Brenton's gripping play Churchill in Moscow dramatises the historic meeting of two unpredictable titans as history teeters on a knife-edge. It opened in 2025 at London's Orange Tree Theatre, directed by the venue's Artistic Director Tom Littler, starring Roger Allam as Churchill and Peter Forbes as Stalin.'Brenton is a masterly storyteller' Financial Times
Häftad, Engelska, 2010
215 kr
Skickas inom 10-15 vardagar
War rages in the Balkans. While NATO bombs Serbia, the Kosovan Albanians are driven out of their homes. Europe is divided. In homes everywhere, people debate the rights and wrongs of the war. This play reveals the results.