Navid Kermani – författare

How can suffering and injustice be reconciled with the idea that God is good, that he loves humans and is merciful to them? Job's question runs through the history of the three monotheistic religions. Time and again, philosophers, theologians, poets, prophets and laypersons have questioned their image of God in the light of a reality full of hardship. Some see suffering as proof of God's existence, others as a demonstration that there can be no God, while others still respond by rebelling against Him. In this remarkable book Navid Kermani - a distinguished Islamic scholar of Iranian origin - sees this revolt against God as the central motif of one of the great but neglected works of literature: The Book of Suffering by the thirteenth-century Persian poet Faridoddin Attar. Through the prism of Attar's text Kermani tells the story of a religious faith that knows God but is angry with Him: a counter-theology that runs through many religions and connects Judaism, Islam and modernity.With astonishing range and stylistic brilliance Kermani brings Attar to life as one of us, enabling the great Persian poet to speak directly to us today despite the time that separates us.

How can suffering and injustice be reconciled with the idea that God is good, that he loves humans and is merciful to them? Job's question runs through the history of the three monotheistic religions. Time and again, philosophers, theologians, poets, prophets and laypersons have questioned their image of God in the light of a reality full of hardship. Some see suffering as proof of God's existence, others as a demonstration that there can be no God, while others still respond by rebelling against Him. In this remarkable book Navid Kermani - a distinguished Islamic scholar of Iranian origin - sees this revolt against God as the central motif of one of the great but neglected works of literature: The Book of Suffering by the thirteenth-century Persian poet Faridoddin Attar. Through the prism of Attar's text Kermani tells the story of a religious faith that knows God but is angry with Him: a counter-theology that runs through many religions and connects Judaism, Islam and modernity.With astonishing range and stylistic brilliance Kermani brings Attar to life as one of us, enabling the great Persian poet to speak directly to us today despite the time that separates us.

The melodious recitation of the Quran is a fundamental aesthetic experience for Muslims, and the start of a compelling journey of ideas. In this important new book, the prominent German writer and Islamic scholar Navid Kermani considers the manner in which the Quran has been perceived, apprehended and experienced by its recipients from the time of the Prophet to the present day.Drawing on a wide range of Muslim sources, from historians, theologians and philosophers to mystics and literary scholars, Kermani provides a close reading of the nature of this powerful text. He proceeds to analyze ancient and modern testimonies about the impact of Quranic language from a variety of angles. Although people have always reflected on the reception of texts, images and sounds that they find beautiful or moving, Kermani explains that Islam provides a particularly striking example of the close correlation, grounded in a common origin, between art and religion, revelation and poetry, and religious and aesthetic experience. This major new book will enhance the dialogue between Islam and the West and will appeal to students and scholars of Islam and comparative religion, as well as to a wider readership interested in Islam and the Quran.

The melodious recitation of the Quran is a fundamental aesthetic experience for Muslims, and the start of a compelling journey of ideas. In this important new book, the prominent German writer and Islamic scholar Navid Kermani considers the manner in which the Quran has been perceived, apprehended and experienced by its recipients from the time of the Prophet to the present day.Drawing on a wide range of Muslim sources, from historians, theologians and philosophers to mystics and literary scholars, Kermani provides a close reading of the nature of this powerful text. He proceeds to analyze ancient and modern testimonies about the impact of Quranic language from a variety of angles. Although people have always reflected on the reception of texts, images and sounds that they find beautiful or moving, Kermani explains that Islam provides a particularly striking example of the close correlation, grounded in a common origin, between art and religion, revelation and poetry, and religious and aesthetic experience. This major new book will enhance the dialogue between Islam and the West and will appeal to students and scholars of Islam and comparative religion, as well as to a wider readership interested in Islam and the Quran.

Now in paperback, a story of teenage love in Cold War-era Germany.For a fifteen-year-old, falling in love can eclipse everything else in the world, and make a few short weeks feel like a lifetime of experience. In Love Writ Large, Navid Kermani captures those intense feelings, from the emotional explosion of a first kiss to the staggering loss of a first breakup. As his teenage protagonist is wrapped up in these all-consuming feelings, however, Germany is in the crosshairs of the Cold War—and even the personal dramas of a small-town grammar school are shadowed by the threat of the nuclear arms race. Kermani’s novel manages to capture these social tensions without sacrificing any of the all-consuming passion of first love and, in a unique touch, sets the boy’s struggles within the larger frame of the stories and lives of numerous Arabic and Persian mystics. His becomes a timeless tale that reflects on the multiple ways love, loss, and risk weigh on our everyday lives.

Pain is inevitable. Almost everyone is living with some kind of pain,whether the cause is physical, emotional, financial, social, or spiritual. Adesire to escape it has led thousands of Canadians to seek euthanasia, andcountless others into opioid addiction. What can we learn from people aroundthe world for whom pain is a fact of life? How can we help others bear theirpain? How might the wisdom of earlier eras help us? What answers does faith offer?On this theme:- Navid Kermani visits farming Madagascar battling drought causedby climate change. - Benjamin Crosby asks why churches haven’t spoken out againstCanada’s euthanasia experiment.- Tom Holland sums up the history of pain in two artworks and threelives.- Lisabeth Button shares correspondence with a friend succumbingto Alzheimer’s.- Rick Warren demonstrated how our own suffering can lead to ourbest ministry.- Wang Yi, an imprisoned Chinese pastor, calls churches to facerepression boldly.- Leah Libresco Sargeant profiles nuns providing palliative care.- Eleanor Parker considers an Anglo-Saxon poem, “The Dream of theRood.” - Brewer Eberly tells what he learned from an insufferable patient.- Randall Gauger, who lost his son to cancer, finds lessons in C.S. Lewis.Also in the issue: - A report on the resurgence of bison by Nathan Beacom- Original poetry by Sofia M. Starnes and Julia Nemirovskaya- An excerpt from a new graphic novel, By Water- Reviews of Barbara Kingsolver’s Demon Copperhead, James K. A. Smith’s How to Inhabit Time, and Nick Cave’s and Seán O’Hagan’s Faith, Hope and Carnage.- Readings from Eduardo Galeano, Felicity of Carthage, Anselm ofCanterbury, Julian of Norwich, Martin Luther, and J. Heinrich ArnoldPlough Quarterly features stories, ideas, and culture for people eager to apply their faithto the challenges we face. Each issue includes in-depth articles, interviews,poetry, book reviews, and art.

Pain is inevitable. Almost everyone is living with some kind of pain,whether the cause is physical, emotional, financial, social, or spiritual. Adesire to escape it has led thousands of Canadians to seek euthanasia, andcountless others into opioid addiction. What can we learn from people aroundthe world for whom pain is a fact of life? How can we help others bear theirpain? How might the wisdom of earlier eras help us? What answers does faith offer?On this theme:- Navid Kermani visits farming Madagascar battling drought causedby climate change. - Benjamin Crosby asks why churches haven’t spoken out againstCanada’s euthanasia experiment.- Tom Holland sums up the history of pain in two artworks and threelives.- Lisabeth Button shares correspondence with a friend succumbingto Alzheimer’s.- Rick Warren demonstrated how our own suffering can lead to ourbest ministry.- Wang Yi, an imprisoned Chinese pastor, calls churches to facerepression boldly.- Leah Libresco Sargeant profiles nuns providing palliative care.- Eleanor Parker considers an Anglo-Saxon poem, “The Dream of theRood.” - Brewer Eberly tells what he learned from an insufferable patient.- Randall Gauger, who lost his son to cancer, finds lessons in C.S. Lewis.Also in the issue: - A report on the resurgence of bison by Nathan Beacom- Original poetry by Sofia M. Starnes and Julia Nemirovskaya- An excerpt from a new graphic novel, By Water- Reviews of Barbara Kingsolver’s Demon Copperhead, James K. A. Smith’s How to Inhabit Time, and Nick Cave’s and Seán O’Hagan’s Faith, Hope and Carnage.- Readings from Eduardo Galeano, Felicity of Carthage, Anselm ofCanterbury, Julian of Norwich, Martin Luther, and J. Heinrich ArnoldPlough Quarterly features stories, ideas, and culture for people eager to apply their faithto the challenges we face. Each issue includes in-depth articles, interviews,poetry, book reviews, and art.

From Jordan to Germany, the influx of refugees is straining goodwill to the breaking point. This issue of Plough Quarterly focuses on the second half of Jesus’ Great Commandment: Love your neighbor as yourself. We found love of neighbor demonstrated by Christians and Muslims in ISIS-controlled Syria, and by volunteers who continue to welcome refugees despite growing public hostility.Here in election-year America, how do we as citizens live out love of neighbor in relation to immigrants? To the unborn threatened by abortion, and to their mothers? To prisoners, especially those held in solitary confinement for unconscionable terms and those on death row? To the victims of crime, and to the law enforcement officers charged with keeping the peace? To our youth, who are the ones most gravely harmed by our culture’s gender confusion?On all these fronts and many others, love of neighbor makes claims on us. But shouldn’t it start within the fellowship of believers, the church? When this happens, we can bear one another’s burdens – for example, those of the soldier returning from war, or the coworker battling an addiction.Perspectives from Navid Kermani, Neil Shigley, Denise Uwimana, Gerhard Lohfink, Michael Yandell, Teresa of Ávila, C.S. Lewis, John Stott, Matthew Loftus, Nathaniel Peters, Eberhard Arnold, Richard J. Foster, and Annemarie Wächter are sure to stimulate reflection and discussion. Then there’s new poetry by Laurie Klein, book reviews, a children’s story by Laura E. Richards, and world-class art by Dean Mitchell, Aristarkh Lentulov, Alex Vogel, Michael D. Fay, Paula Modersohn-Becker, Marc Chagall, Vasilij Ivanovic Surikov, and Sekino Jun’ichirō.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

What connects Shiite passion plays with Brecht�s drama? Which of Goethe�s poems were inspired by the Quran? How can Ibn Arabi�s theology of sighs explain the plays of Heinrich von Kleist? And why did the Persian author Sadeq Hedayat identify with the Prague Jew Franz Kafka?�One who knows himself and others will here too understand: Orient and Occident are no longer separable�: in this new book, the critically acclaimed author and scholar Navid Kermani takes Goethe at his word. He reads the Quran as a poetic text, opens Eastern literature to Western readers, unveils the mystical dimension in the works of Goethe and Kleist, and deciphers the political implications of theatre, from Shakespeare to Lessing to Brecht. Drawing striking comparisons between diverse literary traditions and cultures, Kermani argues for a literary cosmopolitanism that is opposed to all those who would play religions and cultures against one another, isolating them from one another by force. Between Quran and Kafka concludes with Kermani�s speech on receiving Germany�s highest literary prize, an impassioned plea for greater fraternity in the face of the tyranny and terrorism of Islamic State.Kermani�s personal assimilation of the classics gives his work that topical urgency that distinguishes universal literature when it speaks to our most intimate feelings. For, of course, love too lies �between Quran and Kafka�.

What connects Shiite passion plays with Brecht�s drama? Which of Goethe�s poems were inspired by the Quran? How can Ibn Arabi�s theology of sighs explain the plays of Heinrich von Kleist? And why did the Persian author Sadeq Hedayat identify with the Prague Jew Franz Kafka?�One who knows himself and others will here too understand: Orient and Occident are no longer separable�: in this new book, the critically acclaimed author and scholar Navid Kermani takes Goethe at his word. He reads the Quran as a poetic text, opens Eastern literature to Western readers, unveils the mystical dimension in the works of Goethe and Kleist, and deciphers the political implications of theatre, from Shakespeare to Lessing to Brecht. Drawing striking comparisons between diverse literary traditions and cultures, Kermani argues for a literary cosmopolitanism that is opposed to all those who would play religions and cultures against one another, isolating them from one another by force. Between Quran and Kafka concludes with Kermani�s speech on receiving Germany�s highest literary prize, an impassioned plea for greater fraternity in the face of the tyranny and terrorism of Islamic State.Kermani�s personal assimilation of the classics gives his work that topical urgency that distinguishes universal literature when it speaks to our most intimate feelings. For, of course, love too lies �between Quran and Kafka�.

This book ventures into the world beyond Lampedusa: the crisis belt that stretches from Kashmir across Pakistan and Afghanistan to the Arab world and beyond, to the borders and coasts of Europe. Celebrated author Navid Kermani reports from a region which is our immediate neighbour, despite all too often being depicted as remote and distant from our daily concerns. Kermani has visited the places where no CNN transmitter truck is parked and yet smouldering fires threaten world peace. In his widely praised, wonderfully agile and careful prose, he reports on NATO's war in Afghanistan and the underside of globalization in India, on the civil war in Syria and the struggle of Shiites and Kurds against the 'Islamic State' in Iraq. He was the only Western reporter present at the suppression of the mass protests in Tehran, travelled with Sufis through Pakistan, talked with Grand Ayatollah Sistani in Najaf, and observed the disastrous Mediterranean refugee route in Lampedusa.Kermani's gripping reports allow us to understand a world in turmoil, to share the suspense and the suffering of the people in it. As if by magic, he brings individual lives and situations to life so vividly that complex and seemingly distant problems of world politics suddenly appear crystal clear. Our world too lies beyond Lampedusa.

This book ventures into the world beyond Lampedusa: the crisis belt that stretches from Kashmir across Pakistan and Afghanistan to the Arab world and beyond, to the borders and coasts of Europe. Celebrated author Navid Kermani reports from a region which is our immediate neighbour, despite all too often being depicted as remote and distant from our daily concerns. Kermani has visited the places where no CNN transmitter truck is parked and yet smouldering fires threaten world peace. In his widely praised, wonderfully agile and careful prose, he reports on NATO's war in Afghanistan and the underside of globalization in India, on the civil war in Syria and the struggle of Shiites and Kurds against the 'Islamic State' in Iraq. He was the only Western reporter present at the suppression of the mass protests in Tehran, travelled with Sufis through Pakistan, talked with Grand Ayatollah Sistani in Najaf, and observed the disastrous Mediterranean refugee route in Lampedusa.Kermani's gripping reports allow us to understand a world in turmoil, to share the suspense and the suffering of the people in it. As if by magic, he brings individual lives and situations to life so vividly that complex and seemingly distant problems of world politics suddenly appear crystal clear. Our world too lies beyond Lampedusa.

What happens when one of Germany’s most important writers, himself a Muslim, immerses himself in the world of Christian art? In this book, Navid Kermani is awestruck by a religion full of sacrifice and lamentation, love and wonder, the irrational and the unfathomable, the deeply human and the divine – a Christianity that today’s Christians rarely speak of so earnestly, boldly and enthusiastically. With the open-minded curiosity of a non-believer – or rather a believer in another faith – Kermani engages with Christian art in its great richness and diversity. The result is an enchanting reflection which reinvests in Christianity both its spectacular beauty and its terror. Kermani struggles with the cross, falls in love at the sight of Mary, experiences the Orthodox Mass and appreciates the greatness of St Francis. He teaches us to see the questions of our present-day lives in the pictures of old masters such as Botticelli, Caravaggio and Rembrandt – not with lectures on art history or theology, but with an intelligent eye for the essential details and the underlying relations to seemingly remote worlds, to literature and to mystical Islam. Kermani’s poetic school of seeing draws us in as we are carried along by his unique perspective on Christianity, rekindling our interest in great art at the same time. We are captivated by his unique and brilliant Islamic reading of the West.

By foot, in buses, prison vans and trains, a steady stream of refugees traveled from the Greek island of Lesbos into Europe. In the autumn of 2015, award-winning writer Navid Kermani decided to accompany them on the "Balkan route." In this perceptive account from the front line of the "refugee crisis," Kermani shows how a seemingly distant world in which war and conflict rage has suddenly collided with our own. Kermani describes the situation on the Turkish west coast where thousands of refugees live in the most desperate conditions, waiting to take the perilous journey across the Mediterranean. Then, on Lesbos, he observes the culture shock amongst those who have survived the ordeal by sea. He speaks to aid workers and politicians, but most importantly of all to the refugees themselves, asking those who have come from Syria, Iraq, Afghanistan and elsewhere what has driven them to risk everything and embark on the long and treacherous journey to Europe.With great sensitivity Kermani reveals, often through small details, the cultural and political upheaval that has caused people to uproot their lives, and at the same time shining a light on Europe's inadequate and at times openly hostile response to the refugees. Interspersed with powerful images by the acclaimed photographer Moises Saman, Upheaval is a much-needed human account of a crisis we cannot ignore.

By foot, in buses, prison vans and trains, a steady stream of refugees traveled from the Greek island of Lesbos into Europe. In the autumn of 2015, award-winning writer Navid Kermani decided to accompany them on the "Balkan route." In this perceptive account from the front line of the "refugee crisis," Kermani shows how a seemingly distant world in which war and conflict rage has suddenly collided with our own. Kermani describes the situation on the Turkish west coast where thousands of refugees live in the most desperate conditions, waiting to take the perilous journey across the Mediterranean. Then, on Lesbos, he observes the culture shock amongst those who have survived the ordeal by sea. He speaks to aid workers and politicians, but most importantly of all to the refugees themselves, asking those who have come from Syria, Iraq, Afghanistan and elsewhere what has driven them to risk everything and embark on the long and treacherous journey to Europe.With great sensitivity Kermani reveals, often through small details, the cultural and political upheaval that has caused people to uproot their lives, and at the same time shining a light on Europe's inadequate and at times openly hostile response to the refugees. Interspersed with powerful images by the acclaimed photographer Moises Saman, Upheaval is a much-needed human account of a crisis we cannot ignore.

Between Germany and Russia is a region strewn with monuments to the horrors of war, genocide and disaster – the bloodlands where the murderous regimes of Hitler and Stalin unleashed the violence that scarred the twentieth century and shaped so much of the world we know today. In September 2016 the German-Iranian writer Navid Kermani set out to discover this land and to travel along the trenches that are now re-emerging in Europe, from his home in Cologne through eastern Germany to the Baltics, and from there south to the Caucasus and to Isfahan in Iran, the home of his parents.  This beautifully written travel diary, enlivened by conversations with the people Kermani meets along the way, brings to life the tragic history of these troubled lands and shows how this history leaves its traces in the present. It will be of great interest to anyone concerned with current affairs and with the events that have shaped, and continue to shape, the world in which we live today.

Between Germany and Russia is a region strewn with monuments to the horrors of war, genocide and disaster – the bloodlands where the murderous regimes of Hitler and Stalin unleashed the violence that scarred the twentieth century and shaped so much of the world we know today. In September 2016 the German-Iranian writer Navid Kermani set out to discover this land and to travel along the trenches that are now re-emerging in Europe, from his home in Cologne through eastern Germany to the Baltics, and from there south to the Caucasus and to Isfahan in Iran, the home of his parents.  This beautifully written travel diary, enlivened by conversations with the people Kermani meets along the way, brings to life the tragic history of these troubled lands and shows how this history leaves its traces in the present. It will be of great interest to anyone concerned with current affairs and with the events that have shaped, and continue to shape, the world in which we live today.

What happens when one of Germany’s most important writers, himself a Muslim, immerses himself in the world of Christian art? In this book, Navid Kermani is awestruck by a religion full of sacrifice and lamentation, love and wonder, the irrational and the unfathomable, the deeply human and the divine – a Christianity that today’s Christians rarely speak of so earnestly, boldly and enthusiastically. With the open-minded curiosity of a non-believer – or rather a believer in another faith – Kermani engages with Christian art in its great richness and diversity. The result is an enchanting reflection which reinvests in Christianity both its spectacular beauty and its terror. Kermani struggles with the cross, falls in love at the sight of Mary, experiences the Orthodox Mass and appreciates the greatness of St Francis. He teaches us to see the questions of our present-day lives in the pictures of old masters such as Botticelli, Caravaggio and Rembrandt – not with lectures on art history or theology, but with an intelligent eye for the essential details and the underlying relations to seemingly remote worlds, to literature and to mystical Islam. Kermani’s poetic school of seeing draws us in as we are carried along by his unique perspective on Christianity, rekindling our interest in great art at the same time. We are captivated by his unique and brilliant Islamic reading of the West.

Navid Kermani is not only one of Germany’s most distinguished writers and public intellectuals, he is also an outstanding public speaker who mesmerizes audiences with his well-crafted sentences and turns of phrase. Whether he is speaking about the plight of refugees or delivering a eulogy at his father’s graveside, Kermani finds words that surprise his listeners, enlighten them, provoke them, disturb them or move them to tears.As a German of Iranian descent whose parents settled in Germany, Kermani is particularly sensitive to the issues raised by migration and the perceived tensions between Islam and the West. His speeches are a powerful demonstration of how much we stand to gain by adhering to the values of openness, tolerance and mutual respect for the beliefs and practices of those from other cultures who live among us.

Navid Kermani is not only one of Germany’s most distinguished writers and public intellectuals, he is also an outstanding public speaker who mesmerizes audiences with his well-crafted sentences and turns of phrase. Whether he is speaking about the plight of refugees or delivering a eulogy at his father’s graveside, Kermani finds words that surprise his listeners, enlighten them, provoke them, disturb them or move them to tears.As a German of Iranian descent whose parents settled in Germany, Kermani is particularly sensitive to the issues raised by migration and the perceived tensions between Islam and the West. His speeches are a powerful demonstration of how much we stand to gain by adhering to the values of openness, tolerance and mutual respect for the beliefs and practices of those from other cultures who live among us.

‘When your grandpa was in hospital, he asked me one night to promise him that, when he had gone from us, I would teach you Islam – our Islam: the Islam I grew up with … In that dark, impersonal room, he was thinking of you.’This is why one father began to teach his daughter night after night not only about his own religion, but about that which unites all believers, about God and death, about love and the infinity that surrounds us. This highly personal book is not only a magical literary masterpiece, but also a rich resource of knowledge, and this because Navid Kermani dares to venture into the darkness in order to give expression to our confusion. And because his way of talking, his openness, his knowledge which derives from his immersion in two cultures, are so unique, so light and so deep.

Navid Kermani is one of the outstanding public intellectuals of his generation. Not one for drawing hard and fast conclusions, his style of thought is probing, observant, often straying from well-trodden paths and always peering beyond the present moment to trace connections and grasp the bigger picture.Well known for his prize-winning novels and major works of non-fiction, Kermani has also gained widespread acclaim as a journalist, displaying a rare political sensitivity which manages to illuminate what politicians fail to see and to seek out solutions where all appears hopeless. This volume brings together his brilliantly perceptive writing from the last thirty years, on topics ranging from terror in the Middle East to Russia’s invasion of Ukraine. As a record of Kermani’s uniquely compassionate curiosity, this absorbing book is a welcome antidote to the confusion and despair that stalks global politics today.

Navid Kermani is one of the outstanding public intellectuals of his generation. Not one for drawing hard and fast conclusions, his style of thought is probing, observant, often straying from well-trodden paths and always peering beyond the present moment to trace connections and grasp the bigger picture.Well known for his prize-winning novels and major works of non-fiction, Kermani has also gained widespread acclaim as a journalist, displaying a rare political sensitivity which manages to illuminate what politicians fail to see and to seek out solutions where all appears hopeless. This volume brings together his brilliantly perceptive writing from the last thirty years, on topics ranging from terror in the Middle East to Russia’s invasion of Ukraine. As a record of Kermani’s uniquely compassionate curiosity, this absorbing book is a welcome antidote to the confusion and despair that stalks global politics today.

A romantic novel like no other.A writer has penned a novel about the great love of his youth. After a public reading, he is approached by a woman he doesn’t recognize—but it’s his lover. He is the author; she, the figure in his novel. The young girl from back then has turned into an interesting and attractive woman—but she’s also married. Soon the situation becomes a little strange: they sit down together, have a glass of wine, talk about French romantic novels, ask each other what one expects of love when one grows older. And all the while her husband is sitting in the next room. How is this going to end? Navid Kermani has written a romantic novel like no other—surprising, witty, profound—and one can barely put it down.

Navid Kermani is an acclaimed writer already well known in the English-speaking world for his books Upheaval: The Refugee Trek through Europe and Along the Trenches: A Journey through Eastern Europe to Isfahan. His new book, In the Other Direction Now, continues his thoughtful documentation of global peripheries. Visiting southern Madagascar, the Comoros, Mozambique, Tanzania, Kenya, Ethiopia, and Sudan, Kermani examines how global fault lines converge, from post-colonial neglect and the devastating impact of climate change to the rising and often nefarious influence of China and the consequences of the Ukraine War.Reflective, astute, and intellectually rigorous, Kermani’s empathetic yet unflinching perspective does not aim to interpret Africa for us, but to learn from it in all its variousness and multiplicity. Music emerges as a unifying thread – Christian hymns, Sufi dances, and Sudanese jazz become symbols of resilience and transformation, providing cultural links that bind communities across conflict, faith, and history and offering a counterpoint to colonial clichés and Western ignorance. These specific, grounded accounts of people and places contextualise global inequalities not as a product of some intrinsic African deficiency but as part of interconnected systems shaped by the Global North as much as by local governance and the legacy of colonialism.In the Other Direction Now is so much more than a travelogue; it is a work of human depth and understanding and has much to teach those interested in contemporary global affairs and postcolonial realities.