Nawal El Saadawi – författare

Internationally acclaimed Egyptian feminist writer Nawal El Saadawi’s landmark novel Woman at Point Zero, published here with a new foreword.Firdaus is on death row. Her crime, the murder of a man. Born into poverty in a rural Egyptian village, her childhood dreams and ambitions had been met with neglect and abuse by the world and the men who rule it. Driven to sex work to support herself, she is faced with the moral outrage of society and the bitter knowledge that for a woman, true freedom comes only when all hope is abandoned. In Woman at Point Zero, Firdaus tells her unforgettable story.Woman at Point Zero is also available in audiobook format from audiobook retailers.

Passionate, powerful and thought-provoking, in The Hidden Face of Eve, leading feminist writer Nawal El Saadawi provides a shocking account of the oppression of women in the Arab world.Inspired by her experiences working as a doctor in rural Egypt and her life as an activist for women’s rights, she charts the injustices and violence faced by women in the society she grew up in, from legal inequality to honour killings and sexual violence, including female genital mutilation. Examining the historical roots of this oppression, she tackles the controversial topic of women and Islam, arguing that customs such as veiling and polygamy are contradictory to the fundamental teachings of the Muslim faith or any other.As necessary now as when it was first published, The Hidden Face of Eve is a classic of Arab feminist writing.

Three classic novels by renowned feminist writer and activist Nawal El Saadawi.A peasant family is torn apart by a village mayor and his lackeys in God Dies by the Nile, Saadawi’s dark parable of poverty, female exploitation, injustice and religious hypocrisy in rural Egypt.In Searching the disappearance of her lover causes Fouda to question everything.Circling Song is a hypnotic meditation on gender, class and state violence told through the story of two mysterious twins.

Afrikanska kärleksberättelser – finns de? Ama Ata Aidoo skriver i sitt förord om hur afrikanska författare förväntas skriva om militärregimer, förlegade traditioner, hungersnöd. Så har föreställningen vunnit mark att det inte skrivs om kärlek i Afrika, både i västvärlden och bland de egna intellektuella. Kärlek x 21 visar tydligt att den afrikanska kärleksnovellen lever i vår samtid. Här skriver flera av kontinentens främsta kvinnliga författare om allt mellan födslosmärtor och begravningar; tonårens våndor och ålderdomens krämpor; samkönade relationer och förhållanden som drabbas av rasfördomar. Inte minst slår samlingen hål på myten om den afrikanska kvinnan som ett fattigt offer. Genom hela antologin bultar det mänskliga hjärtat: belägrat och blödande, oförskräckt och ibland triumferande. Närma dig novellerna en i sänder, då kan du höra kvinnornas inre röster var och en för sig.

In Walking through Fire, Nawal El Saadawi, author of Woman at Point Zero and one of the Arab world’s greatest writers, tells the story of the later years of a life which shaped an iconic voice in global feminism. Covering her life in Nasser’s then Sadat’s and Mubarak’s Egypt, we learn about Saadawi’s experience of marriage and motherhood, and we travel with her into exile after her life was threatened by religious extremists. Filled with warmth as well as critical reflection, this book reveals the later years of a remarkable life dedicated to the fight for justice and equality.

Nawal El Saadawi is one of the world's leading feminist authors. In 1981 she was imprisoned by Anwar Sadat for alleged "crimes against the State" and was not released until after his assassination. This book offers both first hand witness to women's resistance to state violence and insights into the formation of women's community.

In A Daughter of Isis, Nawal El Saadawi, author of Woman at Point Zero and one of the Arab world’s greatest writers, tells the story of the formative years which shaped an iconic voice in global feminism. In poignant and moving prose we learn about her relationships with her family, her traumatic experience of female genital mutilation at seven years old and escaping suitors at ten and her journey from the rural Egyptian village of her birth to metropolitan Cairo to study medicine. Filled with warmth as well as critical reflection, this book reveals the early years of a remarkable life dedicated to the fight for justice and equality.

Distinguished literary critic Bodour is trapped in a loveless marriage and carries with her a dark secret. She fell in love in her youth and gave birth to an illegitimate daughter, Zeina, whom she abandoned on the streets of Cairo. Bodour doesn't know that Zeina has blossomed into one of Egypt's most beloved entertainers. Pining for her estranged daughter, she writes a fictional account of her life in an attempt to find solace. But as the revolution in Cairo begins to gain fire, the novel goes missing and Bodour must find who has stolen it. Will her hunt for the thief bring mother and daughter together? Or is Bodour destined to lose her daughter to Cairo forever?

Bint Allah knows herself only as the Daughter of God. Born in a stifling male-dominated state, ruled by the Imam and his coterie of ministers, she dreams of one day reaching the top of a distant hill visible through the bars of the orphanage window. But Bint Allah's ambitions do not escape the attention of the Imam, who never feels secure no matter how well he protects himself. When the Imam falsely accuses Bint Allah of adultery and sentences her to death by stoning, he is not prepared for what happens next. A postmodern fantasia, this powerful and poetic novel is a call to arms against those who use religion as a weapon against women.

A woman disappears without trace. Nobody, including the police commissioner investigating the case, can understand how a woman could simply walk away, leaving husband and home behind. After all, in the Kingdom of Oil where His Majesty reigns supreme, no woman has ever dared disobey the command of men. When the woman finally reappears, there is a blurring between the men in her life, as she leaves one to join another, then returns to her first husband who has since taken a new wife. She is trapped in a man-made web, unable to escape from a male figure who continually fills urns that she must carry. Surreal and satirical, Love in the Kingdom of Oil is a startling reflection on the limits of female freedom in a patriarchal society.

In Nawal El Saadawi's play "God Resigns", the prophets and great women gather for a meeting with God. Satan arrives to tender his resignation, but neither Jesus, Mohammad, nor Moses is willing to replace him. Finally, God himself resigns in disgust. Eygptian officials declared the work heretical because 'God cannot resign' and ordered her publisher to destroy all copies. El Saadawi was charged with insulting Islam and was threatened with arrest on return to Egypt. "Isis" is a critique of the discriminatory rules that control women - the daughters of Isis - in North Africa and the Middle East today. Both plays develop key themes of El Saadawi's work: that religions are inimical to women and the poor; that the oppression of women is reprehensible and not solely characteristic of the Middle East or the Third World; and that free speech is fundamental to any society. This work includes introduction by Adele Newson-Horst, along with introductions to both plays.

Bahiah Shaheen, an eighteen-year-old medical student and the daughter of a prominent Egyptian public official, finds the male students in her class coarse and alien. Her father, too, seems to belong to a race apart. Frustrated by her hard-working, well-behaved, middle-class public persona, her meeting with a stranger at a gallery one day proves to be the beginning of her road to self-discovery and the start of her realisation that fulfilment in life is indeed possible.

Diary of a Child Called Souad is Nawal El Saadawi's first autobiography, written at the age of ten in the form of fiction as she explores her early awakening to the world around her. A must read for devotees of El Saadawi's writing to witness an early record of the maturing of her thoughts and the shaping of her ideas.

Diary of a Child Called Souad is Nawal El Saadawi's first autobiography, written at the age of ten in the form of fiction as she explores her early awakening to the world around her. A must read for devotees of El Saadawi's writing to witness an early record of the maturing of her thoughts and the shaping of her ideas.

In 1981, the celebrated author and activist Nawal el Saadawi was imprisoned by the Sadat regime in her native Egypt, for ‘crimes against the state’. Through haunting and evocative prose, Saadawi here recounts how she and her fellow prisoners continued to resist even in captivity, and to form a community which transcended divisions between secular and religious activists. She reveals both the harrowing detail and the everyday mundanity of prison life, as well as the bravery and resolve of all women resisting oppression – and of political prisoners around the world. Memoirs from the Women’s Prison is an unforgettable, landmark work of prison writing that offers a rare insight into the indomitable, soaring literary mind of the Arab world’s leading feminist.

Fouada meets Farid, her lover, every Tuesday in a restaurant overlooking the Nile. But this week their usual table is deserted. She calls his home, but the shrilling of the telephone echoes in an empty room. Farid has disappeared.As she searches for him, Fouada becomes tormented by questions. She is a trained research chemist, but works in a dead-end ministry job. Convinced that she has something to give to the world, she cannot find it. What is it? Why does she search?'Searching' expresses the poignancy of loss and doubt with the hypnotic intensity of a remembered dream.

The writings of Nawal El Saadawi are essential to anyone wishing to understand the contemporary Arab world. Her dissident voice has stayed as consistent in its critique of neo.imperialist international politics as it has in its denunciation of women's oppression, both in her native Egypt and in the wider world.Saadawi is a figure of international significance, and her work has a central place in Arabic history and culture of the last half century. Featuring work never before translated into English, The Essential Nawal El Saadawi gathers together a wide range of Saadawi's writing. From novellas and short stories to essays on politics, culture, religion and sex; from extensive interviews to her work as a dramatist; from poetry to autobiography, this book is essential for anyone wishing to gain a sense of the breadth of Saadawi's work.

The writings of Nawal El Saadawi are essential to anyone wishing to understand the contemporary Arab world. Her dissident voice has stayed as consistent in its critique of neo.imperialist international politics as it has in its denunciation of women's oppression, both in her native Egypt and in the wider world.Saadawi is a figure of international significance, and her work has a central place in Arabic history and culture of the last half century. Featuring work never before translated into English, The Essential Nawal El Saadawi gathers together a wide range of Saadawi's writing. From novellas and short stories to essays on politics, culture, religion and sex; from extensive interviews to her work as a dramatist; from poetry to autobiography, this book is essential for anyone wishing to gain a sense of the breadth of Saadawi's work.

Writer, doctor and militant, Nawal el Saadawi has had a major influence on the lives of women and men globally. Author of many books, both fiction and non-fiction, which challenge our thinking about the politics of sex, Third World development, the Arab world and writing itself, she has been a constant thorn in the side of the class and patriarchal systems.This collection of her non-fiction writing since the publication of her seminal book on Arab women The Hidden Face of Eve (Zed Books, 1980) presents the full range of her extraordinary work. She explores a host of topics from women’s oppression at the hands of recent interpretations of Islam to the role of women in African literature, from the sexual politics of development initiatives to tourism in a ?post-colonial?age, from the nature of cultural identity to the subversive potential of creativity, from the fight against female genital mutilation to problems facing the internationalization of the women’s movement. Throughout her writing, she sheds new light on the power of women in resistance - against poverty, racism, fundamentalism, and inequality of all kinds.Showing the intellectual and political development of an important thinker for the late twentieth century, this book is essential reading for students and lecturers in women’s studies, development studies and social theory. It is also a book anyone who wants to understand current global politics - in their widest sense - can not do without.

Writer, doctor and militant, Nawal el Saadawi has had a major influence on the lives of women and men globally. Author of many books, both fiction and non-fiction, which challenge our thinking about the politics of sex, Third World development, the Arab world and writing itself, she has been a constant thorn in the side of the class and patriarchal systems.This collection of her non-fiction writing since the publication of her seminal book on Arab women The Hidden Face of Eve (Zed Books, 1980) presents the full range of her extraordinary work. She explores a host of topics from women’s oppression at the hands of recent interpretations of Islam to the role of women in African literature, from the sexual politics of development initiatives to tourism in a ?post-colonial?age, from the nature of cultural identity to the subversive potential of creativity, from the fight against female genital mutilation to problems facing the internationalization of the women’s movement. Throughout her writing, she sheds new light on the power of women in resistance - against poverty, racism, fundamentalism, and inequality of all kinds.Showing the intellectual and political development of an important thinker for the late twentieth century, this book is essential reading for students and lecturers in women’s studies, development studies and social theory. It is also a book anyone who wants to understand current global politics - in their widest sense - can not do without.

Well beyond the Arab world, El Saadawi's fiction and non-fiction work, from Woman at Point Zero to The Fall of the Imam to her prison memoirs, have earned her a reputation as a refreshing voice of feminism in the Arab World. This series of essays form a selection of El Saadawi's most recent musings, memories and reflections, considering the role of women in Egyptian and wider Islamic society, the inextricability of imperialism from the patriarchy, the meeting point of East and West, and the image and body politic of the woman in the intersections of those cultures. These musings leave no stone unturned and no view unchallenged, and offer the interested reader new insight into El Saadawi's thoughts and reflections.

I Kairos fina kvarter lever Bodour ett stympat liv. Hennes make bedrar henne, själv arbetar hon med litteraturkritik i en korrupt omgivning. Och hur kunde hon som ung överge sin nyfödda dotter Zina? Bodour är full av förakt över sitt meningslösa men privilegierade liv. Dottern Magiida är en besvikelse. Bodours enda flyktväg är romanen hon skriver på. Men pappersarken tycks försvinna ur den låsta skrivbordslådan är det hennes man som stjäl delar av romanen för att tysta henne? Zina har trots sin uppväxt somgatubarn blivit en av Egyptens klarast lysande stjärnor, en sångerska som folket avgudar. Väninnan Magiida både fascineras och avundas henne, utan att ana att de är systrar. Men Magiida är inte den enda sommissunnar Zina hennes framgång statens heliga män kan inte tolerera all uppmärksamhet som riktas mot henne, en enkel flicka som revolterar mot patriarkatet, bär sin mors namn utan att skämmas och går genom livet med högburet huvud. Den stulna romanen gavs ut medan HosniMubarak ännu var president i Egypten.Den avslöjar unkenheten och förljugenheten i en diktatur, men visar också på styrkan hos de förtryckta. Nawal El Saadawi har blivit något av en galjonsfigur för kvinnorörelsen i arabvärlden och har också suttit fängslad på grund av sitt författarskap. Tidigare utkomna på svenska: Röst ur djupet, Och tiden står stilla vid Nilen, Imamens fall, Törst och Livets källa. »El Saadawi har ibland nämnts somen Nobelpriskandidat. Jag tycker det vore ett utmärkt val, hennes texter har en mäktig episk styrka. ... Den stulna romanen förstärker Nawal El Saadawis position som en av den arabiska världens viktigaste författare.« Stefan Eklund, SvD