Neil Clarke – författare

When Daniel Defoe, the author of A Tour through the Whole Island of Great Britain, visited Shropshire in the early 1720s, on his journey from Shrewsbury to Lichfield he travelled along what he called ‘The Great Ancient Road’. Both before and since Defoe’s time, this road has played a vital role in the history of East Shropshire. It was the Watling Street of the Romans, the county’s first turnpike road, part of Thomas Telford’s Holyhead Road, and the A5 of the motor age. Along it, at these different times, Roman troops marched, medieval pilgrims and royalist armies trudged, horse-drawn stage and mail coaches sped, and motor vehicles ran.Radiating from it were roads to the area’s market towns – Newport, Shifnal, Bridgnorth and Much Wenlock – with Wellington at the hub. These roads were turnpiked in the late eighteenth and early nineteenth centuries as a result of the increased traffic engendered by the development of the coal, iron and clay industries on the Coalbrookdale coalfield during the Industrial Revolution.The growth of motor traffic in the first half of the twentieth century led to improvements for all the area’s roads, but the biggest changes came in the second half of the century with the development of Telford New Town and the opening of the M54 motorway. Today’s road map of the area is very different from that of fifty years ago.This book surveys pictorially these developments in roads and their traffic in East Shropshire from earliest times to the present day.

To keep up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more—a task accomplishable by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to introduce the inaugural volume of The Best Science Fiction of the Year, a new yearly anthology compiled by Hugo and World Fantasy award–winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor in chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year’s writing, showcasing the talent, variety, and awesome “sensawunda” that the genre has to offer.Neil Clarke is the award-winning publisher and editor in chief of Clarkesworld magazine, winner of three Hugo Awards for Best Semiprozine, and the editor of the 2014 cyborg-themed original anthology Upgraded. Clarke lives in Stirling, New Jersey.

To keep up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more—a task accomplishable by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to introduce the latest volume of The Best Science Fiction of the Year, a new yearly anthology compiled by Hugo and World Fantasy award–winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers. The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor in chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year’s writing, showcasing the talent, variety, and awesome “sensawunda” that the genre has to offer.

Neil Clarke, publisher of the award-winning Clarkesworld magazine, presents a collection of thought-provoking and galaxy-spanning array of galactic short science fiction. From E. E. "Doc" Smith’s Lensman, to George Lucas’ Star Wars, the politics and process of Empire have been a major subject of science fiction’s galaxy-spanning fictions. The idiom of the Galactic Empire allows science fiction writers to ask (and answer) questions that are shorn of contemporary political ideologies and allegiances. This simple narrative slight of hand allows readers and writers to see questions and answers from new and different perspectives. The stories in this book do just that. What social, political, and economic issues do the organizing structure of “empire” address? Often the size, shape, and fates of empires are determined not only by individuals, but by geography, natural forces, and technology. As the speed of travel and rates of effective communication increase, so too does the size and reach of an Imperial bureaucracy.Sic itur ad astra—“Thus one journeys to the stars.” At the beginning of the twentieth century, writers such as Kipling and Twain were at the forefront of these kinds of narrative observations, but as the century drew to a close, it was writers like Iain M. Banks who helped make science fiction relevant. That tradition continues today, with award-winning writers like Ann Leckie, whose 2013 debut novel Ancillary Justice hinges upon questions of imperialism and empire. Here then is a diverse collection of stories that asks the questions that science fiction asks best. Empire: How? Why? And to what effect? Table of Contents: - “Winning Peace” by Paul J. McAuley - “Night’s Slow Poison” by Ann Leckie - “All the Painted Stars” by Gwendolyn Clare - “Firstborn” by Brandon Sanderson - “Riding the Crocodile” by Greg Egan - “The Lost Princess Man” by John Barnes - “The Waiting Stars” by Aliette de Bodard - “Alien Archeology” by Neal Asher - “The Muse of Empires Lost” by Paul Berger - “Ghostweight” by Yoon Ha Lee - “A Cold Heart” by Tobias S. Buckell - “The Colonel Returns to the Stars” by Robert Silverberg - “The Impossibles” by Kristine Kathryn Rusch - “Utriusque Cosmi” by Robert Charles Wilson - “Section Seven” by John G. Hemry - “The Invisible Empire of Ascending Light” by Ken Scholes - “The Man with the Golden Balloon” by Robert Reed - “Looking Through Lace” by Ruth Nestvold - “A Letter from the Emperor” by Steve Rasnic Tem - “The Wayfarer’s Advice” by Melinda M. Snodgrass - “Seven Years from Home” by Naomi Novik - “Verthandi’s Ring” by Ian McDonald

The idea of creating an artificial human is an old one. One of the earliest science-fictional novels, Frankenstein, concerned itself primarily with the hubris of creation, and one’s relationship to one’s creator. Later versions of this “artificial human” story (and indeed later adaptations of Frankenstein) changed the focus to more modernist questions… What is the nature of humanity? What does it mean to be human? These stories continued through the golden age of science fiction with Isaac Asimov’s I Robot story cycle, and then through post-modern iterations from new wave writers like Philip K. Dick. Today, this compelling science fiction trope persists in mass media narratives like Westworld and Ridley Scott’s Blade Runner, as well as twenty-first century science fiction novels like Charles Stross’s Saturn's Children and Paolo Bacigalupi’s The Windup Girl. The short stories in More Human than Human demonstrate the depth and breadth of artificial humanity in contemporary science fiction. Issues of passing . . . of what it is to be human . . . of autonomy and slavery and oppression, and yes, the hubris of creation; these ideas have fascinated us for at least two hundred years, and this selection of stories demonstrates why it is such an alluring and recurring conceit.

As Earth dies, an architect is commissioned to remote build a monument on Mars from the remains of a failed colony; a man who has transferred his consciousness into a humanoid robot discovers he’s missing thirty percent of his memories, and tries to discover why; bored with life in the underground colony of an alien world, a few risk life inside one of the “whales” floating in the planet’s atmosphere; an apprentice librarian searching through centuries of SETI messages from alien civilizations makes an ominous discovery; a ship in crisis pulls a veteran multibot out from storage with an unusual assignment: pest control; the dead are given a second shot at life, in exchange for a five-year term in a zombie military program. For decades, science fiction has compelled us to imagine futures both inspiring and cautionary. Whether it’s a warning message from a survey ship, a harrowing journey to a new world, or the adventures of well-meaning AI, science fiction inspires the imagination and delivers a lens through which we can view ourselves and the world around us. With The Best Science Fiction of the Year: Volume Three, award-winning editor Neil Clarke provides a year-in-review and twenty-seven of the best stories published by both new and established authors in 2017. Table of ContentsIntroduction: The State of Short SF Field in 2017A Series of Steaks by Vina Jie-Min PrasadHoldfast by Alastair ReynoldsEvery Hour of Light and Dark by Nancy KressThe Last Novelist, or a Dead Lizard in the Yard by Matthew KresselShikasta by Vandana SinghWind Will Rove by Sarah PinskerFocus by Gord SellarThe Martian Obelisk by Linda NagataShadows of Eternity by Gregory BenfordThe Worldless by Indrapramit DasRegarding the Robot Raccoons Attached to the Hull of My Ship by Rachel Jones and Khaalidah Muhammad-AliBelly Up by Maggie ClarkUncanny Valley by Greg EganWe Who Live in the Heart by Kelly RobsonA Catalogue of Sunlight at the End of the World by A.C. WiseMeridian by Karin LowacheeThe Tale of the Alcubierre Horse by Kathleen Ann GoonanExtracurricular Activities by Yoon Ha LeeIn Everlasting Wisdom by Aliette de BodardThe Last Boat-Builder in Ballyvoloon by Finbarr O’ReillyThe Speed of Belief by Robert ReedDeath on Mars by Madeline AshbyAn Evening with Severyn Grimes by Rich LarsonZeroS by Peter WattsThe Secret Life of Bots by Suzanne PalmerZen and the Art of Starship Maintenance by Tobias S. BuckellPermissionsRecommended Reading

From Hugo Award-winning editor Neil Clarke, the best science fiction stories of the year are collected in a single paperback volume. Keeping up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more―a task accomplishable by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to introduce the latest volume of The Best Science Fiction of the Year, a yearly anthology compiled by Hugo and World Fantasy Award–winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers. The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor-in-chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year’s writing, showcasing the talent, variety, and awesome “sensawunda” that the genre has to offer.

The vast and mysterious universe is explored in this reprint anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld magazine, The Best Science Fiction of the Year).The urge to explore and discover is a natural and universal one, and the edge of the unknown is expanded with each passing year as scientific advancements inch us closer and closer to the outer reaches of our solar system and the galaxies beyond them. Generations of writers have explored these new frontiers and the endless possibilities they present in great detail. With galaxy-spanning adventures of discovery and adventure, from generations ships to warp drives, exploring new worlds to first contacts, science fiction writers have given readers increasingly new and alien ways to look out into our broad and sprawling universe. The Final Frontier delivers stories from across this literary spectrum, a reminder that the universe is far large and brimming with possibilities than we could ever imagine, as hard as we may try.

Mankind comes face to face with extraterrestrial life in this short fiction reprint anthology from Clarkesworld publisher Neil Clarke. They Are Strangers from Far Lands . . . Science fiction writers have been using aliens as a metaphor for the other for over one hundred years. Superman has otherworldly origins, and his struggles to blend in on our planet are a clear metaphor for immigration. Earth’s adopted son is just one example of this “Alien Among Us” narrative. There are stories of assimilation, or the failure to do so. Stories of resistance to the forces of naturalization. Stories told from the alien viewpoint. Stories that use aliens as a manifestation of the fears and worries of specific places and eras. Stories that transcend location and time, speaking to universal issues of group identity and its relationship to the Other. Nearly thirty authors in this reprint anthology grapple both the best and worst aspects of human nature, and they do so in utterly compelling and entertaining ways. Not One of Us is a collection of stories that aren’t afraid to tackle thorny and often controversial issues of race, nationalism, religion, political ideology, and other ways in which humanity divides itself.

In celebration of the 50th anniversary of the Apollo 11 landing, the endlessly-mysterious moon is explored in this reprint short science fiction anthology from award-winning editor and anthologist Neil Clarke (Clarkesworld, The Best Science Fiction of the Year).On July 20, 1969, mankind made what had only years earlier seemed like an impossible leap forward: when Apollo 11 became the first manned mission to land on the moon, and Neil Armstrong the first person to step foot on the lunar surface.While there have only been a handful of new missions since, the fascination with our planet’s satellite continues, and generations of writers and artists have imagined the endless possibilities of lunar life. From adventures in the vast gulf of space between the earth and the moon, to journeys across the light face to the dark side, to the establishment of permanent residences on its surface, science fiction has for decades given readers bold and forward-thinking ideas about our nearest interstellar neighbor and what it might mean to humankind, both now and in our future.The Eagle Has Landed collects the best stories written in the fifty years since mankind first stepped foot on the lunar surface, serving as a shining reminder that the moon is and always has been our most visible and constant example of all the infinite possibility of the wider universe.Table of ContentsIntroductionBagatelle by John VarleyThe Eve of the Last Apollo by Carter ScholzThe Lunatics by Kim Stanley RobinsonGriffin’s Egg by Michael SwanwickA Walk in the Sun by Geoffrey A. LandisWaging Good by Robert ReedHow We Lost the Moon by Paul McAuleyPeople Came From Earth by Stephen BaxterAshes and Tombstones by Brian StablefordSunday Night Yams at Minnie and Earl’s by Adam Troy CastroStories for Men by John KesselThe Clear Blue Seas of Luna by Gregory BenfordYou Will Go to the Moon by William PrestonSeniorSource by Kristine Kathryn RuschThe Economy of Vacuum by Sarah ThomasThe Cassandra Project by Jack McDevittFly Me to the Moon by Marianne J. DysonTyche and the Ants by Hannu RajaniemiThe Moon Belongs to Everyone by Michael Alexander and K.C. BallThe Fifth Dragon by Ian McDonaldLet Baser Things Devise by Berrien C. HendersonThe Moon is Not a Battlefield by Indrapramit DasEvery Hour of Light and Dark by Nancy KressIn Event of Moon Disaster by Rich LarsonPermissionsAbout the Editor

From Hugo Award-Winning Editor Neil Clarke, the Best Science Fiction Stories of the Year Collected in a Single Paperback VolumeKeeping up-to-date with the most buzzworthy and cutting-edge science fiction requires sifting through countless magazines, e-zines, websites, blogs, original anthologies, single-author collections, and more—a task that can be accomplished by only the most determined and voracious readers. For everyone else, Night Shade Books is proud to present the latest volume of The Best Science Fiction of the Year, a yearly anthology compiled by Hugo and World Fantasy Award–winning editor Neil Clarke, collecting the finest that the genre has to offer, from the biggest names in the field to the most exciting new writers.The best science fiction scrutinizes our culture and politics, examines the limits of the human condition, and zooms across galaxies at faster-than-light speeds, moving from the very near future to the far-flung worlds of tomorrow in the space of a single sentence. Clarke, publisher and editor-in-chief of the acclaimed and award-winning magazine Clarkesworld, has selected the short science fiction (and only science fiction) best representing the previous year’s writing, showcasing the talent, variety, and awesome “sensawunda” that the genre has to offer.