Nell Stevens - Böcker

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.As Grace cultivates her talent as a copyist, she realizes that her uncanny ability to recreate paintings might offer her a means of escape. Secretly, she puts this skill to use as an art forger, creating fake masterpieces in candlelit corners of the estate. Saving the money she makes from her sales, she plans a new life far from the family that has never seemed to want her.Then, a letter arrives from the South Atlantic. The writer claims to be her cousin Charles, long presumed dead at sea, who wishes to reconnect with his family. When Charles returns, Grace’s aunt welcomes him with open arms; yet fractures appear in the household. Some believe he is who he says he is. Others are convinced he’s an impostor. As a court date looms to determine his legitimacy—and his claim to the family fortune—Grace must decide what she believes, and what she’s willing to risk.Is Charles really her cousin? An interloper? A mirror of her own ambitions? And in a house built on illusions, what does authenticity truly mean—in art, in love, and in family?Deftly plotted and shimmering with Nell Stevens’s distinctive intelligence, style, and wit, The Original takes readers on an unforgettable adventure through a world of forgeries, family ties, and the fluctuations in fortune that can change our fate.

Brought to her uncle’s decaying Oxfordshire estate when she was a child, Grace has grown up on the periphery of a once-great household, an outsider in her own home. Now a self-possessed and secretive young woman, she has developed unusual predilections: for painting, particularly forgery; for deception; for other girls.As Grace cultivates her talent as a copyist, she realizes that her uncanny ability to recreate paintings might offer her a means of escape. Secretly, she puts this skill to use as an art forger, creating fake masterpieces in candlelit corners of the estate. Saving the money she makes from her sales, she plans a new life far from the family that has never seemed to want her.Then, a letter arrives from the South Atlantic. The writer claims to be her cousin Charles, long presumed dead at sea, who wishes to reconnect with his family. When Charles returns, Grace’s aunt welcomes him with open arms; yet fractures appear in the household. Some believe he is who he says he is. Others are convinced he’s an impostor. As a court date looms to determine his legitimacy—and his claim to the family fortune—Grace must decide what she believes, and what she’s willing to risk.Is Charles really her cousin? An interloper? A mirror of her own ambitions? And in a house built on illusions, what does authenticity truly mean—in art, in love, and in family?Deftly plotted and shimmering with Nell Stevens’s distinctive intelligence, style, and wit, The Original takes readers on an unforgettable adventure through a world of forgeries, family ties, and the fluctuations in fortune that can change our fate.

Shortlisted for the James Tait Black Prize 2026A Finalist in the Nota Bene Prize 2026‘Casually magisterial’ Guardian'Endlessly intriguing' Observer‘A marvel of a novel’ Ali Smith‘Jane Eyre by way of Patricia Highsmith’ BBC Radio 4‘Puts Stevens in the class of Sarah Waters’ Financial Times‘There was a painting my family set on fire. It burned to ashes, and then it came back.’Oxfordshire, 1899. Grace Inderwick grows up on the peripheries of a once-great household, an unwanted guest in her uncle’s home. She has unusual skills and unusual predilections: for painting, though faces elude her; for lurking in the shadows; for other girls. Then a letter arrives, postmarked Saint Helena. After years missing at sea, Grace’s cousin Charles is ready to come home. When Charles returns, unrecognisable and uncanny, a rift emerges between those who claim he is an imposter and Grace’s aunt, who insists he is her son. And Grace, whose intimate knowledge of forgeries is her own closely-guarded secret, must decide who and what to believe in, and what kind of life she wants to live. Deftly-plotted and shimmering with Nell Stevens’s distinctive intelligence, style and wit, THE ORIGINAL is a novel about the value of authenticity in art and in love, and what it means to be a true original.'What a bewitching book this is. A sinuous, thrilling meditation on fakes and forgers, with echoes of Daphne du Maurier and Sarah Waters and an audacity that is totally original to Nell Stevens herself' Olivia Laing, author of THE GARDEN AGAINST TIME'Deliciously engaging and wildly intelligent. I adored this novel about art, authenticity and desire and am a devoted fan of Nell Stevens' Ayşegül Savaş, author of THE ANTHROPOLOGISTS'A delightful, playful puzzle of a novel, and a brilliant twist on the nineteenth century orphan-makes-good story. THE ORIGINAL asks whether, sometimes, faking it is the right thing to do' Claire Fuller, author of UNSETTLED GROUND'A wonderful novel about identity, creativity, money and belonging. It's so witty and propulsive you will forget how brilliantly constructed it is, this tale that brims with the beauty of art, of how to triumph in a difficult world. I absolutely loved it' Jessie Burton, author of THE MINIATURIST

Shortlisted for the James Tait Black Prize 2026‘Casually magisterial’ Guardian'Endlessly intriguing' Observer‘A marvel of a novel’ Ali Smith‘Jane Eyre by way of Patricia Highsmith’ BBC Radio 4‘Puts Stevens in the class of Sarah Waters’ Financial Times‘There was a painting my family set on fire. It burned to ashes, and then it came back.’Oxfordshire, 1899. Grace Inderwick grows up on the peripheries of a once-great household, an unwanted guest in her uncle’s home. She has unusual skills and unusual predilections: for painting, though faces elude her; for lurking in the shadows; for other girls. Then a letter arrives, postmarked Saint Helena. After years missing at sea, Grace’s cousin Charles is ready to come home. When Charles returns, unrecognisable and uncanny, a rift emerges between those who claim he is an imposter and Grace’s aunt, who insists he is her son. And Grace, whose intimate knowledge of forgeries is her own closely-guarded secret, must decide who and what to believe in, and what kind of life she wants to live. Deftly-plotted and shimmering with Nell Stevens’s distinctive intelligence, style and wit, THE ORIGINAL is a novel about the value of authenticity in art and in love, and what it means to be a true original.'What a bewitching book this is. A sinuous, thrilling meditation on fakes and forgers, with echoes of Daphne du Maurier and Sarah Waters and an audacity that is totally original to Nell Stevens herself' Olivia Laing, author of THE GARDEN AGAINST TIME'Deliciously engaging and wildly intelligent. I adored this novel about art, authenticity and desire and am a devoted fan of Nell Stevens' Ayşegül Savaş, author of THE ANTHROPOLOGISTS'A delightful, playful puzzle of a novel, and a brilliant twist on the nineteenth century orphan-makes-good story. THE ORIGINAL asks whether, sometimes, faking it is the right thing to do' Claire Fuller, author of UNSETTLED GROUND'A wonderful novel about identity, creativity, money and belonging. It's so witty and propulsive you will forget how brilliantly constructed it is, this tale that brims with the beauty of art, of how to triumph in a difficult world. I absolutely loved it' Jessie Burton, author of THE MINIATURIST

‘I wanted to do whatever was necessary to ensure we could all go on as we had before, happily, having a good time.’ //‘But we were having such a good time,’ I said. That was all there was, all I could say, whether or not it was enough. ‘Weren’t we? Weren’t we having such a good time?’//The debut collection of short stories from the author of The OriginalA woman suffering an extreme allergic reaction to a yoga mat returns to the UK to give a reading at her estranged best friend’s wedding; a corporate new starter desperately tries to persuade her colleague to accept that his online girlfriend doesn’t exist; a group of student activists stage an artful protest against the demolition of a tower block; a once inseparable friendship group confront the reason they drifted; and a self-taught pianist whose wife is six months pregnant decides she must travel to Warsaw to listen to Chopin’s heart.In The Good Time, Nell Stevens introduces us to characters teetering on the edge of self-knowledge, unveiling the complexities of their inner worlds with empathy and humour.Beautifully observed, wry and full of wisdom, The Good Time shows us the indomitable love and hope that prevail in the most absurd and unexpected moments of modern existence.'Stevens is showing herself to be that rare thing: a writer who we can think alongside, even while she’s making things up' Lara Feigel, Guardian

'Perfect' Lena Dunham 'This year's literary sensation' Evening StandardHow far would you travel to become a writer?8000 miles from home1085 calories a day3 months to write the novel that would make her nameAt least that was the plan. But when Nell Stevens travelled to Bleaker Island in the Falklands (official population: two) she didn’t count on the isolation getting to her . . . Hilarious and heartbreaking, this is a book about loneliness and creativity. It is about discovering who you are when there’s no one else around. And it’s about what to do when a plan doesn’t work: ultimately Nell may have failed to write a novel, but she succeeded in becoming a writer.

Winner of the 2019 Somerset Maugham Award'A great galloping joy of a book - funny, lyrical, fast paced, heart-warming – a delicious celebration of love and life' – Rebecca Stott, author of In the Days of RainIn 1857, Elizabeth Gaskell set sail for Rome, a city that would prove to be a place of inspiration and love: she would make enduring friendships, and meet a man – Charles Norton – who would become the love of her life.In 2013, Nell Stevens is writing about Mrs Gaskell in Rome, and falling drastically in love with a man who lives in another city altogether. As Nell chases her heart around the world, and as Mrs Gaskell forms the greatest connection of her life, these two women, though centuries apart, are drawn together, and for Nell, Mrs Gaskell becomes more than a figure from the past. Here is a confidante, a friend, a woman who – living outside the conventions of her time – might have some wisdom to offer Nell.Mrs Gaskell and Me is about unrequited love and the romance of friendship, it is about forming a way of life outside the conventions of your time, and it offers Nell the opportunity – even as her own relationship falls apart – to give Mrs Gaskell the ending she deserved.

When George Sand and Frdric Chopin arrive at a monastery in Mallorca, the resident ghost, Blanca, falls head-over-heels in love with George this striking woman in a mans clothing. But the rest of the village is suspicious, and as winter sets in, their stay looks likely to end in disaster. For fans of &i>How to Be Both&/i> by Ali Smith.

Longlisted for the Dylan Thomas Prize'Wildly seductive' – Sarah Waters'Exquisite' – New York Times'Deeply enjoyable' – Daily TelegraphBriefly, A Delicious Life by Nell Stevens is a historical otherworldly story about breaking convention, and about love – secret, forbidden, unrequited.Blanca has been dead for a few centuries when she falls in love – instantly and devotedly – with celebrated novelist George Sand. George is unlike anyone Blanca has encountered in hundreds of years of haunting: a woman dressed in men’s clothes, a ferocious writer, a passionate lover of men and women alike and an ambivalent mother.It is 1838, and George has come to the island of Mallorca with her ailing lover, Frédéric Chopin. As the weather and the locals turn against this strange couple, can the love of a teenage ghost keep them from disaster?'Dazzling' – Melissa Broder, author of The Pisces and Milk Fed‘A luscious, multi-sensory bewitchment of a book’ – Kiran Millwood Hargrave, author of The Mercies‘A shining work of art’ – Elizabeth Macneal, author of The Doll Factory'Electrifyingly beautiful, exhilaratingly clever . . . sensual, original, intelligent and brimming with love' – Imogen Hermes Gowar, author of The Mermaid and Mrs Hancock‘Hugely accomplished’ – The Guardian‘A playful, otherworldly debut’ – Stylist