New York Times Magazine – författare

#1 NEW YORK TIMES BESTSELLER • NAACP IMAGE AWARD WINNER • A dramatic expansion of a groundbreaking work of journalism, The 1619 Project: A New Origin Story offers a profoundly revealing vision of the American past and present.“[A] groundbreaking compendium . . . bracing and urgent . . . This collection is an extraordinary update to an ongoing project of vital truth-telling.”—Esquire NOW AN EMMY-NOMINATED HULU ORIGINAL DOCUSERIES • FINALIST FOR THE KIRKUS PRIZE • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, Esquire, Marie Claire, Electric Lit, Ms. magazine, Kirkus Reviews, BooklistIn late August 1619, a ship arrived in the British colony of Virginia bearing a cargo of twenty to thirty enslaved people from Africa. Their arrival led to the barbaric and unprecedented system of American chattel slavery that would last for the next 250 years. This is sometimes referred to as the country’s original sin, but it is more than that: It is the source of so much that still defines the United States.The New York Times Magazine’s award-winning 1619 Project issue reframed our understanding of American history by placing slavery and its continuing legacy at the center of our national narrative. This book substantially expands on that work, weaving together eighteen essays that explore the legacy of slavery in present-day America with thirty-six poems and works of fiction that illuminate key moments of oppression, struggle, and resistance. The essays show how the inheritance of 1619 reaches into every part of contemporary American society, from politics, music, diet, traffic, and citizenship to capitalism, religion, and our democracy itself.This book that speaks directly to our current moment, contextualizing the systems of race and caste within which we operate today. It reveals long-glossed-over truths around our nation’s founding and construction—and the way that the legacy of slavery did not end with emancipation, but continues to shape contemporary American life.Featuring contributions from: Leslie Alexander • Michelle Alexander • Carol Anderson • Joshua Bennett • Reginald Dwayne Betts • Jamelle Bouie • Anthea Butler • Matthew Desmond • Rita Dove • Camille T. Dungy • Cornelius Eady • Eve L. Ewing • Nikky Finney • Vievee Francis • Yaa Gyasi • Forrest Hamer • Terrance Hayes • Kimberly Annece Henderson • Jeneen Interlandi • Honorée Fanonne Jeffers • Barry Jenkins • Tyehimba Jess • Martha S. Jones • Robert Jones, Jr. • A. Van Jordan • Ibram X. Kendi • Eddie Kendricks • Yusef Komunyakaa • Kevin M. Kruse • Kiese Laymon • Trymaine Lee • Jasmine Mans • Terry McMillan • Tiya Miles • Wesley Morris • Khalil Gibran Muhammad • Lynn Nottage • ZZ Packer • Gregory Pardlo • Darryl Pinckney • Claudia Rankine • Jason Reynolds • Dorothy Roberts • Sonia Sanchez • Tim Seibles • Evie Shockley • Clint Smith • Danez Smith • Patricia Smith • Tracy K. Smith • Bryan Stevenson • Nafissa Thompson-Spires • Natasha Trethewey • Linda Villarosa • Jesmyn Ward

A stunning collection of new short stories originally commissioned byThe New York Times Magazineas the COVID-19 pandemic swept the world, from twenty-nine authors including Margaret Atwood, Tommy Orange, Colm Toibin, Kamilia Shamsie and more, in a project inspired by Boccaccio's The Decameron.When reality is surreal, only fiction can make sense of it. In 1353, Giovanni Boccaccio wrote ';The Decameron': one hundred nested tales told by a group of young men and women passing the time at a villa outside Florence while waiting out the gruesome Black Death, a plague that killed more than 25 million people. Some of the stories are silly, some are bawdy, some are like fables. In March of 2020, the editors ofThe New York Times MagazinecreatedThe Decameron Project, an anthology with a simple, time-spanning goal: to gather a collection of stories written as our current pandemic first swept the globe. How might new fiction from some of the finest writers working today help us memorialize and understand the unimaginable? And what could be learned about how this crisis will affect the art of fiction? These twenty-nine new stories, from authors including Margaret Atwood, Tommy Orange, Colm Toibin, Kamila Shamsie and David Mitchell vary widely in texture and tone. Their work will be remembered as a historical tribute to a time and place unlike any other in our lifetimes, and offer perspective and solace to the reader now and in a future where coronavirus is, hopefully, just a memory. Table of Contents: ';Preface' by Caitlin Roper ';Introduction' by Rivka Galchen ';Recognition' by Victor LaValle ';A Blue Sky Like This' by Mona Awad ';The Walk' by Kamila Shamsie ';Tales from the LA River' by Colm Toibn ';Clinical Notes' by Liz Moore ';The Team' by Tommy Orange ';The Rock' by Leila Slimani ';Impatient Griselda' by Margaret Atwood ';Under the Magnolia' by Yiyun Li ';Outside' by Etgar Keret ';Keepsakes' by Andrew O'Hagan ';The Girl with the Big Red Suitcase' by Rachel Kushner ';The Morningside' by Tea Obreht ';Screen Time' by Alejandro Zambra ';How We Used to Play' by Dinaw Mengestu ';Line 19 Woodstock/Glisan' by Karen Russell ';If Wishes Was Horses' by David Mitchell ';Systems' by Charles Yu ';The Perfect Travel Buddy' by Paolo Giordano ';An Obliging Robber' by Mia Cuoto ';Sleep' by Uzodinma Iweala ';Prudent Girls' by Rivers Solomon ';That Time at My Brother's Wedding' by Laila Lalami ';A Time of Death, The Death of Time' by Julin Fuks ';The Cellar' by Dina Nayeli ';Origin Story' by Matthew Baker ';To the Wall' by Esi Edugyan ';Barcelona: Open City' by John Wray ';One Thing' by Edwidge Danticat

A stunning collection of new short stories originally commissioned by The New York Times Magazine as the COVID-19 pandemic swept the world, from twenty-nine authors including Margaret Atwood, Tommy Orange, Colm Toibin, Kamilia Shamsie, David Mitchell and more, in a project inspired by Boccaccio’s The Decameron.When reality is surreal, only fiction can make sense of it.In 1353, Giovanni Boccaccio wrote “The Decameron”: one hundred nested tales told by a group of young men and women passing the time at a villa outside Florence while waiting out the gruesome Black Death, a plague that killed more than 25 million people. Some of the stories are silly, some are bawdy, some are like fables.In March of 2020, the editors of The New York Times Magazine created The Decameron Project, an anthology with a simple, time-spanning goal: to gather a collection of stories written as our current pandemic first swept the globe. How might new fiction from some of the finest writers working today help us memorialize and understand the unimaginable? And what could be learned about how this crisis will affect the art of fiction?These twenty-nine new stories, from authors including Margaret Atwood, Tommy Orange, Edwidge Danticat, and David Mitchell vary widely in texture and tone. Their work will be remembered as a historical tribute to a time and place unlike any other in our lifetimes, and offer perspective and solace to the reader now and in a future where coronavirus is, hopefully, just a memory.Table of Contents:“Preface” by Caitlin Roper“Introduction” by Rivka Galchen“Recognition” by Victor LaValle“A Blue Sky Like This” by Mona Awad“The Walk” by Kamila Shamsie“Tales from the LA River” by Colm Tóibín“Clinical Notes” by Liz Moore“The Team” by Tommy Orange“The Rock” by Leila Slimani“Impatient Griselda” by Margaret Atwood“Under the Magnolia” by Yiyun Li“Outside” by Etgar Keret“Keepsakes” by Andrew O’Hagan“The Girl with the Big Red Suitcase” by Rachel Kushner“The Morningside” by Téa Obreht“Screen Time” by Alejandro Zambra“How We Used to Play” by Dinaw Mengestu“Line 19 Woodstock/Glisan” by Karen Russell“If Wishes Was Horses” by David Mitchell“Systems” by Charles Yu“The Perfect Travel Buddy” by Paolo Giordano“An Obliging Robber” by Mia Cuoto“Sleep” by Uzodinma Iweala“Prudent Girls” by Rivers Solomon“That Time at My Brother’s Wedding” by Laila Lalami“A Time of Death, The Death of Time” by Julián Fuks“The Cellar” by Dina Nayeli“Origin Story” by Matthew Baker“To the Wall” by Esi Edugyan“Barcelona: Open City” by John Wray“One Thing” by Edwidge Danticat