Nicholas Jardine – författare

The Scenes of Inquiry advocates a radical shift of concern - from answers and doctrines to questions and problems - in philosophical, historical, and sociological studies of the sciences, and explores the consequences of such a shift. The historically-orientated first part of the work deals with the ways in which ranges of questions become real and cease to be real for communities of inquirers. It offers a series of hypotheses, illustrated by case studies, concerning the methodological, historical, and social factors responsible for such shifts of 'scenes of inquiry' in the sciences. The more philosophically-orientated second part of the work addresses doubts about the claims of the sciences to have accumulated absolutely real questions. It is argued that recent studies in the sociology and social history of the sciences pose strong challenges to the sciences by revealing how appeals to authority, vested interests, and rhetorical and aesthetic sensibilities play substantial roles in the practices of the sciences.The final chapter defends the pragmatic stance of the work, and of its companion, The Fortunes of Inquiry (OUP, 1986), and draws morals about the roles of criticism and reflection in the philosophy of science and in the sciences themselves.

The Scenes of Inquiry advocates a radical shift of concern in philosophical, historical, and sociological studies of the sciences, from answers and doctrines to questions and problems, and explores the consequences of such a shift. In his Conclusion Nicholas Jardine writes: 'The time has come for scientists to break with science. What started life as a creative programme, liberating inquirers from limited scenes of inquiry, has become itself a limitation on scenes of inquiry. Freed of the mythology of science, scientists might become more perceptive of their varied practices and of the workings of their own social and political institutions. They might recover their lost literary and aesthetic consciousness. They might re-engage in historical reflection. Then we should surely see a wonderful proliferation and enrichment of the sciences and of the lived experience of all who partake in them.' Professor Jardine has expanded the book considerably for this paperback edition, adding a substantial preface, an extensive bibliography, and three new essays which develop its themes and pursue its aims further. These renew the book's interest and value for anyone interested in the workings of science and its role in our world.

Nicholas Jardine offers here an edition and the first translation into English of Johannes Kepler's A Defence of Tycho against Ursus. He accompanies this with essays on the provenance of the treatise - the circumstances which provoked Kepler to write it, an analysis of its strategy, style and historical sources and of the contents of Ursus' Treatise on Astronomical Hypotheses to which Kepler was replying. Dr Jardine also provides three extended interpretive essays on the intrinsic interest and historical significance of the work.

This book presents a series of essays, each specially written by an expert in the area, which focus on the role of Romantic philosophy and ideology in the sciences, and on the role of the sciences in Romantic literature. The contributions are designed to give a systematic coverage of the whole field. They are written at a popular level; they are well illustrated; and are accompanied by suggestions for further reading suitable for undergraduates and others. Divided into four sections under the titles 'Romanticism', 'Sciences of the Organic', 'Sciences of the Inorganic', and 'Literature and the Sciences', the book discusses various themes, movements and theories, as well as individual scientists and writers (including Schelling, von Humboldt, Goethe, Ritter, Davy, Oersted, Kleist, Coleridge, and Buchner). There is an editorial introduction prefiguring some of the concerns of the books. This original collection, designed to provide a balance of literary and scientific interests for students in both humanistic and scientific disciplines and occupies an important place in a previously under-explored field.

This lavishly illustrated volume is the first systematic general work to do justice to the fruits of recent scholarship in the history of natural history. Public interest in this lively field has been stimulated by environmental concerns and through links with the histories of art, collecting and gardening. Twenty-four specially commissioned essays cover the period from the sixteenth century, when the first institutions of natural history were created, to its late nineteenth-century transformation by practitioners of the new biological sciences. An introduction discusses novel approaches that have made this a major focus for research in cultural history. The essays, which include suggestions for further reading, offer a coherent and accessible overview of a fascinating subject. An epilogue highlights the relevance of this wide-ranging survey for current debates on museum practice, the display of ecological diversity, and concerns about the environment.

From Aztec accounts of hibernating hummingbirds to contemporary television spectaculars, human encounters with nature have long sparked wonder, curiosity and delight. Written by leading scholars, this richly illustrated volume offers a lively introduction to the history of natural history, from the sixteenth century to the present day. Covering an extraordinary range of topics, from curiosity cabinets and travelling menageries to modern seed banks and radio-tracked wildlife, this volume draws together the work of historians of science, of environment and of art, museum curators and literary scholars. The essays are framed by an introduction charting recent trends in the field and an epilogue outlining the prospects for the future. Accessible to newcomers and established specialists alike, Worlds of Natural History provides a much-needed perspective on current discussions of biodiversity and an enticing overview of an increasingly vital aspect of human history.

From Aztec accounts of hibernating hummingbirds to contemporary television spectaculars, human encounters with nature have long sparked wonder, curiosity and delight. Written by leading scholars, this richly illustrated volume offers a lively introduction to the history of natural history, from the sixteenth century to the present day. Covering an extraordinary range of topics, from curiosity cabinets and travelling menageries to modern seed banks and radio-tracked wildlife, this volume draws together the work of historians of science, of environment and of art, museum curators and literary scholars. The essays are framed by an introduction charting recent trends in the field and an epilogue outlining the prospects for the future. Accessible to newcomers and established specialists alike, Worlds of Natural History provides a much-needed perspective on current discussions of biodiversity and an enticing overview of an increasingly vital aspect of human history.

Christoph Rothmann wrote a treatise on the comet of 1585 shortly after it disappeared. Though it was not printed until 1619, Rothman sent a copy of his treatise in 1586 to Tycho Brahe, decisively influencing the latter's rejection of solid celestial spheres two years later. In his treatise, Rothmann joined the elimination of the solid celestial spheres to his concept of air as the substance filling the cosmos. He based his argument on the absence of refraction and the celestial location of the comet. The treatise also contained clear statements reflecting Rothmann’s adoption of Copernicanism. This first critical edition of the treatise is accompanied by an English translation and a thorough commentary. Some appendices with archival documents illustrate the genesis of Rothmann’s treatise.