Nicholas Royle – författare

Deconstructions: A User's Guide is a new and unusual kind of book. At once a reference work and a series of inventive essays opening up new directions for deconstruction, it is intended as an authoritative and indispensable guide. With a helpful introduction and specially commissioned essays by leading figures in the field, Deconstructions offers lucid and compelling accounts of deconstruction in relation to a wide range of topics and discourses. Subjects range from the obvious (feminism, technology, postcolonialism) to the less so (drugs, film, weaving). Backed up by an unusually detailed index, this User's Guide demonstrates the innumerable and altering contexts in which deconstructive thinking and practice are at work, both within and beyond the academy, both within and beyond what is called 'the West'.

Approaching the writing of major intellectuals, artists, and philosophers need no longer be daunting. How to Read is a new sort of introduction--a personal master class in reading--that brings you face to face with the work of some of the most influential and challenging writers in history. In lucid, accessible language, these books explain essential topics such as Shakespeare's passion for complexity and his enduring ability to portray the power of love.Nicholas Royle conveys the richness and complexity of Shakespeare's work by focusing, above all, on how to read and enjoy short passages and interpret specific words from the plays and poems themselves. Discussing poetry and the question of reading, to the nature of memory and forgetting, to the power of love, Royle covers many of Shakespeare's most prevalent themes. Attention is also given to important aspects of historical context and critical reception and debate, as well as to the effects of different interpretations and different media (stage, film, the Internet, and more). Royle's primary concern, however, is with letting the reader experience—anew or for the first time—the extraordinary pleasure and stimulation of reading Shakespeare.Extracts are taken from a range of Shakespeare's works including Romeo and Juliet, A Midsummer Night's Dream, Hamlet, Twelfth Night, Othello, The Winter's Tale, and the Sonnets.

There are few figures more important in literary and critical theory than Jacques Derrida. Whether lauded or condemned, his writing has had far-reaching ramifications, and his work on deconstruction cannot be ignored. This volume introduces students of literature and cultural studies to Derrida's enormously influential texts, covering such topics as: deconstruction, text and difference; literature and freedom; law, justice and the 'democracy to come'; drugs, secrets and gifts. Nicholas Royle's unique book, written in an innovative and original style, is an outstanding introduction to the methods and significance of Jacques Derrida.

There are few figures more important in literary and critical theory than Jacques Derrida. Whether lauded or condemned, his writing has had far-reaching ramifications, and his work on deconstruction cannot be ignored. This volume introduces students of literature and cultural studies to Derrida's enormously influential texts, covering such topics as: deconstruction, text and difference; literature and freedom; law, justice and the 'democracy to come'; drugs, secrets and gifts. Nicholas Royle's unique book, written in an innovative and original style, is an outstanding introduction to the methods and significance of Jacques Derrida.

This is the first book-length study of the uncanny, an important topic for contemporary thinking on literature, film, philosophy, psychoanalysis, feminism and queer history. Much of this importance can be traced back to Freud’s extraordinary essay of 1919, ‘The Uncanny’ (Das Unheimliche).As a ghostly feeling and concept, however, the uncanny has a complex history going back to at least the Enlightenment. Royle offers a detailed account of the emergence of the uncanny, together with a series of close readings of different aspects of the topic. Following a major introductory historical and critical overview, there are chapters on literature, teaching, psychoanalysis, deconstruction, film, the death drive, déjà vu, silence, solitude and darkness, the fear of being buried alive, the double, ghosts, cannibalism, telepathy, madness and religion.

Jacques Derrida (1930-2004) was the most original and inspiring writer and philosopher of our time. In a series of distinctive essays that are at once self-contained and intricately linked, Royle explores the legacies of Derrida's thinking in the context of philosophy, language, globalisation, war, terrorism, justice, the democracy to come, poetry, literature, memory, mourning, the gift, friendship and dreams. Lucid, inventive and at times funny, Royle allows us to appreciate how much Derrida's work has altered the ways we read and think. Autobiography, children's literature, the Gothic and modernist fiction, for example, figure together with philosophy, queer studies, speech act theory and psychoanalysis. The writings of Horace Walpole, Herman Melville, E. M. Forster, Elizabeth Bowen, Joe Brainard and David McKee are illuminatingly put in play alongside Shakespeare. Royle's book suggests that one of Derrida's most profound legacies has to do with the combination of responsibility and freedom his work inspires for both reading and writing. In Memory of Jacques Derrida offers an exceptionally clear overview of Derrida's work, while also tracing directions in which it might productively be read in the future.

Brilliantly traces a strange but compelling ‘literary turn’Exploring images of swerving, loss of control, digressing and deviating, Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as ‘creative writing’. Royle works with insights from Lewis Carroll, Freud, Adorno, Raymond Williams, Edward Said, Deleuze, Cixous and Derrida. With wit and irony he investigates ‘veering’ in the writings of Jonson, Milton, Dryden, Wordsworth, Coleridge, Melville, Hardy, Proust, Lawrence, Bowen, J.H. Prynne and many others.

Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘The Beginning’ and concluding with ‘The End’, chapters range from the familiar, such as ‘Character’, ‘Narrative’ and ‘The Author’, to the more unusual, such as ‘Secrets’, ‘Pleasure’ and ‘Ghosts’. Now in its sixth edition, Bennett and Royle’s classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Monty Python and Hilary Mantel are all invoked in a discussion of literature and laughter.The sixth edition has been revised and updated throughout. In addition, four new chapters – ‘Literature’, ‘Loss’, ‘Human’ and ‘Migrant’ – engage with exciting recent developments in literary studies. As well as fully up-to-date further reading sections at the end of each chapter, the book contains a comprehensive bibliography and an invaluable glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of reading and studying literature.

Lively, original and highly readable, An Introduction to Literature, Criticism and Theory is the essential guide to literary studies. Starting at ‘The Beginning’ and concluding with ‘The End’, chapters range from the familiar, such as ‘Character’, ‘Narrative’ and ‘The Author’, to the more unusual, such as ‘Secrets’, ‘Pleasure’ and ‘Ghosts’. Now in its sixth edition, Bennett and Royle’s classic textbook successfully illuminates complex ideas by engaging directly with literary works, so that a reading of Jane Eyre opens up ways of thinking about racial difference, for example, while Chaucer, Monty Python and Hilary Mantel are all invoked in a discussion of literature and laughter.The sixth edition has been revised and updated throughout. In addition, four new chapters – ‘Literature’, ‘Loss’, ‘Human’ and ‘Migrant’ – engage with exciting recent developments in literary studies. As well as fully up-to-date further reading sections at the end of each chapter, the book contains a comprehensive bibliography and an invaluable glossary of key literary terms. A breath of fresh air in a field that can often seem dry and dauntingly theoretical, this book will open the reader’s eyes to the exhilarating possibilities of reading and studying literature.

What is this thing called literature? Why study it? And how? Relating literature to topics such as dreams, politics, life, death, the ordinary and the uncanny, This Thing Called Literature establishes a sense of why and how literature is an exciting and rewarding subject to study. Andrew Bennett and Nicholas Royle expertly weave an essential love of literature into an account of what literary texts do, how they work and the sort of questions and ideas they provoke. The book’s three parts reflect the fundamental components of studying literature: reading, thinking and writing. The authors use helpful and wide-ranging examples and summaries, offering rich reflections on the question ‘What is literature?’ and on what they term ‘creative reading’. The new edition has been revised throughout with extensive updates to the further reading and a new chapter on creative non-fiction. Bennett and Royle’s accessible and thought-provoking style encourages a deep engagement with literary texts. This essential guide to the study of literature is an eloquent celebration of the value and pleasure of reading.

What is this thing called literature? Why study it? And how? Relating literature to topics such as dreams, politics, life, death, the ordinary and the uncanny, This Thing Called Literature establishes a sense of why and how literature is an exciting and rewarding subject to study. Andrew Bennett and Nicholas Royle expertly weave an essential love of literature into an account of what literary texts do, how they work and the sort of questions and ideas they provoke. The book’s three parts reflect the fundamental components of studying literature: reading, thinking and writing. The authors use helpful and wide-ranging examples and summaries, offering rich reflections on the question ‘What is literature?’ and on what they term ‘creative reading’. The new edition has been revised throughout with extensive updates to the further reading and a new chapter on creative non-fiction. Bennett and Royle’s accessible and thought-provoking style encourages a deep engagement with literary texts. This essential guide to the study of literature is an eloquent celebration of the value and pleasure of reading.

This book provides a wide-ranging and up-to-date critical introduction to the writings of Hélène Cixous (1937-), focusing on key motifs, such as dreams, the supernatural, literature, psychoanalysis, creative writing, realism, sexual differences, laughter, secrets, the ‘Mother unconscious’, drawing, painting, life writing, telephones, non-human animals, telepathy and the ‘art of cutting’. There are close readings of Shakespeare, Brontë, Shelley, Poe, Carroll, Freud, Woolf, Joyce, Beckett and Derrida, for example, alongside in-depth explorations of her own writings, from Inside (1969) and ‘The Laugh of the Medusa’ (1975) up to the present. Royle’s book will be useful to students and academics coming to Cixous’s work for the first time, but it will also appeal to readers interested in contemporary literature, creative writing, life writing, narrative theory, deconstruction, psychoanalysis, trauma studies, feminism, queer theory, ecology, drawing and painting.

This book provides a wide-ranging and up-to-date critical introduction to the writings of Hélène Cixous (1937-), focusing on key motifs, such as dreams, the supernatural, literature, psychoanalysis, creative writing, realism, sexual differences, laughter, secrets, the ‘Mother unconscious’, drawing, painting, life writing, telephones, non-human animals, telepathy and the ‘art of cutting’. There are close readings of Shakespeare, Brontë, Shelley, Poe, Carroll, Freud, Woolf, Joyce, Beckett and Derrida, for example, alongside in-depth explorations of her own writings, from Inside (1969) and ‘The Laugh of the Medusa’ (1975) up to the present. Royle’s book will be useful to students and academics coming to Cixous’s work for the first time, but it will also appeal to readers interested in contemporary literature, creative writing, life writing, narrative theory, deconstruction, psychoanalysis, trauma studies, feminism, queer theory, ecology, drawing and painting.

In this one-of-a-kind book, novelist and academic Nicholas Royle brings together two remarkably different creative figures: Enid Blyton and David Bowie. His exploration of their lives and work delves deeply into questions about the value of art, music and literature, as well as the role of universities in society.Blending elements of memoir and cultural commentary, Royle creates a tender and often hilarious portrait of family life during the pandemic, weaving it together with musings on dreams, second-hand bookshops and unpublished photos of Bowie taken by Stephen Finer. He also shares previously unrecorded details about Blyton’s personal life, notably her love affair with Royle’s grandmother.David Bowie, Enid Blyton and the sun machine offers a singular perspective on the cultural significance of two iconic figures. In doing so, it makes a compelling case for the power of storytelling and music to shape our lives.

In this one-of-a-kind book, novelist and academic Nicholas Royle brings together two remarkably different creative figures: Enid Blyton and David Bowie. His exploration of their lives and work delves deeply into questions about the value of art, music and literature, as well as the role of universities in society.Blending elements of memoir and cultural commentary, Royle creates a tender and often hilarious portrait of family life during the pandemic, weaving it together with musings on dreams, second-hand bookshops and unpublished photos of Bowie taken by Stephen Finer. He also shares previously unrecorded details about Blyton’s personal life, notably her love affair with Royle’s grandmother.David Bowie, Enid Blyton and the sun machine offers a singular perspective on the cultural significance of two iconic figures. In doing so, it makes a compelling case for the power of storytelling and music to shape our lives.

The nation’s favourite annual guide to the short story, now in its seventh year.Best British Short Stories invites you to judge a book by its cover – or more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.Featuring stories by Jay Barnett, Peter Bradshaw, Rosalind Brown, Krishan Coupland, Claire Dean, Niven Govinden, Françoise Harvey, Andrew Michael Hurley, Daisy Johnson, James Kelman, Giselle Leeb, Courttia Newland, Vesna Main, Eliot North, Irenosen Okojie, Laura Pocock, David Rose, Deirdre Shanahan, Sophie Wellstood and Lara Williams.

Editor’s Choice, The BooksellerA mix of memoir and narrative non-fiction, White Spines is a book about Nicholas Royle’s passion for Picador’s fiction and non-fiction publishing from the 1970s to the end of the 1990s. It explores the bookshops and charity shops, the books themselves, and the way a unique collection grew and became a literary obsession. Above all a love song to books, writers and writing.

The nation’s favourite annual guide to the short story, now in its eleventh year.Best British Short Stories invites you to judge a book by its cover – or, more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.This new anthology includes stories by Julia Armfield, A.J. Ashworth, Iphgenia Baal, Emma Bolland, Tom Bromley, Gary Budden, Jen Calleja, Robert Dewa, John Foxx, Josephine Galvin, Uschi Gatward, Meave Haughey, Hilaire, Alice Jolly, Isha Karki, Yasmine Lever, Simon Okotie, Mel Pryor, Douglas Thompson and Matthew Turner.

Inspired by Giles Gordon and David Hughes’s Best Short Stories series, which ran to ten volumes between 1986 and 1995, Best British Short Stories this year reaches its thirteenth volume.Best British Short Stories 2023 showcases an excellent and varied selection of stories, by British writers, first published during 2022 in magazines, journals, anthologies, collections, chapbooks and online.This new anthology contains stories by Alinah Azadeh, David Bevan, AK Blakemore, Gabriel Flynn, Jim Gibson, Lydia Gill, Miles Greenwood, Kerry Hadley-Pryce, Philip Jennings, Sharon Kivland, Alison Moore, Georgina Parfitt, Gareth E Rees, Leone Ross, John Saul, DJ Taylor, Briony Thompson, Matthew Turner, Mark Valentine and David Wheldon.

‘Shadow Lines very much celebrates the world of books’ —TelegraphNicholas Royle’s love of second-hand books and the ‘inclusions’ he finds inside them, their presence betrayed by ‘shadow lines’, is about making connections. Someone has scribbled a number in a book? He’ll text or call. An old address? He’ll return the book to where it used to live. Follow him as he walks between bookshops, reading as he goes, on the hunt for treasure, for ways to make us feel closer – to the books on our shelves, to each other and to our own lives.Share in Royle’s enthusiasm for the Rev W Awdry’s Railway Series, Penguin Modern Stories and Paul Auster’s cult classic, The New York Trilogy, as well as books in art and film.If you love books, bookshops and browsing, this is your perfect all-year gift – head to your happy place with a copy Shadow Lines today! (Note: ‘inclusions’ not supplied.)

The nation’s favourite annual guide to the short story, now in its fourteenth yearInspired by Giles Gordon and David Hughes’s Best Short Stories series, which ran to ten volumes between 1986 and 1995, Best British Short Stories this year reaches its fourteenth volume.Best British Short Stories 2024 showcases an excellent and varied selection of stories, by British writers, first published during 2023 in magazines, journals, anthologies, collections, chapbooks and online.‘If the latest iteration of Salt’s Best British Short Stories collection is anything to go by then the genre remains in safe hands.’ —Lawrence Foley, TLSFeaturing stories by: Alan Beard, Kevin Boniface, Paul Brownsey, Claire Carroll, ECM Cheung, Jonathan Coe, Rosie Garland, Kerry Hadley-Pryce, Timothy Jarvis, Cynan Jones, Bhanu Kapil, Sonya Moor, Alison Moore, Gregory Norminton, Nicholas Royle, Cherise Saywell, Kamila Shamsie, Ben Tufnell, Charlotte Turnbull and Cate West.

Season Highlight, Spring/Summer 2026 — The BooksellerFinders, Keepers tells the stories that hide between the lines of the second-hand books that fill the shelves of charity shops and second-hand bookshops up and down the country. The author collects books. He collects books that contain bookmarks in the form of maps – he will read the book while walking the streets depicted on the map, provided he doesn't have to get on a plane to get there. He collects books given as Christmas presents. He collects books that have the same title as other books – he'll read both books and compare them. He might wonder – he might even ask – which one has the greater claim on the title. He collects books that he finds with business cards in them – instead of reading the book, he sends it to the individual named on the business card and asks them to read it instead. He collects ex-library books. He collects free books. Well, he looks at the books that people leave out on their garden wall in the rain and photographs then and mostly leaves them where they are.

Discover dark rituals, eldritch creatures, and monstrous secrets in this masterfully frightening horror anthology of 17 short stories inspired by the iconic works of legendary writer H. P. Lovecraft, curated by award-winning anthologist Stephen Jones.Featuring some of the biggest names in horror fiction, including Ramsey Campbell, Kim Newman, Brian Stableford, and many more. This newly redesigned edition also includes a revised and updated Introduction and Contributor Notes, along with additional artwork exclusive to this printing.Today's masters of horror dare to conjure terrifying tales inspired by H. P. Lovecraft's classic works. In this anthology, discover a monstrous secret beneath a derelict church, a search for buried treasure gone terribly wrong, a blood sacrifice gone horribly right, and a return to the legendary forsaken New England fishing village full of sparkling treasure, loathsome denizens, and unspeakable evil.Featuring 17 chilling stories curated by World Fantasy Award-winning editor Stephen Jones, as well as the original masterpiece of horror by H. P. Lovecraft. This newly redesigned edition also includes a revised and updated Introduction and Contributor Notes, along with additional artwork exclusive to this printing.Including stories from:H. P. LovecraftRamsey CampbellAdrian ColeBasil CopperNeil GaimanDavid LangfordD. F. LewisBrian LumleyBrian MooneyKim NewmanNicholas RoyleGuy N. SmithMichael Marshall SmithBrian StablefordDavid SuttonPeter TremayneJack Yeovil

Best British Short Stories invites you to judge a book by its cover – or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction.The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michèle Roberts, Dai Vaughan, Alison Moore and Salley Vickers.

The second in a brand-new series of annual anthologies, The Best British Short Stories 2012 reprints the cream of short fiction, by British writers, first published in 2011. These stories first appeared in magazines from Ambit to Granta, in anthologies across various genres from publishers big and small, and in authors’ own short story collections. They were broadcast on radio and delivered by mobile phone app. They appeared online at Metazen and Paraxis.