Nicholas Zurbrugg – författare

This ground-breaking work offers a challenging and positive view of postmodern culture. It draws on the author's extensive interviews with a number of leading postmodern artists, writers and performers, including: * Jean Baudrillard * Samuel Beckett * John Cage * Phillip Glass The Parameters of Postmodernism focuses on both the prevailing negative theories of postmodernism, and the more positive aspects of postmodern theory and practice. The negative aspect is exemplified by the work of writers like Brecht, Beckett, Barthes and Baudrillard, who emphasise the death of artistic innovation and the lack of a permanent reality. Zurbrugg highlights the contradictions in the arguments of these writers, and examines the later works in which they qualify their earlier, more infamous, statements. The positive aspect is characterised by artists such as Cage, Glass and Monk - who interweave the new postmodern media with confidence and invention, and Eco, Grass and Wolf - who revive mythological and folkloric traditions. The Parameters of Postmodernism argues that in each case - high-tech or revivalist - postmodern creativity culminates in a highly positive synthesis of past, present and futuristic materials.

This ground-breaking work offers a challenging and positive view of postmodern culture. It draws on the author's extensive interviews with a number of leading postmodern artists, writers and performers, including: * Jean Baudrillard * Samuel Beckett * John Cage * Phillip Glass The Parameters of Postmodernism focuses on both the prevailing negative theories of postmodernism, and the more positive aspects of postmodern theory and practice. The negative aspect is exemplified by the work of writers like Brecht, Beckett, Barthes and Baudrillard, who emphasise the death of artistic innovation and the lack of a permanent reality. Zurbrugg highlights the contradictions in the arguments of these writers, and examines the later works in which they qualify their earlier, more infamous, statements. The positive aspect is characterised by artists such as Cage, Glass and Monk - who interweave the new postmodern media with confidence and invention, and Eco, Grass and Wolf - who revive mythological and folkloric traditions. The Parameters of Postmodernism argues that in each case - high-tech or revivalist - postmodern creativity culminates in a highly positive synthesis of past, present and futuristic materials.

This book offers a major reappraisal of Jean Baudrillard's thoughts on the image, radical illusion and media culture.

Here for the first time, through a number of highly accessible interviews and recent essays, Baudrillard introduces what he calls the `stunning clarity' of the photographic, and fascinatingly outlines his present thoughts on urban reality, aesthetics, virtual reality and new media technologies, in the light of his practice as a photographer.

The book is illustrated with eight colour plates of Baudrillard's photographs and includes a number of provocative and illuminating responses to his recent writings from noted Baudrillard scholars. It also includes a definitive bibliography of critical responses to Baudrillard's writings on media culture, art and photography.

This ground-breaking work offers a challenging and positive view of postmodern culture. It draws on the author''s extensive interviews with a number of leading postmodern artists, writers and performers, including: * Jean Baudrillard * Samuel Beckett * John Cage * Phillip Glass The Parameters of Postmodernism focuses on both the prevailing negative theories of postmodernism, and the more positive aspects of postmodern theory and practice. The negative aspect is exemplified by the work of writers like Brecht, Beckett, Barthes and Baudrillard, who emphasise the death of artistic innovation and the lack of a permanent reality. Zurbrugg highlights the contradictions in the arguments of these writers, and examines the later works in which they qualify their earlier, more infamous, statements. The positive aspect is characterised by artists such as Cage, Glass and Monk - who interweave the new postmodern media with confidence and invention, and Eco, Grass and Wolf - who revive mythological and folkloric traditions. The Parameters of Postmodernism argues that in each case - high-tech or revivalist - postmodern creativity culminates in a highly positive synthesis of past, present and futuristic materials.

This ground-breaking work offers a challenging and positive view of postmodern culture. It draws on the author''s extensive interviews with a number of leading postmodern artists, writers and performers, including: * Jean Baudrillard * Samuel Beckett * John Cage * Phillip Glass The Parameters of Postmodernism focuses on both the prevailing negative theories of postmodernism, and the more positive aspects of postmodern theory and practice. The negative aspect is exemplified by the work of writers like Brecht, Beckett, Barthes and Baudrillard, who emphasise the death of artistic innovation and the lack of a permanent reality. Zurbrugg highlights the contradictions in the arguments of these writers, and examines the later works in which they qualify their earlier, more infamous, statements. The positive aspect is characterised by artists such as Cage, Glass and Monk - who interweave the new postmodern media with confidence and invention, and Eco, Grass and Wolf - who revive mythological and folkloric traditions. The Parameters of Postmodernism argues that in each case - high-tech or revivalist - postmodern creativity culminates in a highly positive synthesis of past, present and futuristic materials.

This book of Nicholas Zurbrugg''s challenging and provocative essays charts the most exciting developments in late 20th-century multimedia art. Zurbrugg challenges Jean Baudrillard''s, Fredric Jameson''s, and Achille Bonito-Oliva''s unfavorable accounts of postmodern techno-culture. Interweaving literary and cultural theory, and visual studies, Zurbrugg demonstrates how multimedia visionaries such as Bill Viola and Robert Wilson are notable exceptions to the neutering of mass-media culture, bringing together the modernist and postmodern avant-garde.

This book of Nicholas Zurbrugg''s challenging and provocative essays charts the most exciting developments in late 20th-century multimedia art. Zurbrugg challenges Jean Baudrillard''s, Fredric Jameson''s, and Achille Bonito-Oliva''s unfavorable accounts of postmodern techno-culture. Interweaving literary and cultural theory, and visual studies, Zurbrugg demonstrates how multimedia visionaries such as Bill Viola and Robert Wilson are notable exceptions to the neutering of mass-media culture, bringing together the modernist and postmodern avant-garde.

This book of Nicholas Zurbrugg's challenging and provocative essays charts the most exciting developments in late 20th-century multimedia art. Zurbrugg challenges Jean Baudrillard's, Fredric Jameson's, and Achille Bonito-Oliva's unfavorable accounts of postmodern techno-culture. Interweaving literary and cultural theory, and visual studies, Zurbrugg demonstrates how multimedia visionaries such as Bill Viola and Robert Wilson are notable exceptions to the neutering of mass-media culture, bringing together the modernist and postmodern avant-garde.