This book of Nicholas Zurbrugg''s challenging and provocative essays charts the most exciting developments in late 20th-century multimedia art. Zurbrugg challenges Jean Baudrillard''s, Fredric Jameson''s, and Achille Bonito-Oliva''s unfavorable accounts of postmodern techno-culture. Interweaving literary and cultural theory, and visual studies, Zurbrugg demonstrates how multimedia visionaries such as Bill Viola and Robert Wilson are notable exceptions to the neutering of mass-media culture, bringing together the modernist and postmodern avant-garde.
