Nick Collins – författare

An up-to-date, core undergraduate text, Introduction to Computer Music deals with both the practical use of technology in music and the key principles underpinning the discipline. It targets both musicians exploring computers, and technologists engaging with music, and does so in the confidence that both groups can learn tremendously from the cross-disciplinary encounter. It is designed to approach computer music as its own subject and strongly bridge the arts to computing divide, benefiting and reconciling both musicians and computer scientists. You will need little or no prior experience of computer programming itself, and may not have an extensive background in mathematics or music, but this highly engaging textbook will help you master many disciplines at once, with a focus on both fascinating theories and exciting practical applications.

Third volume of the critically-acclaimed series stressing maritime trade as the driver of world history, wealth-creation, technologiical inventiveness, art and literature. This book tackles the Maritime Enlightenment, which spurred economic liberalism and humanitarianism, unlike its continental version, breaking free from historic attitudes to slavery and serfdom, contextualising current debates on imperial history. The immediate cause of America’s War of Independence is revealed to be about illegal maritime trade. Jefferson and Madison never understood the latent wealth-creating power of US trade, misdirecting energies for some years. US north-south divisions were exacerbated by trade tariffs more than than slavery. The failure of France’s Revolution and Germany’s 20th-century wars were also failures to appreciate its importance. The post 1945 rise of Japan, Korea, Taiwan, Singapore, China and UAE were directly because of their encouragement of maritime trade and shipping. Britain’s decline was heralded by political indifference then hostility, contrasting with its previous encouragement; its greatest strength. Nick’s chapter on shipping’s efforts to achieve net-zero is a must read for anyone involved in the green debate. Written by someone at the heart of maritime trade since the 1970s, the series is an important counterweight to political history we are usually fed, a different way of thinking about the world, past and present.

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.

Following the series' first book How Maritime Trade and the Indian Subcontinent Shaped the World, this book continues to demonstrate how maritime trade has been the key driver of the world's wealth-creation, economic and intellectual progress. The story begins where the first book ends, when following Roman Empire collapse, 7th-century European maritime trade almost ceased, creating population collapse and poverty; the Dark Ages. In 700 stuttering, hesitant recovery was evident with new ports but Viking and Muslim maritime raiding neutered recovery until the 11th century. In Asia by contrast, short and long-haul trade thrived and accelerated from east Africa and the Persian Gulf all the way to China, encouraging Southeast Asian state formation. The book tells the story of slowly rising, gradually accelerating European maritime trade, which until the 15th century was overshadowed by far more voluminous Asian trade in much larger, more complex ships traded by more sophisticated commercial entities, contributing to innovative tolerant wealth-creating maritime societies. In Europe, Mediterranean maritime trade made most progress from about 1000 to 1450,. But by 1700 north Europeans dominated Atlantic, American and Mediterranean trade and were penetrating sophisticated Asian maritime networks, a complete reversal. This book explains how and why and how destructive continental influences destroyed Asia's maritime supremacy. As in the first book, Nick Collins finds similar patterns; maritime inquisitiveness, invention, problem-solving and toleration and continental political suppression of those maritime traits, most dramatically in China, but destructively everywhere, allowing the millennium maritime trade revolution.

Worldwide maritime trade has been the driver of wealth-creation, knowledge-collection, social, political and economic progress and although some historians have shown that from the 15th century, Nick Collins shows it predates the end of the Ice Age when the Indian Ocean was the centre of long-haul voyages from east Africa to the Americas. It demonstrates the centrality of the Indian subcontinent. Meaningful trade gradually penetrated the Mediterranean, resulting in more famous civilisations including Phoenicians, Egyptians, Minoans and Greeks. How they and Hittite, Mittani etc are related is explained. How it collapsed in Europe in the 5th-7th centuries but continued in Asia concludes the story. It is based on huge reading with an attractive wring style, full of fascinating insights from an author with life-long experience in international shipping.