Nick Collins – författare

Third volume of the critically-acclaimed series stressing maritime trade as the driver of world history, wealth-creation, technological inventiveness, art and literature. This book tackles the Maritime Enlightenment, which spurred economic liberalism and humanitarianism, unlike its continental version, breaking free from historic attitudes to slavery and serfdom, contextualising current debates on imperial history. The immediate cause of America’s War of Independence is revealed to be about illegal maritime trade. Jefferson and Madison never understood the latent wealth-creating power of US trade, misdirecting energies for some years. US north-south divisions were exacerbated by trade tariffs more than slavery. The failure of France’s Revolution and Germany’s 20th-century wars were also failures to appreciate its importance. The post 1945 rise of Japan, Korea, Taiwan, Singapore, China and UAE were directly because of their encouragement of maritime trade and shipping. Britain’s decline was heralded by political indifference then hostility, contrasting with its previous encouragement; its greatest strength. Nick’s chapter on shipping’s efforts to achieve net-zero is a must read for anyone involved in the green debate. Written by someone at the heart of maritime trade since the 1970s, the series is an important counterweight to political history we are usually fed, a different way of thinking about the world, past and present.

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide diversity of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische musik, and contemporary trends such as electronic dance music and electronica. A fascinating array of composers and inventors have contributed to a diverse set of technologies, practices and music. This book brings together some novel threads through this scene, from the viewpoint of researchers at the forefront of the sonic explorations empowered by electronic technology. The chapters provide accessible and insightful overviews of core topic areas and uncover some hitherto less publicised corners of worldwide movements. Recent areas of intense activity such as audiovisuals, live electronic music, interactivity and network music are actively promoted.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide diversity of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische musik, and contemporary trends such as electronic dance music and electronica. A fascinating array of composers and inventors have contributed to a diverse set of technologies, practices and music. This book brings together some novel threads through this scene, from the viewpoint of researchers at the forefront of the sonic explorations empowered by electronic technology. The chapters provide accessible and insightful overviews of core topic areas and uncover some hitherto less publicised corners of worldwide movements. Recent areas of intense activity such as audiovisuals, live electronic music, interactivity and network music are actively promoted.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

This accessible Introduction explores both mainstream and experimental manifestations of electronic music. From early recording equipment to the most recent multimedia performances, the history of electronic music is full of interesting characters, fascinating and unusual music, and radical technology. Covering many different eras, genres and media, analyses of works appear alongside critical discussion of central ideas and themes, making this an essential guide for anyone approaching the subject for the first time. Chapters include key topics from synth pop to sound art, from electronic dance music to electrical instruments, and from the expression of pure sound to audiovisuals. Highly illustrated and with a wide selection of examples, the book provides many suggestions for further reading and listening to encourage students to begin their own experiments in this exciting field.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

Musicians are always quick to adopt and explore new technologies. The fast-paced changes wrought by electrification, from the microphone via the analogue synthesiser to the laptop computer, have led to a wide range of new musical styles and techniques. Electronic music has grown to a broad field of investigation, taking in historical movements such as musique concrète and elektronische Musik, and contemporary trends such as electronic dance music and electronica. The first edition of this book won the 2009 Nicolas Bessaraboff Prize as it brought together researchers at the forefront of the sonic explorations empowered by electronic technology to provide accessible and insightful overviews of core topics and uncover some hitherto less publicised corners of worldwide movements. This updated and expanded second edition includes four entirely new chapters, as well as new original statements from globally renowned artists of the electronic music scene, and celebrates a diverse array of technologies, practices and music.

Following the series' first book How Maritime Trade and the Indian Subcontinent Shaped the World, this book continues to demonstrate how maritime trade has been the key driver of the world's wealth-creation, economic and intellectual progress. The story begins where the first book ends, when following Roman Empire collapse, 7th-century European maritime trade almost ceased, creating population collapse and poverty; the Dark Ages. In 700 stuttering, hesitant recovery was evident with new ports but Viking and Muslim maritime raiding neutered recovery until the 11th century. In Asia by contrast, short and long-haul trade thrived and accelerated from east Africa and the Persian Gulf all the way to China, encouraging Southeast Asian state formation. The book tells the story of slowly rising, gradually accelerating European maritime trade, which until the 15th century was overshadowed by far more voluminous Asian trade in much larger, more complex ships traded by more sophisticated commercial entities, contributing to innovative tolerant wealth-creating maritime societies. In Europe, Mediterranean maritime trade made most progress from about 1000 to 1450,. But by 1700 north Europeans dominated Atlantic, American and Mediterranean trade and were penetrating sophisticated Asian maritime networks, a complete reversal. This book explains how and why and how destructive continental influences destroyed Asia's maritime supremacy. As in the first book, Nick Collins finds similar patterns; maritime inquisitiveness, invention, problem-solving and toleration and continental political suppression of those maritime traits, most dramatically in China, but destructively everywhere, allowing the millennium maritime trade revolution.

Worldwide maritime trade has been the driver of wealth-creation, knowledge-collection, social, political and economic progress and although some historians have shown that from the 15th century, Nick Collins shows it predates the end of the Ice Age when the Indian Ocean was the centre of long-haul voyages from east Africa to the Americas. It demonstrates the centrality of the Indian subcontinent. Meaningful trade gradually penetrated the Mediterranean, resulting in more famous civilisations including Phoenicians, Egyptians, Minoans and Greeks. How they and Hittite, Mittani etc are related is explained. How it collapsed in Europe in the 5th-7th centuries but continued in Asia concludes the story. It is based on huge reading with an attractive wring style, full of fascinating insights from an author with life-long experience in international shipping.

World-wide maritime trade has been the essential driver of wealth-creation, economic progress and global human contact. Trade and exchange of ideas have been at the heart of economic, social, political, cultural and religious life and maritime international law. These claims are borne out by the history of maritime trade beginning in the Indian Ocean and connecting to Southeast Asia, Japan, the Americas, East Africa, the Middle East especially the Persian Gulf, the Mediterranean and Europe. This development predates the end of the Ice Age with worldwide flooding and stimulated the establishment of land-based civilizations in the above regions with particular effect on the Greek and Roman empires and even China''s ''Celestial'' empire. The Indian subcontinent was the original major player in maritime trade, linking oceans and regions. Global maritime trade declined with the fall of Mediterranean empires and the ''dark age'' in Europe but revived with Indian Ocean and Asian maritime networks. Shipping and trade studies are hugely practical but can be technical, legalistic and even dull for non-specialists. But this history is a broadly based and exciting account of human interaction at multiple levels, for general readers, specialists and practitioners. It is based on huge reading and rare sources and with an attractive writing style, and full of fascinating sidelights illuminating the historical narrative - and from an author with lifelong experience in international shipping.

World-wide maritime trade has been the essential driver of wealth-creation, economic progress and global human contact. Trade and exchange of ideas have been at the heart of economic, social, political, cultural and religious life and maritime international law. These claims are borne out by the history of maritime trade beginning in the Indian Ocean and connecting to Southeast Asia, Japan, the Americas, East Africa, the Middle East especially the Persian Gulf, the Mediterranean and Europe. This development predates the end of the Ice Age with worldwide flooding and stimulated the establishment of land-based civilizations in the above regions with particular effect on the Greek and Roman empires and even China''s ''Celestial'' empire.The Indian subcontinent was the original major player in maritime trade, linking oceans and regions. Global maritime trade declined with the fall of Mediterranean empires and the ''dark age'' in Europe but revived with Indian Ocean and Asian maritime networks. Shipping and trade studies are hugely practical but can be technical, legalistic and even dull for non-specialists. But this history is a broadly based and exciting account of human interaction at multiple levels, for general readers, specialists and practitioners. It is based on huge reading and rare sources and with an attractive writing style, and full of fascinating sidelights illuminating the historical narrative - and from an author with lifelong experience in international shipping.

For more than 20 years Nick Collins was one of the best-known faces at Sky Sports News, bringing us the fortunes of the England football team at World Cups and European Championships. He was also the live touchline reporter from 1992-97 as Sky Sports stunned the football world by winning the TV broadcast rights to the newly formed Premier League. Fifty Cup Finals is the story of Nick''s life in football - from being on the Tottenham bus as it left Wembley with the FA Cup to visit Paul Gascoigne in hospital, through to the early days of the Premier League and beyond as he witnessed the drama first-hand at 11 major tournaments, nearly 300 England games, 25 FA Cup finals, plus Champions League, World Cup and Euro finals. Nick also recalls being with George Best in Manchester as United won the first Premier League, getting the hairdryer treatment from Fergie, and falling off a TV platform live on air outside Wembley. Fifty Cup Finals chronicles an extraordinary period of change in English, European and world football.

Victorian England in the 1870s and the early years of the FA Cup. Pitches are little better than mud baths. Crossbars and referees' whistles don't exist, while the players all charge around in a rough-and-tumble manner more suited to rugby. But one side dares to be different. Combining silky skills with military muscle, they pass the ball in a spectacular new style of play. And they have a team spirit like no other. They are a 'band of brothers' who fight for Queen and Country - and for each other. They are the Royal Engineers from Chatham in Kent and Foot Soldiers is their extraordinary story. Among their ranks are 'Renny', one of the game's first superstars, and 'The Major', the mastermind behind their astonishing rise. In a four-year quest to land football's greatest prize both men must confront a disastrous fire, monstrous bad luck, the elements at their fiercest and the shocking death of one of the team's favourite players on FA Cup Final day itself.

Victorian England in the 1870s and the early years of the FA Cup. Pitches are little better than mud baths. Crossbars and referees'' whistles don''t exist, while the players all charge around in a rough-and-tumble manner more suited to rugby. But one side dares to be different. Combining silky skills with military muscle, they pass the ball in a spectacular new style of play. And they have a team spirit like no other. They are a ''band of brothers'' who fight for Queen and Country - and for each other. They are the Royal Engineers from Chatham in Kent and Foot Soldiers is their extraordinary story. Among their ranks are ''Renny'', one of the game''s first superstars, and ''The Major'', the mastermind behind their astonishing rise. In a four-year quest to land football''s greatest prize both men must confront a disastrous fire, monstrous bad luck, the elements at their fiercest and the shocking death of one of the team''s favourite players on FA Cup Final day itself.