Nick Flynn – författare

This book examines the extent to which criminal desistance – ''the change process involved in the ending of criminal behaviour'' – is affected by personal and social circumstances which are place specific. Grounded in criminological spatial analysis, as well as more general social scientific investigations of the role of space and place in contemporary social, economic and cultural life, it examines why large numbers of prisoners in the United States and the United Kingdom appear to be drawn from – and after release return to – certain urban neighbourhoods. In doing so Criminal Behaviour in Context assesses the effect of this unique life course experience on the pathways and choices open to ex-prisoners who attempt to give up crime. Including new data on the geographical distribution of offenders, interviews with serving prisoners, and drawing on theories about social context, identity and subjectivity, it discusses the implications of the evidence and arguments presented for prisoner reintegration policy and practice.

This book examines the extent to which criminal desistance – ''the change process involved in the ending of criminal behaviour'' – is affected by personal and social circumstances which are place specific. Grounded in criminological spatial analysis, as well as more general social scientific investigations of the role of space and place in contemporary social, economic and cultural life, it examines why large numbers of prisoners in the United States and the United Kingdom appear to be drawn from – and after release return to – certain urban neighbourhoods. In doing so Criminal Behaviour in Context assesses the effect of this unique life course experience on the pathways and choices open to ex-prisoners who attempt to give up crime. Including new data on the geographical distribution of offenders, interviews with serving prisoners, and drawing on theories about social context, identity and subjectivity, it discusses the implications of the evidence and arguments presented for prisoner reintegration policy and practice.

Covering all the key topics across the subject of Penology, this book gives you the tools you need to delve deeper and critically examine issues relating to prisons and punishment.

The second edition:

The book also includes a useful study skills section which guides you through essay writing and offers hints and tips on how you can get the most out of your lectures and seminars. This is the perfect primer for all undergraduate students of Criminology taking modules on Prisons and Punishment or Penology.

Covering all the key topics across the subject of Penology, this book gives you the tools you need to delve deeper and critically examine issues relating to prisons and punishment.

The second edition:

The book also includes a useful study skills section which guides you through essay writing and offers hints and tips on how you can get the most out of your lectures and seminars. This is the perfect primer for all undergraduate students of Criminology taking modules on Prisons and Punishment or Penology.

Covering all the key topics across the subject of Penology, this book gives you the tools you need to delve deeper and critically examine issues relating to prisons and punishment.

The second edition:

The book also includes a useful study skills section which guides you through essay writing and offers hints and tips on how you can get the most out of your lectures and seminars. This is the perfect primer for all undergraduate students of Criminology taking modules on Prisons and Punishment or Penology.

A daring and intimate new book by the poet and memoirist Nick Flynn, "a champion of contemporary American poetry" (Newpages). . . the take from his bank jobs, all of itwill come to me, if I can just get him to draw mea map, if I can find the tree, if I can findthe shovel. And the house, the mansion hegrew up in, soon a lawyer will passa key across a walnut desk, but even thislawyer will not be able to tell me where thismansion is. —from "Kafka" In My Feelings, Nick Flynn makes no claims on anyone else''s. These poems inhabit a continually shifting sense of selfhood, in the attempt to contain quicksilver realms of emotional energy—from grief and panic to gratitude and understanding.

Award-winning poet Nick Flynn takes readers into the dangerous and irresistible center of the hiveI sit in a body & think of a body, I pictureBurnens'' hands, my wordsmake them move. I say, plunge them into the hive,& his hands go in.-from "Blind Huber"Blindness does not deter François Huber-the eighteenth-century beekeeper-in his quest to learn about bees through their behavior. Through an odd, but productive arrangement, Huber''s assistant Burnens becomes his eyes, his narrator as he goes about his work. In Nick Flynn''s extraordinary new collection, Huber and Burnens speak and so do the bees. The strongest virgin waits silently to kill the other virgins; drones are "made of waiting"; the swarm attempts to protect the queen. It is a cruel existence. Everyone sacrifices for the sweet honey, except the human hand that harvests it all in a single afternoon.Blind Huber is about the body, love, and devotion and also about the limits of what can be known and what will forever be unknown. Nick Flynn''s bees and keepers-sometimes in a state of magnificent pollen-drunk dizziness-view the world from a striking and daring perspective.

Winner of a "Discovery"/The Nation AwardWinner of the 1999 PEN/Joyce Osterweil Award for PoetrySome Ether is one of the more remarkable debut collections of poetry to appear in America in recent memory. As Mark Doty has noted, "these poems are more than testimony; in lyrics of ringing clarity and strange precision, Flynn conjures a will to survive, the buoyant motion toward love which is sometimes all that saves us. Some Ether resonates in the imagination long after the final poem; this is a startling, moving debut."

The newest collection from Nick Flynn, whose “songs of experience hum with immediacy” (The New York Times)Beginning with a poem called “Confessional” and ending with a poem titled “Saint Augustine,” Nick Flynn''s I Will Destroy You interrogates the potential of art to be redemptive, to remake and reform. But first the maker of art must claim responsibility for his past, his actions, his propensity to destroy others and himself. “Begin by descending,” Augustine says, and the poems delve into the deepest, most defeating parts of the self: addiction, temptation, infidelity, and repressed memory. These are poems of profound self-scrutiny and lyric intensity, jagged and probing. I Will Destroy You is an honest accounting of all that love must transcend and what we must risk for its truth.