Nick Lacey – författare

Image and Representation is a clear and straight-talking introduction to two of the most important concepts in film and media studies. Exploring media language and representation throughout a variety of visual texts, the book offers a balanced, in-depth guide to the essential theories and key issues.The book begins by introducing the basic components of image analysis, including mise en scene, framing and anchorage. It then elaborates on these key ideas to provide the reader with a more advanced understanding of media language and representation. From the contribution of semiotics and debates around authorial intent, to ideas about hegemony and issues around propaganda, Nick Lacey offers approachable explanations of complex ideas and terms. The new edition is also now updated to reflect recent changes in the field, with particular attention paid to new media technologies. Each chapter is packed with memorable examples from a wider range of media and provides greater global perspective on today's media landscape.Gradually building up the reader's knowledge to encourage independent thinking, this is an essential resource for students taking courses in media, cultural, communication and film studies at school, college or university.

Media Institutions and Audiences completes Nick Lacey's trilogy of self-standing texts that give an in-depth introduction to the key concepts of Media Studies at an advanced and university level. The book delivers a range of theories and contemporary case studies in its coverage of media business and the influence of regulation and censorship. The issues surrounding the growing commodification of media texts, and the increasing influence of marketing and public relations, are considered. The major approaches to understanding audiences are also investigated.

Media Institutions and Audiences completes Nick Lacey's trilogy of self-standing texts that give an in-depth introduction to the key concepts of Media Studies at an advanced and university level. The book delivers a range of theories and contemporary case studies in its coverage of media business and the influence of regulation and censorship. The issues surrounding the growing commodification of media texts, and the increasing influence of marketing and public relations, are considered. The major approaches to understanding audiences are also investigated.

Narrative and Genre introduces students to these key concepts in media studies, complementing Image and Representation published in 1998. It covers the major narrative theorists including Todorov, Propp, Levi-Strauss, Barthes and applies their ideas via case examples ranging from The X Files to newspaper reporting. It then moves on to offer an extensive analysis of the basic schema and conventions of genre, drawing on the film noir, the TV cop genre and science fiction for examples, and showing how the repertoire of elements of each ranges across setting, character, narrative, iconography, style and stars. Fresh, down-to-earth and well-structured, this is an excellent text for all those in post-16 education, whether in school, college or university.Narrative and Genre introduces students to these key concepts in media studies, complementing Image and Representation published in 1998. It covers the major narrative theorists including Todorov, Propp, Levi-Strauss, Barthes and applies their ideas via case examples ranging from The X Files to newspaper reporting. It then moves on to offer an extensive analysis of the basic schema and conventions of genre, drawing on the film noir, the TV cop genre and science fiction for examples, and showing how the repertoire of elements of each ranges across setting, character, narrative, iconography, style and stars. Fresh, down-to-earth and well-structured, this is an excellent text for all those in post-16 education, whether in school, college or university.

Narrative and Genre introduces students to these key concepts in media studies, complementing Image and Representation published in 1998. It covers the major narrative theorists including Todorov, Propp, Levi-Strauss, Barthes and applies their ideas via case examples ranging from The X Files to newspaper reporting. It then moves on to offer an extensive analysis of the basic schema and conventions of genre, drawing on the film noir, the TV cop genre and science fiction for examples, and showing how the repertoire of elements of each ranges across setting, character, narrative, iconography, style and stars. Fresh, down-to-earth and well-structured, this is an excellent text for all those in post-16 education, whether in school, college or university.Narrative and Genre introduces students to these key concepts in media studies, complementing Image and Representation published in 1998. It covers the major narrative theorists including Todorov, Propp, Levi-Strauss, Barthes and applies their ideas via case examples ranging from The X Files to newspaper reporting. It then moves on to offer an extensive analysis of the basic schema and conventions of genre, drawing on the film noir, the TV cop genre and science fiction for examples, and showing how the repertoire of elements of each ranges across setting, character, narrative, iconography, style and stars. Fresh, down-to-earth and well-structured, this is an excellent text for all those in post-16 education, whether in school, college or university.

This core textbook offers a concise yet complete introduction to film, responding to shifts in the medium while addressing all of the main approaches that inform film studies. The rise of on demand internet-based video has transformed the way films are distributed and exhibited, with many previously unobtainable and obscure films becoming available for global audiences to view instantly. Interweaving historical and current theoretical approaches, Nick Lacey presents a tightly-focused and coherent overview of a discipline in transition, which can be read ‘cover to cover’ or in distinct chapters. With its original narrative line and student-oriented philosophy, the text greatly enriches student’s appreciation of cinema, while equipping them with the essential skills and vocabulary to succeed in film studies. This is an ideal foundational text for all lecturers, undergraduate or A-level students of film and cinema studies, as well as enthusiasts of film and cinema looking for a comprehensive guide. New to this Edition:- Content reflecting the increasing importance of production contexts,  in chapters focusing exclusively on the film business, distribution and exhibition- A more detailed chapter on representation and greater emphasis on audience- Updated content addressing the significance of transnational cinema, drawing on a more global, non-Hollywood range of film examples and case studies from Europe, Asia and Latin America- Text is broken up by a wider variety of film stills, representing world cinema from the classics to the latest in contemporary cinema