Nicola Wright – författare

An understanding of the theories that shape and define mental health policy and practice is essential for every mental health nurse. This book gives you the knowledge you need to understand those complex and varying theories, concepts and approaches. It helps you to deconstruct mental health and become a critical practitioner by drawing on a wealth of literature and research. Topics covered include cognitive behavioural therapy, recovery, risk and critical theories.

 Every Chapter includes:

-         Learning objectives and chapter summaries which highlight the key points.

-         A detailed case study which challenges you to relate theory to practice.

-         An explanation of the advantages and disadvantages of each approach.

It will be essential reading for all students of mental health nursing at pre-registration and practitioner level. It will also be valuable reading for those taking broader courses in mental health.

Theo Stickley is Associate Professor of Mental Health at the University of Nottingham. Nicola Wright is Lecturer in Mental Health at the University of Nottingham.

An understanding of the theories that shape and define mental health policy and practice is essential for every mental health nurse. This book gives you the knowledge you need to understand those complex and varying theories, concepts and approaches. It helps you to deconstruct mental health and become a critical practitioner by drawing on a wealth of literature and research. Topics covered include cognitive behavioural therapy, recovery, risk and critical theories.

 Every Chapter includes:

-         Learning objectives and chapter summaries which highlight the key points.

-         A detailed case study which challenges you to relate theory to practice.

-         An explanation of the advantages and disadvantages of each approach.

It will be essential reading for all students of mental health nursing at pre-registration and practitioner level. It will also be valuable reading for those taking broader courses in mental health.

Theo Stickley is Associate Professor of Mental Health at the University of Nottingham. Nicola Wright is Lecturer in Mental Health at the University of Nottingham.

This bold catalogue brings together the work of two cultural icons for the very firsttime: Beryl Cook (1926–2008) and Tom of Finland (1920–1991). It was inspired by the2024 exhibition Beryl Cook / Tom of Finland at Studio Voltaire in London.Beryl Cook was a painter renowned for her exuberant style and descriptions of everydaylife. Her work captures the social milieu of the areas she lived in and visited, notablyPlymouth. Her most enduring images are of larger-than-life women carousing innightclubs, eating in cafés or enjoying ribald hen parties, rendered in graphic andcolourful forms. Cook’s work came to prominence in the mid-1970s and she quicklybecame known as one of Britain’s best-loved artists, highly recognised for her distinctiveworks, which are both celebratory and provocative.Tom of Finland’s pioneering depictions of homosexual machismo in his images ofbikers, soldiers, cowboys, sailors and labourers broadly represent queer, leather andmuscle communities. A master draughtsman, he used his works to give form to animaginative universe that, in turn, helped fuel real-world liberation movements and hadsignificant influence on a wide range of cultural figures including the Village People,Freddie Mercury, Jean Paul Gaultier and Robert Mapplethorpe.Beryl Cook / Tom of Finland puts their work into conversation for the first time. Thepairing is perhaps unexpected, yet immediate and compelling relationships betweentheir practices are evident. Fundamentally, both artists employed a sustained andcoherent way of hyper-realising the body in images that celebrate pleasure and denyshame. Together, their works reveal interconnected ideas surrounding sexuality, gender,taste and class.Artist and writer Huw Lemmey has contributed an incisive new essay exploringthe queer contexts inherent to Tom of Finland’s work, but that also finds latentresonance in Cook’s paintings of gay bars and shapely women. He further considersthe commercial forms of distribution that made their complex bodies of works highlyaccessible.Spanning five decades of paintings, drawings and archival materials, this companioncatalogue contributes to new readings of the artists’ practices and their enduring impacton popular culture.