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12 produkter
World of Theatre
Edition 2000
Av Ian Herbert, Nicole Leclercq
Inbunden, 2000
4343 kr
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The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from …
World of Theatre 2003 Edition
An Account of the World's Theatre Seasons 1999-2000, 2000-2001 and 2001-2002
Av Ian Herbert, Nicole Leclercq
Inbunden, 2003
1562 kr
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Edited by Ian Herbert, President of the International Association of Theatre Critics, Secretary of the Drama Section of the Critics' Circle in London, and editor of Theatre Record, the chronicle of the British stage, and Nicole Leclercq, Archives et Musée de la Littérature, Brussels, the World of …
World of Theatre 2003 Edition
An Account of the World's Theatre Seasons 1999-2000, 2000-2001 and 2001-2002
Av Nicole Leclercq, Ian Herbert
E-bok, 2003
1052 kr
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Edited by Ian Herbert, President of the International Association of Theatre Critics, Secretary of the Drama Section of the Critics'' Circle in London, and editor of Theatre Record, the chronicle of the British stage, and Nicole Leclercq, Archives et Musée de la Littérature , Brussels, the World …
World of Theatre 2003 Edition
An Account of the World's Theatre Seasons 1999-2000, 2000-2001 and 2001-2002
Av Nicole Leclercq, Ian Herbert
E-bok, 2003
1030 kr
Lägg i varukorg
Edited by Ian Herbert, President of the International Association of Theatre Critics, Secretary of the Drama Section of the Critics'' Circle in London, and editor of Theatre Record, the chronicle of the British stage, and Nicole Leclercq, Archives et Musée de la Littérature , Brussels, the World …
World of Theatre
Edition 2000
Av Nicole Leclercq, Ian Herbert
E-bok, 2014
856 kr
Lägg i varukorg
The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from …
World of Theatre
Edition 2000
Av Nicole Leclercq, Ian Herbert
E-bok, 2014
856 kr
Lägg i varukorg
The World of Theatre is an on-the-spot account of current theatre activity across six continents. The year 2000 edition covers the three seasons from 1996-97 to 1998-99, in over sixty countries - more than ever before. The content of the book is as varied as the theatre scene it describes, from …
Les Convergences entre passé et futur dans les collections des arts du spectacle- Connecting Points: Performing Arts Collections Uniting Past and Future
Congrès de Munich - Munich Congress
Häftad, 2014
1145 kr
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Passé, présent et futur sont destinés à être intrinsèquement liés dans le traitement des collections des arts du spectacle. Car leur principale mission est bien de préserver le passé, de déployer des activités au présent et de mettre en place des stratégies pour le futur. Les défis quotidiens …
Collections des Arts du Spectacle et Leur Traitement Performing Arts Collections and Their Treatment
Congrès de Rome SIBMAS (2002)- SIBMAS Congress in Rome (2002)
Av Maria Teresa Iovinelli, Kristy Davis m. fl.
E-bok, 2012
403 kr
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Comment se compose la memoire du spectacle? Les bibliotheques et les musees s'attachant a l'entretenir ont parfois du mal a contenir une matiere aussi multiforme. Chaque collection a son histoire, chaque institution a du faire face a diverses difficultes. Dans cette mission, la technologie peut …
Capter l’essence du spectacle- Un enjeu de taille pour le patrimoine immatériel- Capturing the Essence of Performance- The Challenges of Intangible Heritage
Société internationale des bibliothèques et musées des arts du spectacle (27 e Congrès : Glasgow, 25-29 août 2008)- International Association of Libraries and Museums of the Performing Art (27 th Congress: Glasgow, 25-29 August 2008)
Av Leclercq-N, Nicole Leclercq m. fl.
Häftad, 2010
1475 kr
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Le défi du patrimoine immatériel est de capturer l’essence du spectacle : l’idée de « capture » a cela d’intéressant qu’elle suppose que les professionnels impliqués dans la SIBMAS soient comme des chasseurs, sur la piste, de toutes sortes de façons, afin de coincer et de recueillir un petit …