Nina Engelhardt – författare

Modernism in mathematics this unusual notion turns out to provide a new perspective on central questions in and beyond literary modernism. Contrasting 'mathematical fictions' from and about the heyday of mathematical modernism, this book relates literary engagements with mathematical modernism to the wider context of modernist critiques of Enlightenment values and postmodern reassessments of modernist patterns. The analysis of canonical works by Thomas Pynchon, Hermann Broch, and Robert Musil demonstrates how mathematics is accorded a central role as a particularly telling indicator of modernist transformations, and how imaginative illustrations contribute to establishing mathematics as part of modernist culture. In its interdisciplinary exploration of modernist interrelations between the surprisingly closely related fields of mathematics and literature, the book draws on prose works by mathematicians, research in the history and philosophy of mathematics, and literary scholarship.

An analysis of novelistic explorations of modernism in mathematics and its cultural interrelationsModernism in mathematics – this unusual notion turns out to provide a new perspective on central questions in and beyond literary modernism. Contrasting ‘mathematical fictions’ from and about the heyday of mathematical modernism, this book relates literary engagements with mathematical modernism to the wider context of modernist critiques of Enlightenment values and postmodern reassessments of modernist patterns. The analysis of canonical works by Thomas Pynchon, Hermann Broch, and Robert Musil demonstrates how mathematics is accorded a central role as a particularly telling indicator of modernist transformations, and how imaginative illustrations contribute to establishing mathematics as part of modernist culture. In its interdisciplinary exploration of modernist interrelations between the surprisingly closely related fields of mathematics and literature, the book draws on prose works by mathematicians, research in the history and philosophy of mathematics, and literary scholarship.Key Features:Reveals new frames of textual and cultural analysis that help understand the modernist condition from the interdisciplinary perspective of literature and mathematics studiesSupports the notion of mathematical modernism through analysis of literary fiction, thereby advancing knowledge of modernism in science with a literary perspectiveHighlights the role of mathematics in modernist works and postmodernist re-examinations of modernity and modernismElucidates crucial and not easily accessible aspects of canonical works, which open up new avenues for research

This collection of essays explores current thematic and aesthetic directions in fictional science narratives in different genres, predominantly novels, but also poetry, film, and drama.

This collection of essays explores current thematic and aesthetic directions in fictional science narratives in different genres, predominantly novels, but also poetry, film, and drama.

This handbook features essays written by both literary scholars and mathematicians that examine multiple facets of the connections between literature and mathematics.

This handbook features essays written by both literary scholars and mathematicians that examine multiple facets of the connections between literature and mathematics.

This book identifies antipathy as an emotion of key concern in Victorian literature and culture by studying discourses and representations of antipathy in fictional and non-fictional texts. The selected texts cover a broad range of thematic concerns and cultural contexts, engaging with different facets, manifestations, and functions of antipathy, and demonstrating its historically specific meanings in nineteenth-century British and imperial literature and culture. The contributors demonstrate how antipathy was presented as an emotional experience, discursive strategy, and aesthetic device that expressed, shaped, and interrogated Victorian power relations, and how it was used to negotiate structural dynamics of gender, class, and race. Bringing the study of Victorian literature and culture into conversation with approaches in the history of emotions, the volume explores the potential for considering historical conceptualisations of antipathetic feelings in and through literature, and offers methodological insights into the uses of literature in the history of emotions.