Nukhbah Taj Langah - Böcker

This book presents a range of analytical responses towards 9/11 through a critical review of literary, non-literary and cultural representations. The contributors examine the ways in which this event has shaped and complicated the relationship between various national and religious identities in contemporary world history. Unlike earlier studies on the topic, this work reconciles both eclectic and pragmatic approaches by analyzing the stereotypes of nationhood and identities while also questioning theoretical concepts in the context of the latest political developments. ,The chapters focus on discourses, themes, imagery and symbolism from across fiction and non-fiction, films, art, music, and political, literary and artistic movements. The volume addresses complexities arising within different local contexts (e.g., Hunza and state development); surveys broader frameworks in South Asia (representations of Muslims in Bollywood films); and gauges international impact (U.S. drone attacks in Islamic countries; treatment meted out to Muslims in Europe). It also connects these with relevant theories (e.g., Orientalism) and policy perspectives (e.g., Patriotic Act). The authors further discuss the consequences for minorities and marginalization, cultural relativism vs. ethnocentrism, the clash of civilizations, fundamentalism, Islamization and post-9/11 ‘Islamophobia’. ,This book will be useful to scholars and researchers of South Asian literature, Islamic studies, literary criticism, political sociology, anthropology and cultural studies, those in the media and the general reader.

This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.

Focusing on the culturally and historically rich Siraiki-speaking region, often tagged as ‘South Punjab’, this book discusses the ways in which Siraiki creative writers have transformed into political activists, resisting the self-imposed domination of the Punjabi–Mohajir ruling elite. Influenced by Sufi poets, their poetry takes the shape of both protest and dialogue. This book reflects upon the politics of identity and the political complications which are a result of colonisation and later, neo-colonisation of Pakistan. It challenges the philosophy of Pakistan — a state created for Muslims — which is now taking the shape of religious fanaticism, while disregarding ethnic and linguistic issues such as that of Siraiki.

This book presents a range of analytical responses towards 9/11 through a critical review of literary, non-literary and cultural representations. The contributors examine the ways in which this event has shaped and complicated the relationship between various national and religious identities in contemporary world history. Unlike earlier studies on the topic, this work reconciles both eclectic and pragmatic approaches by analyzing the stereotypes of nationhood and identities while also questioning theoretical concepts in the context of the latest political developments. ,The chapters focus on discourses, themes, imagery and symbolism from across fiction and non-fiction, films, art, music, and political, literary and artistic movements. The volume addresses complexities arising within different local contexts (e.g., Hunza and state development); surveys broader frameworks in South Asia (representations of Muslims in Bollywood films); and gauges international impact (U.S. drone attacks in Islamic countries; treatment meted out to Muslims in Europe). It also connects these with relevant theories (e.g., Orientalism) and policy perspectives (e.g., Patriotic Act). The authors further discuss the consequences for minorities and marginalization, cultural relativism vs. ethnocentrism, the clash of civilizations, fundamentalism, Islamization and post-9/11 ‘Islamophobia’. ,This book will be useful to scholars and researchers of South Asian literature, Islamic studies, literary criticism, political sociology, anthropology and cultural studies, those in the media and the general reader.

This volume explores the ways in which religion in the South Asian literary landscape play a significant role in the creation of political structures and secular democracies in South Asia. It highlights how the concepts of nation, nationalism, and secularism in South Asia is frequently determined by the rhetoric of racism, fundamentalism and religious fanaticism, minority politics, issues of caste, class, and ethnic identity, border politics, diaspora, among other factors. This edited volume investigates the extent to which national identities are regarded as potent dimensions of social participation in South Asian literature. It studies key works of many South Asian writers to explicate how the rich national and secular dynamics of the South Asian context remain entwined with questions such as: - How could democratic processes be implemented in independent states by separating politics from religion? - How do certain literary texts depict the notion of nationalism expanding beyond the concept of a single nation due to its intricate ethnic, regional, and cultural offshoots? - How does religious mobilisation in South Asian literary narratives become a carrier of secularism within and beyond South Asian countries? - How can (mis)conceptions regarding religious fundamentalism be understood through the policies and politics of secularism and postcolonial nationalism? Taking readers through literary and cultural analysis of diverse literary productions, this volume will be of immense interest to scholars and researchers in the fields of literature, cultural studies, post-colonial studies, identity politics and political philosophy, modern history, and South Asia studies.

This volume brings together new research on the developing and transforming literary scape in South Asia in the aftermath of the partitions of 1947 and 1971. It thematically explores the transformations that have taken place in the literary spheres of India, Pakistan and Bangladesh, since violence and irresolvable conflicts wreaked the subcontinent, through the narratives of loss and longing.The volume deals with key themes such as feminism, minorities and marginality, vernacular history, Bengali literary representations, and post-Partition artistic and literary representations. It contributes towards fostering a network for academic exchange across the borders thereby presenting diverse and in-depth studies on a plethora of subjects within the larger framework of literary landscapes.Narratives of Loss and Longing will be of interest to scholars of literary studies, postcolonial and decolonial studies, partition studies, minority studies, refugee studies, gender and women's studies and those interested in South Asia, especially India, Pakistan and Bangladesh.

This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.

This volume brings together new research on the developing and transforming literary scape in South Asia in the aftermath of the partitions of 1947 and 1971. It thematically explores the transformations that have taken place in the literary spheres of India, Pakistan and Bangladesh, since violence and irresolvable conflicts wreaked the subcontinent, through the narratives of loss and longing.The volume deals with key themes such as feminism, minorities and marginality, vernacular history, Bengali literary representations, and post-Partition artistic and literary representations. It contributes towards fostering a network for academic exchange across the borders thereby presenting diverse and in-depth studies on a plethora of subjects within the larger framework of literary landscapes.Narratives of Loss and Longing will be of interest to scholars of literary studies, postcolonial and decolonial studies, partition studies, minority studies, refugee studies, gender and women's studies and those interested in South Asia, especially India, Pakistan and Bangladesh.