Nukhbah Taj Langah is Associate Professor of English and Dean of Humanities, Forman Christian College University, Lahore, Pakistan. She specializes in contemporary resistance literature from South Asia. Her publications include Poetry as Resistance: Islam and Ethnicity in Postcolonial Pakistan (2011) and Poems: Noshi Gillani (co-translated with Lavinia Greenlaw, 2008). She is a freelance translator, a political activist, and a proponent of interdisciplinary approaches in postcolonial studies through pedagogical approaches and academic research. She was selected as a Charles Wallace Fellow at School of Oriental and African Studies in 2018.

‘This thorough multi-layered collection is a long-needed response to the repercussions emerging from the single most important day of our times. The contributors probe transformative cultural representations and important critical debates ranging from stereotyping Muslim identity to 9/11’s impact on South Asian writers and artists, and how social attitudes have altered perceptions of Muslims in general and of Pakistanis in particular. Many writers focus on Pakistan, a pivotal site whose fate has subsequently become inextricably intertwined with that of Afghanistan’s. Readers will enjoy the varied discussions of literary, media, cultural, and anthropological responses that have occurred in the wake of 9/11.’ Anita M. Weiss, Professor of International Studies, University of Oregon, USA ‘This critical evaluation of identity politics and its pathologies (9/11 is only one symptom) by young scholars from South Asia is urgently necessary. It is the young, after all, who must now think about a humane and just future.’Alok Bhalla, critic, translator and author of Stories About the Partition of India (1994) and Partition Dialogues (2001)‘With Literary and Non-Literary Responses Towards 9/11: South Asia and Beyond, Nukhbah Taj Langah has gathered together an important collection of essays that track the trenchant legacies of 9/11. This collection demonstrates that U.S. foreign policy is not the only source for understanding what 9/11 means; literary texts and visual representations, as well as theories and the discourses that are produced, push scholars beyond quantitative analyses to more complex and multi-faceted ones. Langah’s collection rebuilds collapsed conceptual structures that, in their crumbled state, would have us accept words such "Islam", "the West", and "terrorism", for instance, as monoliths rather than as complex, internally diverse, and dynamic ways of referring to human relations.’ Cara Cilano, Professor and Chair, Department of English, Michigan State University, USA‘A groundbreaking study on how the 9/11 terrorist attacks impacted in the long-term South Asia societies at different levels. The main interest is in de-centering the usual political and geopolitical issues related to the event, to show it ripples through the different cultural productions, and beyond.’ Michel Boivin, Director of the Centre for South Asian Studies, EHESS-CNRS, Paris, France

• Introduction. PART I: Post-9/11 Clash of Civilizations 1. The Discourse after 9/11: Cultural Relativism vs. Ethnocentrism 2. Orientalist: Friend or Foe? PART II: Post-9/11 Literary Genres vs. Policies 3. Contrasts and Reflections: Critiques of 9/11 Policies and Reflections in English Literature 4. Why They Hate Us: The Rise of Fundamentalism After 9/11 5. Islamization and post-9/11 ‘Islamophobia’: ‘The Power of Genre’ – a response from Pakistani writers. PART III: Bollywood, Drones and Images 6. Drones, State of Exception and Truck Art 7. Bollywood Audio-Visual Responses Towards 9/11 Through Kurbaan and My Name Is Khan. PART IV: Who else is marginalized? 8. Un-vanishing Angularities: placing Pakistani Christians in third-millennium Cultural Texts 9. Visualizing Hunza Post-9/11: Indeterminate State Development 10. Pakistan’s Traditional Muslim Scholars and the West Post-9/11. Conclusion

Nukhbah Taj Langah is Associate Professor of English and Dean of Humanities, Forman Christian College University, Lahore, Pakistan. She specializes in contemporary resistance literature from South Asia. Her publications include Poetry as Resistance: Islam and Ethnicity in Postcolonial Pakistan (2011) and Poems: Noshi Gillani (co-translated with Lavinia Greenlaw, 2008). She is a freelance translator, a political activist, and a proponent of interdisciplinary approaches in postcolonial studies through pedagogical approaches and academic research. She was selected as a Charles Wallace Fellow at School of Oriental and African Studies in 2018.

‘This thorough multi-layered collection is a long-needed response to the repercussions emerging from the single most important day of our times. The contributors probe transformative cultural representations and important critical debates ranging from stereotyping Muslim identity to 9/11’s impact on South Asian writers and artists, and how social attitudes have altered perceptions of Muslims in general and of Pakistanis in particular. Many writers focus on Pakistan, a pivotal site whose fate has subsequently become inextricably intertwined with that of Afghanistan’s. Readers will enjoy the varied discussions of literary, media, cultural, and anthropological responses that have occurred in the wake of 9/11.’ Anita M. Weiss, Professor of International Studies, University of Oregon, USA ‘This critical evaluation of identity politics and its pathologies (9/11 is only one symptom) by young scholars from South Asia is urgently necessary. It is the young, after all, who must now think about a humane and just future.’Alok Bhalla, critic, translator and author of Stories About the Partition of India (1994) and Partition Dialogues (2001)‘With Literary and Non-Literary Responses Towards 9/11: South Asia and Beyond, Nukhbah Taj Langah has gathered together an important collection of essays that track the trenchant legacies of 9/11. This collection demonstrates that U.S. foreign policy is not the only source for understanding what 9/11 means; literary texts and visual representations, as well as theories and the discourses that are produced, push scholars beyond quantitative analyses to more complex and multi-faceted ones. Langah’s collection rebuilds collapsed conceptual structures that, in their crumbled state, would have us accept words such "Islam", "the West", and "terrorism", for instance, as monoliths rather than as complex, internally diverse, and dynamic ways of referring to human relations.’ Cara Cilano, Professor and Chair, Department of English, Michigan State University, USA‘A groundbreaking study on how the 9/11 terrorist attacks impacted in the long-term South Asia societies at different levels. The main interest is in de-centering the usual political and geopolitical issues related to the event, to show it ripples through the different cultural productions, and beyond.’ Michel Boivin, Director of the Centre for South Asian Studies, EHESS-CNRS, Paris, France

• Introduction. PART I: Post-9/11 Clash of Civilizations 1. The Discourse after 9/11: Cultural Relativism vs. Ethnocentrism 2. Orientalist: Friend or Foe? PART II: Post-9/11 Literary Genres vs. Policies 3. Contrasts and Reflections: Critiques of 9/11 Policies and Reflections in English Literature 4. Why They Hate Us: The Rise of Fundamentalism After 9/11 5. Islamization and post-9/11 ‘Islamophobia’: ‘The Power of Genre’ – a response from Pakistani writers. PART III: Bollywood, Drones and Images 6. Drones, State of Exception and Truck Art 7. Bollywood Audio-Visual Responses Towards 9/11 Through Kurbaan and My Name Is Khan. PART IV: Who else is marginalized? 8. Un-vanishing Angularities: placing Pakistani Christians in third-millennium Cultural Texts 9. Visualizing Hunza Post-9/11: Indeterminate State Development 10. Pakistan’s Traditional Muslim Scholars and the West Post-9/11. Conclusion

Nukhbah Taj Langah is Associate Professor of English and Dean of Humanities, Forman Christian College University, Lahore, Pakistan. She specializes in contemporary resistance literature from South Asia. Her publications include Poetry as Resistance: Islam and Ethnicity in Postcolonial Pakistan (2011) and Poems: Noshi Gillani (co-translated with Lavinia Greenlaw, 2008). She is a freelance translator, a political activist, and a proponent of interdisciplinary approaches in postcolonial studies through pedagogical approaches and academic research. She was selected as a Charles Wallace Fellow at School of Oriental and African Studies in 2018.

‘This thorough multi-layered collection is a long-needed response to the repercussions emerging from the single most important day of our times. The contributors probe transformative cultural representations and important critical debates ranging from stereotyping Muslim identity to 9/11’s impact on South Asian writers and artists, and how social attitudes have altered perceptions of Muslims in general and of Pakistanis in particular. Many writers focus on Pakistan, a pivotal site whose fate has subsequently become inextricably intertwined with that of Afghanistan’s. Readers will enjoy the varied discussions of literary, media, cultural, and anthropological responses that have occurred in the wake of 9/11.’ Anita M. Weiss, Professor of International Studies, University of Oregon, USA ‘This critical evaluation of identity politics and its pathologies (9/11 is only one symptom) by young scholars from South Asia is urgently necessary. It is the young, after all, who must now think about a humane and just future.’Alok Bhalla, critic, translator and author of Stories About the Partition of India (1994) and Partition Dialogues (2001)‘With Literary and Non-Literary Responses Towards 9/11: South Asia and Beyond, Nukhbah Taj Langah has gathered together an important collection of essays that track the trenchant legacies of 9/11. This collection demonstrates that U.S. foreign policy is not the only source for understanding what 9/11 means; literary texts and visual representations, as well as theories and the discourses that are produced, push scholars beyond quantitative analyses to more complex and multi-faceted ones. Langah’s collection rebuilds collapsed conceptual structures that, in their crumbled state, would have us accept words such "Islam", "the West", and "terrorism", for instance, as monoliths rather than as complex, internally diverse, and dynamic ways of referring to human relations.’ Cara Cilano, Professor and Chair, Department of English, Michigan State University, USA‘A groundbreaking study on how the 9/11 terrorist attacks impacted in the long-term South Asia societies at different levels. The main interest is in de-centering the usual political and geopolitical issues related to the event, to show it ripples through the different cultural productions, and beyond.’ Michel Boivin, Director of the Centre for South Asian Studies, EHESS-CNRS, Paris, France

• Introduction. PART I: Post-9/11 Clash of Civilizations 1. The Discourse after 9/11: Cultural Relativism vs. Ethnocentrism 2. Orientalist: Friend or Foe? PART II: Post-9/11 Literary Genres vs. Policies 3. Contrasts and Reflections: Critiques of 9/11 Policies and Reflections in English Literature 4. Why They Hate Us: The Rise of Fundamentalism After 9/11 5. Islamization and post-9/11 ‘Islamophobia’: ‘The Power of Genre’ – a response from Pakistani writers. PART III: Bollywood, Drones and Images 6. Drones, State of Exception and Truck Art 7. Bollywood Audio-Visual Responses Towards 9/11 Through Kurbaan and My Name Is Khan. PART IV: Who else is marginalized? 8. Un-vanishing Angularities: placing Pakistani Christians in third-millennium Cultural Texts 9. Visualizing Hunza Post-9/11: Indeterminate State Development 10. Pakistan’s Traditional Muslim Scholars and the West Post-9/11. Conclusion