Oscar Guardiola-Rivera – författare

How can we save politics from the politician? How can we save ourselves? This book looks at the example of those who leave the city and break the social contract, rebellious exiles and freedom fighters escaping the wheel of necessity, and learns from them.

How can we save politics from the politician? How can we save ourselves? This book looks at the example of those who leave the city and break the social contract, rebellious exiles and freedom fighters escaping the wheel of necessity, and learns from them.

How can we save politics from the politician? How can we save ourselves? This book looks at the example of those who leave the city and break the social contract, rebellious exiles and freedom fighters escaping the wheel of necessity, and learns from them.

How can we save politics from the politician? How can we save ourselves? This book looks at the example of those who leave the city and break the social contract, rebellious exiles and freedom fighters escaping the wheel of necessity, and learns from them.

For most Westerners, Latin America is the junior partner of the New World, an underdeveloped sibling to the US and Canada. The vibrancy of its culture is unquestionable, but the Spanish and Portuguese-speaking countries of Central and South America are easily typecast and overlooked as exotic, dangerous, and decidedly not part of the First World. In his provocative and powerful book, Oscar Guardiola-Rivera shows how Latin America and its people are making their presence felt across the world by upsetting long-standing political and economic assumptions and orthodoxies. The US will still occupy center stage in the West for the time being, but few observers have taken notice of the rapid growth of Spanish language and culture within the USA--which is quietly and quickly becoming part of Latin America in its own way. Guardiola-Rivera's stimulating work is equally a hidden history of the modern world (the silver peso was the first global currency) and a piercing look at the future. Latin America has been in the vanguard of opposition to globalization, and its politics are imaginative, innovative and unlike those anywhere else in the world. For anyone interested in the future of the Western hemisphere or the world economy, What if Latin America Ruled the World? is a must-read.

For most Westerners, Latin America is the junior partner of the New World, an underdeveloped sibling to the US and Canada. The vibrancy of its culture is unquestionable, but the Spanish and Portuguese-speaking countries of Central and South America are easily typecast and overlooked as exotic, dangerous, and decidedly not part of the First World. In his provocative and powerful book, Oscar Guardiola-Rivera shows how Latin America and its people are making their presence felt across the world by upsetting long-standing political and economic assumptions and orthodoxies. The US will still occupy center stage in the West for the time being, but few observers have taken notice of the rapid growth of Spanish language and culture within the USA--which is quietly and quickly becoming part of Latin America in its own way. Guardiola-Rivera''s stimulating work is equally a hidden history of the modern world (the silver peso was the first global currency) and a piercing look at the future. Latin America has been in the vanguard of opposition to globalization, and its politics are imaginative, innovative and unlike those anywhere else in the world. For anyone interested in the future of the Western hemisphere or the world economy, What if Latin America Ruled the World? is a must-read.

On 11 September 1973, President Salvador Allende of Chile, Latin America''s first democratically elected Marxist president, was deposed in a violent coup d''état. Early that morning the phone lines to Allende''s office were cut, army officers loyal to the republic were arrested and shortly afterwards bombs from four British-made Hawker Hunter jets began slamming into the presidential palace. Allende refused to leave his post, making broadcasts to encourage the Chilean people until the last pro-government radio station was silenced. Later that morning he was found dead, with an AK-47 that had been a gift from Fidel Castro by his side. The coup had been planned for months, even years before it actually happened. In fact, from the moment Allende''s electoral victory in 1970 became a possibility, business leaders in Chile, extreme right-wing groups, high-ranking officers in the Chilean military and the US administration and the CIA worked together to secure a prompt and dramatic end to his progressive social programme. Why Allende seemed such a threat in the political and economic context of the time and how the coup was engineered is the story Oscar Guardiola-Rivera tells, drawing on a wide range of sources, including phone transcripts and documents released as recently as 2008. It is a radical retelling of a moment in history that even at the height of Cold War paranoia – a time when Henry Kissinger described Chile as ''a dagger pointed at the heart of Antarctica'' –shocked the world and which continues to resonate today. As the uprisings of the Arab Spring and the global protests at austerity measures introduced since the crash of 2008 show, the world is struggling to deal with the economic and political dilemmas Allende faced at the time.

On 11 September 1973, President Salvador Allende of Chile, Latin America’s first democratically elected Marxist president, was deposed in a violent coup d’état. Early that morning the phone lines to Allende’s office were cut, army officers loyal to the republic were arrested and shortly afterwards bombs from four British-made Hawker Hunter jets began slamming into the presidential palace. Allende refused to leave his post, making broadcasts to encourage the Chilean people until the last pro-government radio station was silenced. Later that morning he was found dead, with an AK-47 that had been a gift from Fidel Castro by his side. The coup had been planned for months, even years before it actually happened. In fact, from the moment Allende’s electoral victory in 1970 became a possibility, business leaders in Chile, extreme right-wing groups, high-ranking officers in the Chilean military and the US administration and the CIA worked together to secure a prompt and dramatic end to his progressive social programme. Why Allende seemed such a threat in the political and economic context of the time and how the coup was engineered is the story Oscar Guardiola-Rivera tells, drawing on a wide range of sources, including phone transcripts and documents released as recently as 2008. It is a radical retelling of a moment in history that even at the height of Cold War paranoia – a time when Henry Kissinger described Chile as ‘a dagger pointed at the heart of Antarctica’ –shocked the world and which continues to resonate today. As the uprisings of the Arab Spring and the global protests at austerity measures introduced since the crash of 2008 show, the world is struggling to deal with the economic and political dilemmas Allende faced at the time.

Bringing political criticism, a variety of theoretical approaches, and the author’s concrete experiences together, this book offers a political definition of hope as a utopian signifier, rooted in concrete processes of historical differentiation. Oscar Guardiola-Rivera addresses the problem of current limitations to the exercise of political imagination which severely contain, encrypt, and obscure our vision of social alternatives and normative possibilities? While grounding ethical and political stances on liberation philosophy and the anthropology of visual systems, A Hopeful Political Imagination: Courage and Fantastic Critique in the Age of Meltdown engages in dialogue with theories of encryption, a-legality, and the critique of anthropological absolutism coming from decolonial and ecological approaches. It allows us to understand 'decryption' as reversing encrypting linguistic and spatial processes in modernity, and proposes a new approach called 'fantastic critique' to reinvent the dynamics of power, judgement, time and the imagination, based on historical, literary, and philosophical examples. This book recovers and reimagines principles of hope and courage as republican, ethical virtues of revelation of what is figured and made in movement together, for practical action.

This is 'a roots rave manifesto / to free literature'. The second installment in Oscar Guardiola-Rivera's Night of the World trilogy, Out of the World continues Hoodoo Girl's adventures, alongside the trickster Ix. This mythopoetic narrative–told in three episodes–is inspired by the Mayan epic Popol Vuh, where ‘plot is overrated' and musicality abounds. Lay your ear to the ground and follow these unearthly threads, the syncopated beats where the colonial encounter animates the Angel of History to reveal the masquerade that surrounds us all.In this second installment of Night of the World, Oscar Guardiola-Rivera elaborates in kaleidoscopic poetic form his ongoing, multi-scalar inquiry of how the open veins of the Americas are a burrow or cave from which emerge so many critical monsters, creative motions, moral ironies, and cosmos-shaking events. Intertwining touchstones of the Americas (such as the Popol Vuh) with the contemporaneity of their historical crises (colonialism to current trade zones and migrations), this book puts the root-work of the creation of the Americas in front of its legatees, beginnings poised to be instantiated. Black Legend be damned. Guardiola-Rivera’s Under the World: Night of the World is a declarative, ambitious encomium for the emergence of historical Latin America as a present-day unified economic, cultural, and political powerhouse on the world stage. —Edgar Garcia, author of Emergency: Reading the Popol Vuh in a Time of Crisis

The first installment of the Night of the World trilogy is replete with images sampled from Oscar Guardiola-Rivera's work as a decolonial thinker and professor. He takes the reader through an epic that re-writes the Mayan Popul Vuh for 21st Century Britain. Part-dystopia, part-manifesto, the reader follows Hoodoo Girl in her escape from sinister forces in London where poets die in disposable high-rise towers and ghosts populate the streets.

La tesis de este libro inspirador es simple: debemos aprender de figuras ejemplares como John F. Kennedy, Martin Luther King y Salvador Allende, quienes con firmeza se rehusaron a ceder ante la tentación de la violencia desatada. Pero también de quienes, como los caribeños Frantz Fanon y Gabriel García Márquez o Julio Cortázar, nos enseñan que allí donde persiste la injusticia la lucha por realizar la justicia continúa. Sobre todo, debemos aprender de quienes distinguen entre una "paz negativa", atenta solo a una versión muy reducida de las libertades, de otra que Guardiola llama "positiva" y constructiva. Una de las voces colombianas más leídas en el exterior sueña con la paz de Colombia, ¿qué colombiano sensato no lo hace? Todos hemos sido marcados por la violencia de nuestro país. Pero hoy hay una generación que se levanta decidida a no tolerar un día más de guerra. Su ejemplo y este libro nos inspiran al invitarnos a desenterrar nuestras raíces, en el presente, en nuestras memorias, desdichas y esperanzas para reinventarnos e inventar un país, una nación, un continente en una tierra al alcance de los sueños de nuestros hijos.