Pamela Golbin – författare

The name Valentino has been synonymous with high fashion for almost fifty years. Based in Rome, Valentino is only one of two couture houses recognized by the French government outside of Paris. His exquisite designs are coveted and worn by young Hollywood and high society the world over. On the occasion of his last couture collection, presented in Paris in the spring of 2008, this landmark book celebrates forty-five years of Valentino’s remarkable career. Published in association with a prestigious exhibition at the Museé des Arts Decoratifs’s famed costume department in Paris, this volume focuses on Valentino’s haute couture creations, highlighting the most important and iconic creations of his half-century in fashion through recurring themes in Valentino’s work—variations on the ideas of volume, line, and texture as well as motifs such as geometry, pleats, and flowers—through new photography, sketches, fabric samples, and commentary on the dresses by Valentino himself. In addition, unprecedented photography by François Halard of Valentino’s last fittings and backstage of his runway show reveals Valentino’s private world for the first time. "Valentino On Valentino," a chapter of first-person accounts of the designs of these iconic dresses, along with Valentino’s commentary on his fashion, will make this publication unique in the study of Valentino as a cultural and artistic icon.

Deniot is known for layering art and furniture from different periods, custom-made pieces with one-of-a-kind antiques with inviting harmony and elegance. Deniot s timeless and glamorous rooms possess an almost cinematic aesthetic without being either too formal or trendy. With stunning photography and a series of discerning project-by-project conversations between the designer and author Pamela Golbin, Destinations takes the reader around the world to eighteen destinations showcasing Deniot s newest never-before-published international projects, from his own handsome Paris office, tropical retreats in Miami, Manhattan aeries, and the interior of a private jet in Aspen, to an elegant townhouse in London, an Italian waterfront villa, and projects in Colombia, India, Russia, and Morocco. Destinations is the design book must of the year, both for fans of his work and the Francophile dreamer looking for inspiration wherever they live in the wide world.

From the 1950s, Valentino Garavani began to create red clothes that realise, with their identification of a colour with its form, the dynamic vitality of the new world, renewing elegance and ease: his creations in red are guide-signals that connote a turning point in fashion history and give it epochal legibility: it is called style, a subtle and radiant method of marking historical time.This exhibition, with which the Valentino Garavani and Giancarlo Giammetti Foundation in the new building in the very central Piazza Mignanelli in Rome is inaugurated, and its catalogue follows the phenomenology of red in painting and, simultaneously, Valentino's reds: a certain red that becomes indistinguishable from its forms, so much so as to affirm the term ‘Valentino red’ beyond the field of fashion, conquering its definition outside the specific field of clothing, production and advertising, finding its place in the universal field of meanings. Works by Alberto Burri, Jeff Koons, Andy Warhol, Mark Rothko and Basquiat dedicated or inextricably linked to the ‘Valentino red’ will be exhibited, among others.Text in English and Italian.

"This book is published in conjunction with VENUS, Joana Vasconcelos’s exhibition at PM23 (18 January – 31 May, 2026) and in selected public sites across Rome, developed in dialogue with the work and legacy of Valentino Garavani and produced by the Fondazione Valentino Garavani e Giancarlo Giammetti. Conceived as a philanthropic foundation dedicated to education, culture, and social engagement, the Fondazione frames the project not only as an exhibition but as a platform in which art, fashion, and civic participation converge.VENUS approaches Valentino’s work as a material and conceptual archive. Its forms, colors, and techniques are translated into large-scale sculptures and spatial environments that extend fashion into the domain of installation and public space. At the center of the project stands Valkyrie Venus, a monumental figure assembled from thousands of crocheted and textile modules produced through a wide participatory network involving schools, hospitals, refugee shelters, women’s shelters and prisons. The book documents both this collective process and the finished work, presenting craft as a social practice grounded in care, repetition, and shared labor.Edited by Pamela Golbin, with texts by Pamela Golbin, Anna Coliva, Giulia Silvia Ghia, Daniele Luchetti, and Lucia Milazzotto, the volume combines critical essays, visual documentation, and narrative materials that situate Vasconcelos’s work within the historical and symbolic landscape of Rome and within broader reflections on ornament, the baroque, and the politics of display. A special project by Daniele Luchetti, developed specifically for the book, extends the exhibition into a parallel cinematic and testimonial dimension, recording the voices and experiences of the communities involved and anchoring the project in a social reality."

This fascinating publication presents the roles two men have played in turning a small workshop in nineteenth-century Paris into one of the most successful and recognized brands in the world. Known for both craftsmanship and must-have high design, Louis Vuitton the luxury house was started by its eponymous founder in 1854. The first half of this publication traces the innovations by Vuitton, who turned the little-known guild profession of emballeur (packer) into the foremost luxury trunk maker in Paris, with a clientele that included in his lifetime the French nobility as well as the elite of a prosperous empire. Prime and never-before-seen examples of Vuitton’s craftsmanship, along with the fashion that went into them, are the highlights of these chapters. The second half of the book examines the role of Marc Jacobs as Louis Vuitton’s creative director (since 1997), who took the Louis Vuitton house into a new era with a series of collaborations with artists and designers—such as Takashi Murakami, Richard Prince, and Stephen Sprouse—as well as designing a line of highly successful and desired clothing for the company.By examining two divergent but often similar careers one hundred years apart, Louis Vuitton / Marc Jacobs is not only a layered study of the evolution of a luxury brand in the past 150 years but also a celebration of technical and design innovations in the new century.