Pamela R. Frese – författare

This volume compares and contrasts concepts of gender from a wide range of perspectives drawn from the natural sciences, the social sciences, and the humanities. The contributors examine the complex process of sexual differentiation in an attempt to determine how feminine and masculine are defined and how these definitions contribute to and influence perceptions of social reality in various disciplines. Their essays explore how gender roles are created and how they influence the American way of life in such embedded cultural mores as the romance novel, images of the Virgin Mary, male inmates, the American wedding, contemporary art and architecture, 19th-century patriarchy, economics, and natural science. This is a timely, important, and, above all, useful book that will provide students in women's studies and cultural studies with a solid introduction to central concepts and texts in gender studies, and give them an equally important sense of the multiplicity of methodologies. Angelika Bammer, Emory UniversityThis volume breaks important new ground in the rapidly growing field of gender studies by comparing and contrasting concepts of gender from a wide range of perspectives drawn from the natural sciences, the social sciences, and the humanities. The contributors--each a specialist in his or her discipline as well as in the area of gender studies--examine the complex processes of sexual differentiation to determine how feminine and masculine are defined and how these definitions contribute to and influence perceptions of social reality in various disciplines. United by an overall focus on the importance of gender constructs in shaping cultural ideology and social interaction, the essays explore how gender roles are created and how they influence the American way of life in such embedded cultural mores as the romance novel, images of the Virgin Mary, male inmates, the American wedding, contemporary art, nineteenth-century patriarchy, economics, and natural science.The essays are arranged so that disciplines and themes interralate--each essay enhances the previous work and introduces the next. Overall, the book is arranged into three systematic approaches to gender studies. Four papers explore the way art, literature, and ritual reflect gender beliefs and act as vehicles for their reinvention through time. Another set of essays more explicitly concerns the power that ideology has in recreating gender and associated beliefs and practices. Essays on nineteenth century patriarchy and on prison gender identities emphasize that both men and women must be viewed as products of their culture. A final group of essays deal with gender and prestige or power structures as they have influenced the intellectual development of various disciplines and the individuals who are trained in those disciplines. This section includes essays on the relationship between gender and science, gender roles in economics, feminist roles in religious studies, and the emergence of women in architecture. Taken together, these papers offer an important new focus for students and scholars involved in studying the pervasive influence of gender across disciplines.

This volume compares and contrasts concepts of gender from a wide range of perspectives drawn from the natural sciences, the social sciences, and the humanities. The contributors examine the complex process of sexual differentiation in an attempt to determine how feminine and masculine are defined and how these definitions contribute to and influence perceptions of social reality in various disciplines. Their essays explore how gender roles are created and how they influence the American way of life in such embedded cultural mores as the romance novel, images of the Virgin Mary, male inmates, the American wedding, contemporary art and architecture, 19th-century patriarchy, economics, and natural science. This is a timely, important, and, above all, useful book that will provide students in women's studies and cultural studies with a solid introduction to central concepts and texts in gender studies, and give them an equally important sense of the multiplicity of methodologies. Angelika Bammer, Emory UniversityThis volume breaks important new ground in the rapidly growing field of gender studies by comparing and contrasting concepts of gender from a wide range of perspectives drawn from the natural sciences, the social sciences, and the humanities. The contributors--each a specialist in his or her discipline as well as in the area of gender studies--examine the complex processes of sexual differentiation to determine how feminine and masculine are defined and how these definitions contribute to and influence perceptions of social reality in various disciplines. United by an overall focus on the importance of gender constructs in shaping cultural ideology and social interaction, the essays explore how gender roles are created and how they influence the American way of life in such embedded cultural mores as the romance novel, images of the Virgin Mary, male inmates, the American wedding, contemporary art, nineteenth-century patriarchy, economics, and natural science.The essays are arranged so that disciplines and themes interralate--each essay enhances the previous work and introduces the next. Overall, the book is arranged into three systematic approaches to gender studies. Four papers explore the way art, literature, and ritual reflect gender beliefs and act as vehicles for their reinvention through time. Another set of essays more explicitly concerns the power that ideology has in recreating gender and associated beliefs and practices. Essays on nineteenth century patriarchy and on prison gender identities emphasize that both men and women must be viewed as products of their culture. A final group of essays deal with gender and prestige or power structures as they have influenced the intellectual development of various disciplines and the individuals who are trained in those disciplines. This section includes essays on the relationship between gender and science, gender roles in economics, feminist roles in religious studies, and the emergence of women in architecture. Taken together, these papers offer an important new focus for students and scholars involved in studying the pervasive influence of gender across disciplines.

This volume celebrates the cultural diversity of the United States as it is articulated through ritual performance. It presents the diverse ways in which people choose to validate and perpetuate their cultural identity. The collection of essays invokes the state of critical self-awareness that is increasingly enlisted in multicultural discourse. This volume is an important addition to the literature on ritual in America and will be useful to anthropologists, sociologists, and researchers in social sciences and humanities because it explores all dimensions of ritual experience and provides new visions of American identity expressed through formalized festive events.

The contributors gathered here revitalize “ethnographic performance”—the performed recreation of ethnographic subject matter pioneered by Victor and Edith Turner and Richard Schechner—as a progressive pedagogy for the 21st century. They draw on their experiences in utilizing performances in a classroom setting to facilitate learning about the diversity of culture and ways of being in the world. The editors, themselves both students of Turner at the University of Virginia, and Richard Schechner share recollections of the Turners’ vision and set forth a humanistic pedagogical agenda for the future. A detailed appendix provides an implementation plan for ethnographic performances in the classroom.