Pamela Robertson Wojcik – författare
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Presenting new and diverse scholarship, this collection brings together original essays that explore American film history from a fresh perspective.
Comprising an introduction and 34 chapters written by leading scholars from around the globe, and edited by Pamela Robertson Wojcik and Paula J. Massood, this collection offers discussions of the American film industry from previously unexplored vantage points. Rather than follow a chronological format, as with most film histories, this Companion offers a multiplicity of approaches to historiography and is arranged according to often underdeveloped or overlooked areas in American film, including topics such as alternate archives, hidden labor, histories of style, racialized technologies, cinema’s material cultures, spectators and fans, transnational film production, intermedial histories, history in and about films, and the historical afterlives of cinema.
An exciting collection for serious film studies students and scholars interested in new perspectives and fresh approaches to thinking about and doing American film history.
869 kr
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Presenting new and diverse scholarship, this collection brings together original essays that explore American film history from a fresh perspective.
Comprising an introduction and 34 chapters written by leading scholars from around the globe, and edited by Pamela Robertson Wojcik and Paula J. Massood, this collection offers discussions of the American film industry from previously unexplored vantage points. Rather than follow a chronological format, as with most film histories, this Companion offers a multiplicity of approaches to historiography and is arranged according to often underdeveloped or overlooked areas in American film, including topics such as alternate archives, hidden labor, histories of style, racialized technologies, cinema’s material cultures, spectators and fans, transnational film production, intermedial histories, history in and about films, and the historical afterlives of cinema.
An exciting collection for serious film studies students and scholars interested in new perspectives and fresh approaches to thinking about and doing American film history.
835 kr
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341 kr
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Gidget: Origins of a Teen Girl Transmedia Franchise examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s.
The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood’s reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, the Tammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget’s meaning at different points in time.
This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.
341 kr
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Gidget: Origins of a Teen Girl Transmedia Franchise examines the multiplicity of books, films, TV shows, and merchandise that make up the transmedia Gidget universe from the late 1950s to the 1980s.
The book examines the Gidget phenomenon as an early and unique teen girl franchise that expands understanding of both teen girlhood and transmedia storytelling. It locates the film as existing at the historical intersection of numerous discourses and events, including the emergence of surf culture and surf films; the rise of California as signifier of modernity and as the epicentre of white American middle-class teen culture; the annexation of Hawaii; the invention of Barbie; and Hollywood’s reluctant acceptance of teen culture and teen audiences. Each chapter places the Gidget text in context, looking at production and reception circumstances and intertexts such as the novels of Françoise Sagan, the Tammy series, La Dolce Vita, and The Patty Duke Show, to better understand Gidget’s meaning at different points in time.
This book explores many aspects of Gidget, providing an invaluable insight into this iconic franchise for students and researchers in film studies, feminist media studies, and youth culture.
1 438 kr
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