Patricia Hampl – författare

Just out of college, Patricia Hampl was mesmerized by a Matisse painting she saw in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a mysterious Moroccan screen behind her.This woman seemed a welcome secular version of the nuns of Hampl's girlhood, free and untouchable, a poster girl for twentieth-century feminism.In Blue Arabesque, Hampl explores the allure of that woman, immersed in leisure, so at odds with the increasing rush of the modern era.Her tantalizing meditation takes us to the Cote d'Azur and North Africa, from cloister to harem, pondering figures as diverse as Eugène Delacroix, F.Scott Fitzgerald, and Katherine Mansfield.Returning always to Matisse and his obsessive portraits of languid women, Hampl discovers they were not decorative indulgences but surprising acts of integrity. Moving with the life force that Matisse sought in his work, Blue Arabesque is a dazzling tour de force.

In this timely gathering, Patricia Hampl, one of our most elegant practitioners, "weaves personal stories and grand ideas into shimmering bolts of prose" (Minneapolis Star Tribune) as she explores the autobiographical writing that has enchanted or bedeviled her. Subjects engaging Hampl's attention include her family's response to her writing, the ethics of writing about family and friends, St. Augustine's Confessions, reflections on reading Walt Whitman during the Vietnam War, and an early experience reviewing Sylvia Plath. The word that unites the impulse within all the pieces is "Remember!"—a command that can be startling. For to remember is to make a pledge: to the indelible experience of personal perception, and to history itself.

A spirited journey into the lost value of daydream and ease, and the primacy of imaginationModern life only seems to become increasingly hectic and stressful, as we try to cram more into each day. In her sparkling new book, acclaimed author Patricia Hampl argues for the necessity of daydreaming and leisure in our over-amped lives.Written out of a lifelong fascination with contemplation, solitude, and silence, The Art of the Wasted Day is a picturesque travelogue of leisure. Hampl visits to the homes of several exemplars of leisure from the past, who made repose and seclusion their goal, indeed their art form. She braids her own life stories into these pilgrimages: lazing her days away as a young girl, daydreaming under a beechnut tree; undertaking a retreat at a Benedictine monastery; floating down the Mississippi River in an old cabin cruiser boat, a "sheer, dreamy waste of time" that turns out, after all of her international questing, to be the greatest travel experience of her life. The job of being human, Hampl suggests, is getting lost in thought, and only leisure can safeguard reflection. The Art of the Wasted Day is a timely, compelling, beautifully written celebration of the purpose and appeal of letting go.

In this landmark collection, Patricia Hampl and Elaine Tyler May have gathered fourteen original essays from award-winning memoirists and historians. They are all storytellers, wrestling with a fascinating gray area where memory intersects with history and where the necessities of narrative collide with mundane facts. and whether the record emerges from archival sources or from personal memory, these writers show how to make the leap to telling a good story—while also telling us true."reading each of these superb and provocative essays, readers understand history in the memoir and memoir in the history. What all the writers recognize?is that they and their disciplines all deal with the vagaries of memory and how humans construct meaning in the present through memory, however expressed. a superb book. Highly recommended." —Choice