Patrick O'Donnell - Böcker

-- Library Journal

Like a scene from Where Eagles Dare , a small team of American spies parachutes into Italy behind enemy lines. Their orders: link up with local partisans and sabotage the well-guarded Brenner Pass,the Nazis' crucial supply route through the Alps,thereby bringing the German war effort in Italy to a grinding halt.

At the height of World War II, with the Third Reich's final solution in full operation, a small group of Jews who had barely escaped the Nazis did the unthinkable: They went back. Spies now, these men took on a dangerous mission behind enemy lines. They Dared Return is their story,a tale of adventure, espionage, love, and revenge.

"What would you want if you could have any wish?” asked the photojournalist of the haggard, bloodied Marine before him. The Marine gaped at his interviewer. The photographer snapped his picture, which became the iconic Korean War image featured on this book's jacket."Give me tomorrow,” he said at last. After nearly four months of continuous and agonizing combat on the battlefields of Korea, such a simple request seemed impossible. For many men of George Company, or"Bloody George” as they were known- one of the Forgotten War's most decorated yet unrecognized companies- it was a wish that would not come true. This is the untold story of"Bloody George,” a Marine company formed quickly to answer its nation's call to duty in 1950. This small band of men- a colourful cast of characters, including a Native American fighting to earn his honor as a warrior, a Southern boy from Tennessee at odds with a Northern blue-blood reporter-turned-Marine, and a pair of twins who exemplified to the group the true meaning of brotherhood- were mostly green troops who had been rushed through training to fill America's urgent need on the Korean front. They would find themselves at the tip of the spear in some of the Korean War's bloodiest battles. After storming ashore at Inchon and fighting house-to-house in Seoul, George Company, one of America's last units in reserve, found itself on the frozen tundra of the Chosin Reservoir facing elements of an entire division of Chinese troops. They didn't realize it then, but they were soon to become crucial to the battle- modern-day Spartans called upon to hold off ten times their number. Give Me Tomorrow is their unforgettable story of bravery and courage. Thoroughly researched and vividly told, Give Me Tomorrow is fitting testament to the heroic deeds of George Company. They will never again be forgotten.

An epic World War II story of valor, sacrifice, and the Rangers who led the way to victory in EuropeIt is said that the right man in the right place at the right time can make the difference between victory and defeat. This is the dramatic story of sixty-eight soldiers of the U.S. Army's 2nd Ranger Battalion, D Company- Dog Company- who made that difference, time and again.From D-Day, when German guns atop Pointe du Hoc threatened the Allied landings and the men of Dog Company scaled the ninety-foot cliffs to destroy them to the thickly forested slopes of Hill 400, in Germany's Hürtgen Forest, where the Rangers launched a desperate bayonet charge across an open field, captured the crucial hill, and held it against all odds. In each battle, the men of Dog Company made the difference. Dog Company is their unforgettable story- thoroughly researched and vividly told by acclaimed combat historian Patrick K. O'Donnell- a story of extraordinary bravery, courage, and determination. America had many heroes in World War II, but few can say that, but for them, the course of the war may have been very different. The right men, in the right place, at the right time- Dog Company.

In the summer of 1942, an extraordinary group of men united to form an exceptional unit. Known as the Maritime Unit, it comprised America's first swimmer-commandos- an elite breed of warrior-spies who were decades ahead of their time when they created the tactics, technology, and philosophy that live on in today's Navy SEALs. Often armed only with knives and wearing nothing more than swim trunks and flippers, the Maritime Unit's combat swimmers and other operatives carried out seaborne clandestine missions in the Atlantic, Pacific, and Mediterranean theatres of World War II. In First SEALs , Patrick K. O'Donnell unearths their incredible history- one of the greatest untold stories of World War II.FirstSEALsBook.com

Thomas Pynchon's novel, The Crying of Lot 49, is widely recognized as a significant contemporary work that frames the desire for meaning and the quest for knowledge within the social and political contexts of the fifties and sixties in America. In the introduction to this collection of original essays, Patrick O'Donnell discusses the background and critical reception of the novel. Further essays by five experts on contemporary literature examine: the novel's 'semiotic regime' or the way in which it organizes signs; the comparison of postmodernist Pynchon and the influential South American writer, Jorge Luis Borges; metaphor in the novel; the novel's narrative strategies; and the novel within the cultural contexts of American Puritanism and the Beat movement. Together, these essays provide an examination of the novel within its literary, historical, and scientific contexts.

Thomas Pynchon's novel, The Crying of Lot 49, is widely recognized as a significant contemporary work that frames the desire for meaning and the quest for knowledge within the social and political contexts of the fifties and sixties in America. In the introduction to this collection of original essays, Patrick O'Donnell discusses the background and critical reception of the novel. Further essays by five experts on contemporary literature examine: the novel's 'semiotic regime' or the way in which it organizes signs; the comparison of postmodernist Pynchon and the influential South American writer, Jorge Luis Borges; metaphor in the novel; the novel's narrative strategies; and the novel within the cultural contexts of American Puritanism and the Beat movement. Together, these essays provide an examination of the novel within its literary, historical, and scientific contexts.

Latent Destinies examines the formation of postmodern sensibilities and their relationship to varieties of paranoia that have been seen as widespread in this century. Despite the fact that the Cold War has ended and the threat of nuclear annihilation has been dramatically lessened by most estimates, the paranoia that has characterized the period has not gone away. Indeed, it is as if-as O’Donnell suggests-this paranoia has been internalized, scattered, and reiterated at a multitude of sites: Oklahoma City, Waco, Ruby Ridge, Bosnia, the White House, the United Nations, and numerous other places.O’Donnell argues that paranoia on the broadly cultural level is essentially a narrative process in which history and postmodern identity are negotiated simultaneously. The result is an erasure of historical temporality-the past and future become the all-consuming, self-aware present. To explain and exemplify this, O’Donnell looks at such books and films as Libra, JFK, The Crying of Lot 49, The Truman Show, Reservoir Dogs, Empire of the Senseless, Oswald’s Tale, The Executioner’s Song, Underworld, The Killer Inside Me, and Groundhog Day. Organized around the topics of nationalism, gender, criminality, and construction of history, Latent Destinies establishes cultural paranoia as consonant with our contradictory need for multiplicity and certainty, for openness and secrecy, and for mobility and historical stability.Demonstrating how imaginative works of novels and films can be used to understand the postmodern historical condition, this book will interest students and scholars of American literature and cultural studies, postmodern theory, and film studies.

Latent Destinies examines the formation of postmodern sensibilities and their relationship to varieties of paranoia that have been seen as widespread in this century. Despite the fact that the Cold War has ended and the threat of nuclear annihilation has been dramatically lessened by most estimates, the paranoia that has characterized the period has not gone away. Indeed, it is as if-as O’Donnell suggests-this paranoia has been internalized, scattered, and reiterated at a multitude of sites: Oklahoma City, Waco, Ruby Ridge, Bosnia, the White House, the United Nations, and numerous other places.O’Donnell argues that paranoia on the broadly cultural level is essentially a narrative process in which history and postmodern identity are negotiated simultaneously. The result is an erasure of historical temporality-the past and future become the all-consuming, self-aware present. To explain and exemplify this, O’Donnell looks at such books and films as Libra, JFK, The Crying of Lot 49, The Truman Show, Reservoir Dogs, Empire of the Senseless, Oswald’s Tale, The Executioner’s Song, Underworld, The Killer Inside Me, and Groundhog Day. Organized around the topics of nationalism, gender, criminality, and construction of history, Latent Destinies establishes cultural paranoia as consonant with our contradictory need for multiplicity and certainty, for openness and secrecy, and for mobility and historical stability.Demonstrating how imaginative works of novels and films can be used to understand the postmodern historical condition, this book will interest students and scholars of American literature and cultural studies, postmodern theory, and film studies.

Fresh perspectives and eye-opening discussions of contemporary American fictionIn The Encyclopedia of Contemporary American Fiction: 1980-2020, a team of distinguished scholars delivers a focused and in-depth collection of essays on some of the most significant and influential authors and literary subjects of the last four decades. Cutting-edge entries from established and new voices discuss subjects as varied as multiculturalism, contemporary regionalisms, realism after poststructuralism, indigenous narratives, globalism, and big data in the context of American fiction from the last 40 years.The Encyclopedia provides an overview of American fiction at the turn of the millennium as well as a vision of what may come. It perfectly balances analysis, summary, and critique for an illuminating treatment of the subject matter. This collection also includes: An exciting mix of established and emerging contributors from around the world discussing central and cutting-edge topics in American fiction studiesFocused, critical explorations of authors and subjects of critical importance to American fictionTopics that reflect the energies and tendencies of contemporary American fiction from the forty years between 1980 and 2020The Encyclopedia of Contemporary American Fiction: 1980-2020 is a must-have resource for undergraduate and graduate students of American literature, English, creative writing, and fiction studies. It will also earn a place in the libraries of scholars seeking an authoritative array of contributions on both established and newer authors of contemporary fiction.

The American Novel Now navigates the vast terrain of the American novel since 1980, exploring issues of identity, history, family, nation, and aesthetics, as well as cultural movements and narrative strategies from over seventy different authors and novels. Discusses an exceptionally wide-range of authors and novels, from established figures to significant emerging writersToni Morrison, Thomas Pynchon, Louise Erdrich, Don DeLillo, Richard Powers, Kathy Acker and many moreExplores the range of themes and styles offered in the wealth of contemporary American fiction since 1980, in both mainstream and experimental writingsReflects the liveliness and diversity of American fiction in the last thirty yearsWritten in a style that makes it ideal for students and scholars, while also accessible for general readers

The American Novel Now navigates the vast terrain of the American novel since 1980, exploring issues of identity, history, family, nation, and aesthetics, as well as cultural movements and narrative strategies from over seventy different authors and novels. Discusses an exceptionally wide-range of authors and novels, from established figures to significant emerging writersToni Morrison, Thomas Pynchon, Louise Erdrich, Don DeLillo, Richard Powers, Kathy Acker and many moreExplores the range of themes and styles offered in the wealth of contemporary American fiction since 1980, in both mainstream and experimental writingsReflects the liveliness and diversity of American fiction in the last thirty yearsWritten in a style that makes it ideal for students and scholars, while also accessible for general readers

Lively analysis of how Henry James's fiction anticipates later filmmakers' concerns with what we can see and what we can know.Perched as he was at the beginning of literary modernism and the evolution of film as a medium, Henry James addressed a cluster of epistemological and aesthetic issues related to the visualization of reality. In Knowing It When You See It, Patrick O'Donnell compares several late novels and stories by Henry James with a series of films directed by Michael Haneké, Alfred Hitchcock, Quentin Tarantino, Christopher Nolan, and Lars Von Trier. O'Donnell argues that these issues find parallels in films made at the other end of an arc extending from the last decades of the nineteenth century to the initial years of the twenty-first. In mapping affinities between literature and film, he is not concerned with adaptation or discursivity, but rather with how the "visual" is represented in two mediums-with how seeing becomes knowledge, how framing what is seen becomes a critical part of the story that is conveyed, and how the perspective of the camera or the narrator shapes reality. Both James and these later auteurs "think" visually in ways that inter-illuminate their fictions and films, and newly bring into relief the trajectory of modernity in relation to visuality.

Lively analysis of how Henry James's fiction anticipates later filmmakers' concerns with what we can see and what we can know.Perched as he was at the beginning of literary modernism and the evolution of film as a medium, Henry James addressed a cluster of epistemological and aesthetic issues related to the visualization of reality. In Knowing It When You See It, Patrick O'Donnell compares several late novels and stories by Henry James with a series of films directed by Michael Haneké, Alfred Hitchcock, Quentin Tarantino, Christopher Nolan, and Lars Von Trier. O'Donnell argues that these issues find parallels in films made at the other end of an arc extending from the last decades of the nineteenth century to the initial years of the twenty-first. In mapping affinities between literature and film, he is not concerned with adaptation or discursivity, but rather with how the "visual" is represented in two mediums-with how seeing becomes knowledge, how framing what is seen becomes a critical part of the story that is conveyed, and how the perspective of the camera or the narrator shapes reality. Both James and these later auteurs "think" visually in ways that inter-illuminate their fictions and films, and newly bring into relief the trajectory of modernity in relation to visuality.

Having emerged as one the leading contemporary British writers, David Mitchell is rapidly taking his place amongst British novelists with the gravitas of an Ishiguro or a McEwan. Written for a wide constituency of readers of contemporary literature, A Temporary Future: The Fiction of David Mitchell explores Mitchell’s main concerns—including those of identity, history, language, imperialism, childhood, the environment, and ethnicity—across the six novels published so far, as well as his protean ability to write in multiple and diverse genres. It places Mitchell in the tradition of Murakami, Sebald, and Rushdie—writers whose works explore narrative in an age of globalization and cosmopolitanism. Patrick O’Donnell traces the through-lines of Mitchell’s work from ghostwritten to The Bone Clocks and, with a chapter on each of the six novels, charts the evolution of Mitchell’s fictional project.

Having emerged as one the leading contemporary British writers, David Mitchell is rapidly taking his place amongst British novelists with the gravitas of an Ishiguro or a McEwan. Written for a wide constituency of readers of contemporary literature, A Temporary Future: The Fiction of David Mitchell explores Mitchell’s main concerns—including those of identity, history, language, imperialism, childhood, the environment, and ethnicity—across the six novels published so far, as well as his protean ability to write in multiple and diverse genres. It places Mitchell in the tradition of Murakami, Sebald, and Rushdie—writers whose works explore narrative in an age of globalization and cosmopolitanism. Patrick O’Donnell traces the through-lines of Mitchell’s work from ghostwritten to The Bone Clocks and, with a chapter on each of the six novels, charts the evolution of Mitchell’s fictional project.

As I Lay Dying is considered by many both the most enigmatic and the most accessible of Faulkner’s major works. It is also the most dramatic; the journey of the Bundrens, a family of poor farmers in the South in the early twentieth century, unfolds like a one-act play, full of natural disaster and human madness. Taught in high school, college, and graduate courses, the novel lends itself to a wide range of interpretations, posing both challenges and opportunities for the instructor.Part 1 of this Approaches volume, “Materials,” offers an extensive guide to reference materials helpful for both reading and teaching As I Lay Dying. In Part 2, “Approaches,” fourteen essays examine the historical, geographic, and cultural aspects of the novel; consider it as a modernist narrative; address such issues as gender, materiality, language, and family dynamics; and discuss the novel in comparative and intertextual terms. Teachers will find suggestions for course design, in-class exercises, and assignments to help students explore a variety of themes, including death and mourning, the role of the mother, work, and the relation between nature and culture.