Patrik Ouredník – författare

A wide-ranging anthology of experimental writing—prose, poetry, and hybrid—from its most significant practitioners and innovators  A variety of names have been used to describe fiction, poetry, and hybrid writing that explore new forms and challenges mainstream traditions. Those phrases include experimental, conceptual, avant-garde, hybrid, surfiction, fusion, radical, slip-stream, avant-pop, postmodern, self-conscious, innovative, L=A=N=G=U=A=G=E writing, alternative, and anti- or new literature. Conceptualisms: The Anthology of Prose, Poetry, Visual, Found, E- & Hybrid Writing as Contemporary Art is the first major anthology of writing that offers readers an overview of this other tradition as it lives in the early decades of the 21st century.Featuring over 100 pieces from more than 90 authors, this anthology offers a plethora of aesthetics and approaches to a wide variety subjects. Editor Steve Tomasula has gathered poems, prose, and hybrid pieces that all challenge our understanding of what literature means. Intended as a collection of the most exciting and bold literary work being made today, Tomasula has put a spotlight on the many possibilities available to writers and readers wishing for a glimpse of literature’s future.Readers will recognize authors who have shaped contemporary writing, as among them Lydia Davis, Charles Bernstein, Jonathan Safran Foer, Shelley Jackson, Nathaniel Mackey, David Foster Wallace, and Claudia Rankine. Even seasoned readers will find authors, and responses to the canon, not yet encountered. Conceptualisms is a book of ideas for writers, teachers and scholars, as well as readers who wonder how many ways literature can live.The text features headnotes to chapters on themes such as sound writing, electronic literature, found text, and other forms, offering accessible introductions for readers new to this work. An online companion presents statements about the work and biographies of the authors in addition to audio, video, and electronic writing that can’t be presented in print. Visit www.conceptualisms.info to read more.

Centered on an elderly retiree and his intellectual adversary, the shrewd Inspector Lebeda, "Case Closed" is filled with all the expected elements of a thriller--murder, rape, suicide!--but soon reveals itself as a wily and sophisticated parable about the dangers of language itself, in which the author takes aim at human nature with a devastating arsenal of genre-mixing, wordplay, and whimsical, biting satire.

A Voltairean attack on the political idealism that gave birth to the modern world.

Tracing the Great War through the Millennium Bug, 1999 through 1900, Dadaism throughScientology through Sierra Leonean bicycle riding and back, award-winning Czech author PatrikOurednik explores the horror and absurdity of the twentieth century in an explosivedeconstruction of historical memory.Europeana: A Brief History of the Twentieth Century opens on the beaches of Normandy in1944, comparing the heights of different forces’ soldiers and considering how tall, long, or goodat fertilizing fields the men’s bodies will be. Probing the depths of humanity and inhumanity,this is an account of history as it has never been told: “engaging, even frightening.” At oncerecreating and uncreating the twentieth century, Ourednik explores the connections across thedecades between the disparate figures, events, and politics we thought we knew.Patrik Ourednik’s Europeana merits the author’s reputation as a giant of post-1989 Czechliterature. Now translated into 33 languages, the book is a masterwork of cubism, apolymorphic monologue of statistics and movements and fine print and discoveries that evokesthe deadpan absurdity of Kafka and the gallows humor of Hašek. Ourednik has created amesmerizing, maddening account of the past, and his interrogation of “truth” and objectivityresonates now more than ever.

Tracing the Great War through the Millennium Bug, 1999 through 1900, Dadaism throughScientology through Sierra Leonean bicycle riding and back, award-winning Czech author PatrikOurednik explores the horror and absurdity of the twentieth century in an explosivedeconstruction of historical memory.

Europeana: A Brief History of the Twentieth Century opens on the beaches of Normandy in1944, comparing the heights of different forces’ soldiers and considering how tall, long, or goodat fertilizing fields the men’s bodies will be. Probing the depths of humanity and inhumanity,this is an account of history as it has never been told: “engaging, even frightening.” At oncerecreating and uncreating the twentieth century, Ourednik explores the connections across thedecades between the disparate figures, events, and politics we thought we knew.

Patrik Ourednik’s Europeana merits the author’s reputation as a giant of post-1989 Czechliterature. Now translated into 33 languages, the book is a masterwork of cubism, apolymorphic monologue of statistics and movements and fine print and discoveries that evokesthe deadpan absurdity of Kafka and the gallows humor of Hašek. Ourednik has created amesmerizing, maddening account of the past, and his interrogation of “truth” and objectivityresonates now more than ever.

The end of the world is the least of the problems facing Gaspard Boisvert, erstwhile advisor to “the stupidest American president in history,” when he discovers that he may share the genes of a certain, infamous Austrian corporal, thanks to a dalliance on the part of his grandmother during the First World War.

Around the hapless Gaspard’s descent into amnesia and anti-social rebellion, an obsessive-compulsive narrator assembles 111 pithy chapters linked by the ultimate theme of all: the coming apocalypse. In this deadpan anti-novel, statistics and historical data are marshalled, and the divagations range over subjects as various as the history of religions, Viagra, vegetarianism and dietary taboos, aerial bombing, the Maltese national anthem, categories of suicide, varieties of stupidity, bathtubs, the critical density of the universe, pork and pigmen, and the etymology of the name Adolf.

Dass Europa auf gut 140 Seiten Platz hat, beweist der berühmte tschechische Schriftsteller Patrik Ourednik. Details der zwei Weltkriege reihen sich mit einem schlichten "und" neben überflüssiges Wissen zu den Errungenschaften des 20. Jahrhunderts, wodurch die Grausamkeiten des einen und die Skurrilitäten des anderen erst richtig zur Geltung kommen.Ouredniks Kurztrip durch das Europa des letzten Jahrhunderts ist ein zeitkritisches Werk über die Hoffnungen und Traumata der europäischen Gemeinschaft, eine Collage der wechselvollen und widersprüchlichen Geschichte Europas. Wir erfahren in kurzer Abfolge, dass im Ersten Weltkrieg 15.508 Kilometer Soldaten fielen, 1986 eine Barbie in KZ-Uniform auf den Markt kam, wann der BH erfunden und wann er verbrannt und dass im Jahr 1901 erstmals perforiertes Klopapier verkauft wurde."Europeana" ist kein Geschichtsbuch Europas und auch keine Europakritik, es ist eine Bestandsaufnahme, die durch ihre Lückenhaftigkeit den Raum hinter all den bekannten und unbekannten Fakten öffnet. Da das stolze Europa dabei einigermaßen beschämt zurückgelassen wird, ist es ein Glück, dass der rasante Stil und der witzige Grundton das Buch zu einem Lesevergnügen machen.Aus dem Tschechischen von Michael Stavaric.

Europeana är en annorlunda krönika över 1900-talet som tar sin början i första världskrigets skyttegravar och avrundas med utropandet av historiens slut. Stort och smått kontrasteras i ett enda långt associativt flöde som ställer seklets motsägelser och grandiosa illusioner på sin spets. Ouredníks prosa böljar fram på ett exakt, vanvördigt och suggestivt sätt. Kalla fakta blandas med idiosynkratiska iakttagelser på ett sätt som lyfter fram 1900-talets ohygglighet och absurditet – liksom det absurda i att försöka berätta dess historia.

Euroopan 1900-luku kaksine maailmansotineen, kansanmurhineen, kommunismeineen ja kolonialismeineen oli käsittämättömän väkivaltainen. Samalla kulttuurielämä kukoisti, raunioissa kehitettiin uraauurtavaa tiedettä ja luotiin ajankestävää taidetta. Kuinka tiivistää järjettömyydet järjelliseksi esitykseksi?Patrik Ourednikin Europeana koostuu toisaalta laajoista kehityskaarista ja oivaltavista kiteytyksistä, toisaalta absurdeista anekdooteista. Mikä oli kaatuneen amerikkalaisen sotilaan keskipituus Normandian maihinnousussa, ja kuinka monen kilometrin jono heistä olisi muodostunut päälaet jalkapohjia vasten peräkkäin ladottuina?Europeana on samaan aikaan synkkä, vakava ja huvittava, ja se käyttää taitavasti sekä kauno- että tietokirjallisuuden keinoarsenaalia. Lajirajojen lisäksi teos rikkoo kronologian omintakeisella kerrontatekniikallaan. Reunahuomautukset ja -nostot kaikuvat taustalla ironisina iskulauseina.Europeana on sirpaleinen, toisteinen ja absurdi kuten rikki revitty Eurooppa 1900-luvulla. Teoksessa yhdistyvät kovat faktat, kokeellinen muoto, väkivaltaiset aiheet ja loisteliaat kaunokirjalliset keinot.