Paul B. Franklin – författare

What is culture? What are cultures? Are literary texts and cultural texts different? What do literature and other fields engaged in cultural work hav in common? What can literary studies profitably do with other disciplines? What can cultural studies tell us about culture? This volume of work, fresh from the dig, presents a timely account of current thinking on central issues within and beyond the humanities today. Field Work brings together such leading figures as Sacvan Bercovitch and Helen Vendler, Anthony Appiah and Barbara Johnson, Seyla Benhabib and Norman Bryson, Martha Minow and Henry Louis Gates, Jr., Marjorie Garber and Susan Suleiman, as well as scholars in areas as diverse as legal studies and Renaissance literature. From a rich variety of perspectives, these scholars excavate and explore foundational questions in their fields. Contributors: K. Anthony Appiah, Seyla Benhabib, Sacvan Bercovitch, Svetlana Boym, Norman Bryson, Lawrence Buell, Patrick Ford, Paul B. Franklin, Marjorie Garber, Henry Louis Gates, Jr., Mary Gaylord, Beatrice Hanssen, Barbara Johnson, David Kennedy, Joseph Koener, Laura Korobkin, Meredith McGill, Jeffrey Masten, Jann Matlock, Martha Minow, Gregory Nagy, Stephen Owen, Judith Ryan, Elaine Scarry, Doris Sommer, Mary Steedly, Susan Suleiman, William Todd, Helen Vendler, Rebecca L. Walkowitz, Irene Winter

What is culture? What are cultures? Are literary texts and cultural texts different? What do literature and other fields engaged in cultural work hav in common? What can literary studies profitably do with other disciplines? What can cultural studies tell us about culture? This volume of work, fresh from the dig, presents a timely account of current thinking on central issues within and beyond the humanities today. Field Work brings together such leading figures as Sacvan Bercovitch and Helen Vendler, Anthony Appiah and Barbara Johnson, Seyla Benhabib and Norman Bryson, Martha Minow and Henry Louis Gates, Jr., Marjorie Garber and Susan Suleiman, as well as scholars in areas as diverse as legal studies and Renaissance literature. From a rich variety of perspectives, these scholars excavate and explore foundational questions in their fields. Contributors: K. Anthony Appiah, Seyla Benhabib, Sacvan Bercovitch, Svetlana Boym, Norman Bryson, Lawrence Buell, Patrick Ford, Paul B. Franklin, Marjorie Garber, Henry Louis Gates, Jr., Mary Gaylord, Beatrice Hanssen, Barbara Johnson, David Kennedy, Joseph Koener, Laura Korobkin, Meredith McGill, Jeffrey Masten, Jann Matlock, Martha Minow, Gregory Nagy, Stephen Owen, Judith Ryan, Elaine Scarry, Doris Sommer, Mary Steedly, Susan Suleiman, William Todd, Helen Vendler, Rebecca L. Walkowitz, Irene Winter

Robert Lebel, French art critic and collector, was instrumental in rendering Marcel Duchamp s often hermetic life, art, and ideas accessible to a wider public across Europe and the United States, principally with his 1959 publication "Sur Marcel Duchamp," the first monograph and catalogue raisonne devoted to the artist. Duchamp was a willing partner in the book s creation. In fact, his active participation in both its conception and layout was so substantial that the book is considered part of the artist s oeuvre. But the project took six years to complete. The trials, tribulations, quarrels, and machinations that plagued the production, publication, and publicity of "Sur Marcel Duchamp" are the focus of this correspondence between two lifelong friends. Translated and printed in full together for the first time, and including the original French texts, these letters, postcards, and telegrams from the collection of the Getty Research Institute offer uncensored access to the evolution of the relationship between Lebel and Duchamp from December 1946 to April 1967.They provide valuable information about their daily activities as well as those of friends and colleagues, vital details concerning their various collective projects, and illuminating insights into their thinking about art and life. These documents, witty and sincere, bear witness to the art of friendship and a friendship in art."

A personal, playful tribute to the Lalannes featuring their signature animal-inspired works as well as some rare collaborative piecesIn 1964, Claude (1925–2019) and François-Xavier Lalanne (1927–2008) held their first joint solo exhibition, titled Zoophites: an obsolete French term for invertebrate animals that resemble plants. This would turn out to be a fitting title for their oeuvre, chiefly composed of whimsical renditions of sheep, monkeys, rabbits, birds and more. To celebrate the 60th anniversary of this show, Kasmin presents a revitalized exhibition of the Lalannes’ work under the same title. The zoomorphic tables, chairs, sculptures and more are all drawn entirely from the collection of the Lalannes’ eldest daughter, Caroline Hamisky Lalanne. The catalog features over 100 color images in addition to archival photographs. Zoophites is also unique in that it documents some rare collaborative sculptures by the artist couple, who shared a home and studio but rarely worked together.

Marcel Duchamp: one of his themes was the boundary between works of art and everyday objects, and with it, he set the art world in an uproar. Surely one of his most brilliant strokes of genius was the Fountain, a urinal he put on display. There are, of course, many more works that bear his signature, and the Duchamp Collection in Schwerin has ninety-two of them. Founded in 2009, the research centre has succeeded in establishing an interdisciplinary, globally connected network of researchers in Schwerin. Under the title Marcel Duchamp: Inventing the Presence, individual as well as groups of artworks from the Schwerin collection are examined from philosophical, art historical, and literary perspectives in volume five of the series Poiesis.