Paul Barrett – författare

The 26-metre-long Diplodocus skeleton that dominates the Central Hall of the Natural History Museum in London is one of the world's most famous dinosaur models. Known affectionately as 'Dippy', it has fascinated and enthralled visitors since it was first revealed to an astonished public in 1905. Dippy's tale begins some 150 million years ago in the late part of the Jurassic period - the time from which the original fossil dates. Dippy is an exact plaster replica of the fossilized bones found in the badlands of Wyoming, USA. The story of how Dippy came to the Museum is one that involves danger and adventure in the harsh environment of the American Wild West, the generosity of an eccentric millionaire and the involvement of the British royal family. The book combines an engaging narrative with details of dinosaur discoveries and the latest research on Diplodocus anatomy and behaviour. It also reveals the emergence of Dippy's importance to scientists, as studies on Diplodocus kick-started a renaissance in the understanding of the biology of the group it belongs to, the sauropods.Featuring delightful artworks and photographs throughout, this is both an engaging tale of discovery and a guide to one of the longest land animals ever to walk the Earth.

Across more than twenty chapters, Future Horizons explores the past, present, and future of digital humanities research, teaching, and experimentation in Canada. Bringing together work by established and emerging scholars, this collection presents contemporary initiatives in digital humanities alongside a reassessment of the field’s legacy to date and conversations about its future potential. It also offers a historical view of the important, yet largely unknown, digital projects in Canada. _x000D__x000D_Future Horizons offers deep dives into projects that enlist a diverse range of approaches—from digital games to makerspaces, sound archives to born-digital poetry, visual arts to digital textual analysis—and that work with both historical and contemporary Canadian materials. The essays demonstrate how these diverse approaches challenge disciplinary knowledge by enabling humanities researchers to ask new questions._x000D__x000D_The collection challenges the idea that there is either a single definition of digital humanities or a collective national identity. By looking to digital engagements with race, Indigeneity, gender, and sexuality—not to mention history, poetry, and nationhood—this volume expands what it means to work at the intersection of digital humanities and humanities in Canada today._x000D__x000D_Available formats: trade paperback, accessible PDF, and accessible ePub

The Routledge Introduction to English Canadian Literature and Digital Humanities is a guide to the concepts and theories at the intersection of Canadian literary studies and digital humanities (DH). Equal parts theoretical and practical, it focuses on debates that overlap the two domains. This book historicizes the connections between the two by surveying the history of DH in Canada, the tradition of Canadian writers engaging with technology, and DH analyses of Canadian literature. It also situates both CanLit and DH with respect to contemporary concerns about alterity, and it demonstrates how digital technologies allow writers and scholars to intervene in them.This book complements its theoretical discussions with a practical introduction to DH methods. Using Canadian literary texts and examples from projects at the intersection of CanLit and DH, it introduces key DH approaches to novice readers. Topics covered include data collection, data management, and textual analysis, as well as essential DH tools and the Python programming language. A concluding case study guides readers interested in applying the ideas presented throughout.

The Routledge Introduction to English Canadian Literature and Digital Humanities is a guide to the concepts and theories at the intersection of Canadian literary studies and digital humanities (DH). Equal parts theoretical and practical, it focuses on debates that overlap the two domains. This book historicizes the connections between the two by surveying the history of DH in Canada, the tradition of Canadian writers engaging with technology, and DH analyses of Canadian literature. It also situates both CanLit and DH with respect to contemporary concerns about alterity, and it demonstrates how digital technologies allow writers and scholars to intervene in them.This book complements its theoretical discussions with a practical introduction to DH methods. Using Canadian literary texts and examples from projects at the intersection of CanLit and DH, it introduces key DH approaches to novice readers. Topics covered include data collection, data management, and textual analysis, as well as essential DH tools and the Python programming language. A concluding case study guides readers interested in applying the ideas presented throughout.

Since the Venerable Bede wrote his iconic Ecclesiastic History of England in the eighth century, King Penda has been relegated to the role of villain and treated as a barrier to advancement in a battle between new ideas and a new culture. Paul Barrett outlines the background to the Anglo-Saxon takeover in England and explores the broad concepts of the Angles’ traditional culture, before delving into the life of Penda (605 – 655). Penda’s life spanned the first half of the seventh century, the era which gave birth to national identities which still form the central components of modern Britain; Wales, Scotland, and England all take shape through this period. Penda’s seemingly impossible ascent to prominence starts on the very periphery of power and ends with the dominance of Britain. He is at the centre of Mercia’s birth, expansion and rise. Throughout his reign his kingdom becomes a bastion of stability in a period of endemic warfare, climate change challenges, cultural competition, and unstable nation-to nation relationships. Throughout his life Penda challenges the status quo and shows the value of cultural pluralism in a time when the growing power of a new faith, Christianity, was pushing all others into extinction. Guided by his loyalty to an ancient culture, service to his family, and his powerful Queen Cynewise, Penda launched Mercia towards eventual supremacy, which would last for over 200 years. He was the last of the great Anglo-Saxon heathen warlords.

Focusing on the work of black, diasporic writers in Canada, particularly Dionne Brand, Austin Clarke, and Tessa McWatt, Blackening Canada investigates the manner in which literature can transform conceptions of nation and diaspora. Through a consideration of literary representation, public discourse, and the language of political protest, Paul Barrett argues that Canadian multiculturalism uniquely enables black diasporic writers to transform national literature and identity. These writers seize upon the ambiguities and tensions within Canadian discourses of nation to rewrite the nation from a black, diasporic perspective, converting exclusion from the national discourse into the impetus for their creative endeavours.Within this context, Barrett suggests, debates over who counts as Canadian, the limits of tolerance, and the breaking points of Canadian multiculturalism serve not as signs of multiculturalism’s failure but as proof of both its vitality and of the unique challenges that black writing in Canada poses to multicultural politics and the nation itself.

Focusing on the work of black, diasporic writers in Canada, particularly Dionne Brand, Austin Clarke, and Tessa McWatt, Blackening Canada investigates the manner in which literature can transform conceptions of nation and diaspora. Through a consideration of literary representation, public discourse, and the language of political protest, Paul Barrett argues that Canadian multiculturalism uniquely enables black diasporic writers to transform national literature and identity. These writers seize upon the ambiguities and tensions within Canadian discourses of nation to rewrite the nation from a black, diasporic perspective, converting exclusion from the national discourse into the impetus for their creative endeavours.Within this context, Barrett suggests, debates over who counts as Canadian, the limits of tolerance, and the breaking points of Canadian multiculturalism serve not as signs of multiculturalism’s failure but as proof of both its vitality and of the unique challenges that black writing in Canada poses to multicultural politics and the nation itself.

'Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like.Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934-2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit. Novelist, short-story writer, poet, and essayist, Clarke was born in Barbados, moved to Canada in 1995 and went on to establish Black Studies programs at a number of universities in America. He returned to Canada and became one of Canadian literature's most prolific authors and a public voice for Black people in Canada. Among his best-known works are the Giller Award-winning The Polished Hoe (2002) and his memoir 'Membering (2015).This collection of essays from colleagues, scholars, friends, and fellow writers addresses Clarke's work in all its richness and complexity in order to understand how Clarke's legacy continues to transform Canadian writing. It includes previously unpublished poems and short stories from Clarke's archives as well as personal reflections from friends, histories of the publication of his works, essays, interviews, and short stories and poems inspired by Clarke.