Sarah Roger – författare

Sarah Roger investigates Jorge Luis Borges''s development as an author in light of Franz Kafka''s influence, and in consideration of Borges''s relationship with his father, Jorge Guillermo Borges (Borges père, a failed author). Borges believed that much of Kafka''s writing derived from his personal experiences, particularly his relationship with his father. This book looks at how reading Kafka helped Borges mediate and make productive use of his ownrelationship with his father, and it offers a thorough analysis of Borges père''s writing, which is supplemented by an appendix that reprints Borges père''s poetry for the first time.Borges and Kafka also provides extensive analysis of Kafka''s presence in Borges''s critical writing, his translations, and the stories that he modelled on Kafka. Particular attention is paid to the concepts that Borges identified as Kafka''s obsessions: subordination, infinity, and hierarchical relationships, which Borges referred to as the ''patria potestad.'' Roger''s analysis is accompanied by an annotated bibliography documenting every mention of Kafka in Borges''s writing and a list ofevery Kafka text Borges read. Kafka''s influence is especially evident in the stories where Borges was openly imitating Kafka—''La lotería en Babilonia'' (1941), ''La biblioteca de Babel'' (1941), and ''El Congreso'' (1971)—but it features throughout Ficciones. Reading Borges''s writing in light of his interest inKafka demonstrates his focus not just on the individual''s subordinate place in an infinite hierarchy but also on the repercussions these circumstances had for a struggling author like Borges, who was seeking to define himself through his writing.

Sarah Roger investigates Jorge Luis Borges's development as an author in light of Franz Kafka's influence, and in consideration of Borges's relationship with his father, Jorge Guillermo Borges (Borges père, a failed author). Borges believed that much of Kafka's writing derived from his personal experiences, particularly his relationship with his father. This book looks at how reading Kafka helped Borges mediate and make productive use of his own relationship with his father, and it offers a thorough analysis of Borges père's writing, which is supplemented by an appendix that reprints Borges père's poetry for the first time. Borges and Kafka also provides extensive analysis of Kafka's presence in Borges's critical writing, his translations, and the stories that he modelled on Kafka. Particular attention is paid to the concepts that Borges identified as Kafka's obsessions: subordination, infinity, and hierarchical relationships, which Borges referred to as the 'patria potestad.' Roger's analysis is accompanied by an annotated bibliography documenting every mention of Kafka in Borges's writing and a list of every Kafka text Borges read. Kafka's influence is especially evident in the stories where Borges was openly imitating Kafka--'La lotería en Babilonia' (1941), 'La biblioteca de Babel' (1941), and 'El Congreso' (1971)--but it features throughout Ficciones. Reading Borges's writing in light of his interest in Kafka demonstrates his focus not just on the individual's subordinate place in an infinite hierarchy but also on the repercussions these circumstances had for a struggling author like Borges, who was seeking to define himself through his writing.

Across more than twenty chapters, Future Horizons explores the past, present, and future of digital humanities research, teaching, and experimentation in Canada. Bringing together work by established and emerging scholars, this collection presents contemporary initiatives in digital humanities alongside a reassessment of the field’s legacy to date and conversations about its future potential. It also offers a historical view of the important, yet largely unknown, digital projects in Canada. _x000D__x000D_Future Horizons offers deep dives into projects that enlist a diverse range of approaches—from digital games to makerspaces, sound archives to born-digital poetry, visual arts to digital textual analysis—and that work with both historical and contemporary Canadian materials. The essays demonstrate how these diverse approaches challenge disciplinary knowledge by enabling humanities researchers to ask new questions._x000D__x000D_The collection challenges the idea that there is either a single definition of digital humanities or a collective national identity. By looking to digital engagements with race, Indigeneity, gender, and sexuality—not to mention history, poetry, and nationhood—this volume expands what it means to work at the intersection of digital humanities and humanities in Canada today._x000D__x000D_Available formats: trade paperback, accessible PDF, and accessible ePub

The Routledge Introduction to English Canadian Literature and Digital Humanities is a guide to the concepts and theories at the intersection of Canadian literary studies and digital humanities (DH). Equal parts theoretical and practical, it focuses on debates that overlap the two domains. This book historicizes the connections between the two by surveying the history of DH in Canada, the tradition of Canadian writers engaging with technology, and DH analyses of Canadian literature. It also situates both CanLit and DH with respect to contemporary concerns about alterity, and it demonstrates how digital technologies allow writers and scholars to intervene in them.This book complements its theoretical discussions with a practical introduction to DH methods. Using Canadian literary texts and examples from projects at the intersection of CanLit and DH, it introduces key DH approaches to novice readers. Topics covered include data collection, data management, and textual analysis, as well as essential DH tools and the Python programming language. A concluding case study guides readers interested in applying the ideas presented throughout.

The Routledge Introduction to English Canadian Literature and Digital Humanities is a guide to the concepts and theories at the intersection of Canadian literary studies and digital humanities (DH). Equal parts theoretical and practical, it focuses on debates that overlap the two domains. This book historicizes the connections between the two by surveying the history of DH in Canada, the tradition of Canadian writers engaging with technology, and DH analyses of Canadian literature. It also situates both CanLit and DH with respect to contemporary concerns about alterity, and it demonstrates how digital technologies allow writers and scholars to intervene in them.This book complements its theoretical discussions with a practical introduction to DH methods. Using Canadian literary texts and examples from projects at the intersection of CanLit and DH, it introduces key DH approaches to novice readers. Topics covered include data collection, data management, and textual analysis, as well as essential DH tools and the Python programming language. A concluding case study guides readers interested in applying the ideas presented throughout.