The foundation of any software system is its architecture. Using this book, you can evaluate every aspect of architecture in advance, at remarkably low cost -- identifying improvements that can dramatically improve any system's performance, security, reliability, and maintainability. As the practice of software architecture has matured, it has become possible to identify causal connections between architectural design decisions and the qualities and properties that result downstream in the systems that follow from them. This book shows how, offering step-by-step guidance, as well as detailed practical examples -- complete with sample artifacts reflective of those that evaluators will encounter. The techniques presented here are applicable not only to software architectures, but also to system architectures encompassing computing hardware, networking equipment, and other elements. For all software architects, software engineers, developers, IT managers, and others responsible for creating, evaluating, or implementing software architectures.

This cross-disciplinary book, situated on the periphery of culture, employs humour to better comprehend the arts, the outsider and exclusion, illuminating the ever-changing social landscape, the vagaries of taste and limits of political correctness.

Each chapter deals with specific themes and approaches – from the construct of outsider and complexity of humour, to Outsider Art and spaces – using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and ''fake news''. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal.

This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.

This cross-disciplinary book, situated on the periphery of culture, employs humour to better comprehend the arts, the outsider and exclusion, illuminating the ever-changing social landscape, the vagaries of taste and limits of political correctness.

Each chapter deals with specific themes and approaches – from the construct of outsider and complexity of humour, to Outsider Art and spaces – using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and ''fake news''. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal.

This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.

This book excavates the depths of creative purpose and meaning-making and the extent to which artist autonomy and authenticity in art is a struggle against psychological conditioning, controlling cultural institutions and markets, key to which is representation.

The chapters are underpinned by examples from the arts, and the narrative weaves a trail through a range of conceptualizations that are applied to various aspects of visual culture from mainstream canonical arts to avant-garde, community and public art; social and political art to commercial art; and ethereal art to the popular, edgy and kitsch. The book is wide-ranging and employs various aesthetic, cultural, philosophical, political, psycho-social and sociological debates to highlight the problems and contradictions that an encounter with the arts and creativity engenders.

The book will be of interest to scholars working in art history, museum studies, arts management, cultural policy, cultural studies and cultural theory.

This book excavates the depths of creative purpose and meaning-making and the extent to which artist autonomy and authenticity in art is a struggle against psychological conditioning, controlling cultural institutions and markets, key to which is representation.

The chapters are underpinned by examples from the arts, and the narrative weaves a trail through a range of conceptualizations that are applied to various aspects of visual culture from mainstream canonical arts to avant-garde, community and public art; social and political art to commercial art; and ethereal art to the popular, edgy and kitsch. The book is wide-ranging and employs various aesthetic, cultural, philosophical, political, psycho-social and sociological debates to highlight the problems and contradictions that an encounter with the arts and creativity engenders.

The book will be of interest to scholars working in art history, museum studies, arts management, cultural policy, cultural studies and cultural theory.

This book uses cultural and psycho-social analysis to examine the beat writer Charles Bukowski and his literature, focusing on representations of the anti-hero rebel and outsider. Clements considers the complexities, ambiguities, and contradictions represented by the author and his work, exploring Bukowski’s visceral writing of the cultural ordinary and everyday self-narrative. The study considers Bukowski’s apolitical, gendered, and working-class stance to understand how the writer represents reality and is represented with regards to counter-cultural literature. In addition, Clements provides a broader socio-cultural focus that evaluates counterculture in relation to the American beat movement and mythology, highlighting the male cool anti-hero. The cultural practices and discourses utilized to situate Bukowski include the individual and society, outsiderdom, cult celebrity, fan embodiment, and disneyfication, providing a greater understanding of the beat generation and counterculture literature.

This book uses cultural and psycho-social analysis to examine the beat writer Charles Bukowski and his literature, focusing on representations of the anti-hero rebel and outsider. Clements considers the complexities, ambiguities, and contradictions represented by the author and his work, exploring Bukowski’s visceral writing of the cultural ordinary and everyday self-narrative. The study considers Bukowski’s apolitical, gendered, and working-class stance to understand how the writer represents reality and is represented with regards to counter-cultural literature. In addition, Clements provides a broader socio-cultural focus that evaluates counterculture in relation to the American beat movement and mythology, highlighting the male cool anti-hero. The cultural practices and discourses utilized to situate Bukowski include the individual and society, outsiderdom, cult celebrity, fan embodiment, and disneyfication, providing a greater understanding of the beat generation and counterculture literature.

Paul Clements champions the creative underground and expressions of difference through visionary avant-garde and resistant ideas. This is represented by an admixture of utopian literature, manifestos and lifestyles which challenge normality and attempt to reinvent society, as practiced for example, by radicals in bohemian enclaves or youth subcultures. He showcases a range of ''art'' and participatory cultural practices that are examined sociopolitically and historically, employing key theoretical ideas which highlight their contribution to aesthetic thinking, political ideology, and public discourse. A reevaluation of the arts and progressive modernism can reinvigorate culture through active leisure and post-work possibilities beyond materialism and its constraints, thereby presenting alternatives to established understandings and everyday cultural processes. The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope.

Paul Clements champions the creative underground and expressions of difference through visionary avant-garde and resistant ideas. This is represented by an admixture of utopian literature, manifestos and lifestyles which challenge normality and attempt to reinvent society, as practiced for example, by radicals in bohemian enclaves or youth subcultures. He showcases a range of ''art'' and participatory cultural practices that are examined sociopolitically and historically, employing key theoretical ideas which highlight their contribution to aesthetic thinking, political ideology, and public discourse. A reevaluation of the arts and progressive modernism can reinvigorate culture through active leisure and post-work possibilities beyond materialism and its constraints, thereby presenting alternatives to established understandings and everyday cultural processes. The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope.

‘The knockings of autumn are making themselves heard in the rustle of the leaves and whistle of the chilly wind. Spiderwebs are festooned on hedges and a spider is poised at the centre of one. In the fleeting morning sunshine the webs light up in twinkling displays.’

Recovering from surgery, Paul Clements and his wife, Felicity, spent a year in a remote cottage in the woodlands of Montalto Estate, Co. Down. Through the lens of a curious observer and a budding bird watcher, Clements describes in exquisite detail his discovery of the restorative power of nature. Beautifully written, A Year in the Woods is a fusion of social and cultural history, nature writing and memoir. Reflecting back on this magical year spent in the woods through the journal he kept, Clements describes his awakening to the wonder of the woodland and developing his deep connection to nature.

Peppered with fascinating folklore and history, Clements celebrates the changing seasons, from harsh winter storms to dry languid summer evenings. Clements is a gifted writer, but it is his detailed and often humorous descriptions of the complexities of nature at his doorstep from the foibles and idiosyncrasies of various fauna, to his awe of nature’s resilience to ever-changing weather conditions that ultimately captivates the reader.

The first full account of a truly remarkable life.

When Jan Morris passed away in 2020, she was considered one of Britain’s best-loved writers. The author of Venice, Pax Britannica, Conundrum, and more than fifty other books, her work was known for its observational genius, lyricism, and humour, and had earned her a passionate readership around the world.

Morris’s life was no less fascinating than her oeuvre. Born in 1926, she spent her childhood amidst Oxford’s Gothic beauty and later participated in military service in Italy and the Middle East, before embarking on a career as an internationally fêted foreign correspondent. From being the only journalist to join the first ascent of Mount Everest in 1953 to covering the trial of Adolf Eichmann, Morris’s reportage spanned many of the twentieth century’s defining moments.

However, public success masked a private dilemma that was only resolved when she transitioned genders in the late 1960s, becoming renowned as a transgender pioneer. She went on to live happily with her wife Elizabeth in Wales for another five decades, and never stopped writing and publishing.

Here, for the first time, the many strands of Morris’s rich and at times paradoxical life are brought together. Based on a wealth of interviews, archival material, and hitherto unpublished documents, Jan Morris: life from both sides portrays a person of extraordinary talent, curiosity, and joie de vivre.

The foundation of any software system is its architecture. Using this book, you can evaluate every aspect of architecture in advance, at remarkably low cost -- identifying improvements that can dramatically improve any system's performance, security, reliability, and maintainability. As the practice of software architecture has matured, it has become possible to identify causal connections between architectural design decisions and the qualities and properties that result downstream in the systems that follow from them. This book shows how, offering step-by-step guidance, as well as detailed practical examples -- complete with sample artifacts reflective of those that evaluators will encounter. The techniques presented here are applicable not only to software architectures, but also to system architectures encompassing computing hardware, networking equipment, and other elements. For all software architects, software engineers, developers, IT managers, and others responsible for creating, evaluating, or implementing software architectures.

This cross-disciplinary book, situated on the periphery of culture, employs humour to better comprehend the arts, the outsider and exclusion, illuminating the ever-changing social landscape, the vagaries of taste and limits of political correctness.

Each chapter deals with specific themes and approaches – from the construct of outsider and complexity of humour, to Outsider Art and spaces – using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and ''fake news''. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal.

This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.

This cross-disciplinary book, situated on the periphery of culture, employs humour to better comprehend the arts, the outsider and exclusion, illuminating the ever-changing social landscape, the vagaries of taste and limits of political correctness.

Each chapter deals with specific themes and approaches – from the construct of outsider and complexity of humour, to Outsider Art and spaces – using various theoretical and analytical methods. Paul Clements draws on humour, especially from visual arts and culture (and to a lesser extent literature, film, music and performance), as a tool of ridicule, amongst other discourses, employed by the powerful but also as a weapon to satirize them. These ambiguous representations vary depending on context, often assimilated then reinterpreted in a game of authenticity that is poignant in a world of facsimile and ''fake news''. The humour styles of a range of artists are highlighted to reveal the fluidity and diversity of meaning which challenges expectations and at its best offers resistance and, crucially, a voice for the marginal.

This book will be of particular interest to scholars in art history, cultural studies, fine art, humour studies and visual culture.

This book excavates the depths of creative purpose and meaning-making and the extent to which artist autonomy and authenticity in art is a struggle against psychological conditioning, controlling cultural institutions and markets, key to which is representation.

The chapters are underpinned by examples from the arts, and the narrative weaves a trail through a range of conceptualizations that are applied to various aspects of visual culture from mainstream canonical arts to avant-garde, community and public art; social and political art to commercial art; and ethereal art to the popular, edgy and kitsch. The book is wide-ranging and employs various aesthetic, cultural, philosophical, political, psycho-social and sociological debates to highlight the problems and contradictions that an encounter with the arts and creativity engenders.

The book will be of interest to scholars working in art history, museum studies, arts management, cultural policy, cultural studies and cultural theory.

This book excavates the depths of creative purpose and meaning-making and the extent to which artist autonomy and authenticity in art is a struggle against psychological conditioning, controlling cultural institutions and markets, key to which is representation.

The chapters are underpinned by examples from the arts, and the narrative weaves a trail through a range of conceptualizations that are applied to various aspects of visual culture from mainstream canonical arts to avant-garde, community and public art; social and political art to commercial art; and ethereal art to the popular, edgy and kitsch. The book is wide-ranging and employs various aesthetic, cultural, philosophical, political, psycho-social and sociological debates to highlight the problems and contradictions that an encounter with the arts and creativity engenders.

The book will be of interest to scholars working in art history, museum studies, arts management, cultural policy, cultural studies and cultural theory.

This book uses cultural and psycho-social analysis to examine the beat writer Charles Bukowski and his literature, focusing on representations of the anti-hero rebel and outsider. Clements considers the complexities, ambiguities, and contradictions represented by the author and his work, exploring Bukowski’s visceral writing of the cultural ordinary and everyday self-narrative. The study considers Bukowski’s apolitical, gendered, and working-class stance to understand how the writer represents reality and is represented with regards to counter-cultural literature. In addition, Clements provides a broader socio-cultural focus that evaluates counterculture in relation to the American beat movement and mythology, highlighting the male cool anti-hero. The cultural practices and discourses utilized to situate Bukowski include the individual and society, outsiderdom, cult celebrity, fan embodiment, and disneyfication, providing a greater understanding of the beat generation and counterculture literature.

This book uses cultural and psycho-social analysis to examine the beat writer Charles Bukowski and his literature, focusing on representations of the anti-hero rebel and outsider. Clements considers the complexities, ambiguities, and contradictions represented by the author and his work, exploring Bukowski’s visceral writing of the cultural ordinary and everyday self-narrative. The study considers Bukowski’s apolitical, gendered, and working-class stance to understand how the writer represents reality and is represented with regards to counter-cultural literature. In addition, Clements provides a broader socio-cultural focus that evaluates counterculture in relation to the American beat movement and mythology, highlighting the male cool anti-hero. The cultural practices and discourses utilized to situate Bukowski include the individual and society, outsiderdom, cult celebrity, fan embodiment, and disneyfication, providing a greater understanding of the beat generation and counterculture literature.

Paul Clements champions the creative underground and expressions of difference through visionary avant-garde and resistant ideas. This is represented by an admixture of utopian literature, manifestos and lifestyles which challenge normality and attempt to reinvent society, as practiced for example, by radicals in bohemian enclaves or youth subcultures. He showcases a range of ''art'' and participatory cultural practices that are examined sociopolitically and historically, employing key theoretical ideas which highlight their contribution to aesthetic thinking, political ideology, and public discourse. A reevaluation of the arts and progressive modernism can reinvigorate culture through active leisure and post-work possibilities beyond materialism and its constraints, thereby presenting alternatives to established understandings and everyday cultural processes. The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope.

Paul Clements champions the creative underground and expressions of difference through visionary avant-garde and resistant ideas. This is represented by an admixture of utopian literature, manifestos and lifestyles which challenge normality and attempt to reinvent society, as practiced for example, by radicals in bohemian enclaves or youth subcultures. He showcases a range of ''art'' and participatory cultural practices that are examined sociopolitically and historically, employing key theoretical ideas which highlight their contribution to aesthetic thinking, political ideology, and public discourse. A reevaluation of the arts and progressive modernism can reinvigorate culture through active leisure and post-work possibilities beyond materialism and its constraints, thereby presenting alternatives to established understandings and everyday cultural processes. The book teases out the difficult relationship between the individual, culture and society especially in relation to autonomy and marginality, while arguing that the creative underground is crucial for a better world, as it offers enchantment, vitality and hope.

‘The knockings of autumn are making themselves heard in the rustle of the leaves and whistle of the chilly wind. Spiderwebs are festooned on hedges and a spider is poised at the centre of one. In the fleeting morning sunshine the webs light up in twinkling displays.’

Recovering from surgery, Paul Clements and his wife, Felicity, spent a year in a remote cottage in the woodlands of Montalto Estate, Co. Down. Through the lens of a curious observer and a budding bird watcher, Clements describes in exquisite detail his discovery of the restorative power of nature. Beautifully written, A Year in the Woods is a fusion of social and cultural history, nature writing and memoir. Reflecting back on this magical year spent in the woods through the journal he kept, Clements describes his awakening to the wonder of the woodland and developing his deep connection to nature.

Peppered with fascinating folklore and history, Clements celebrates the changing seasons, from harsh winter storms to dry languid summer evenings. Clements is a gifted writer, but it is his detailed and often humorous descriptions of the complexities of nature at his doorstep from the foibles and idiosyncrasies of various fauna, to his awe of nature’s resilience to ever-changing weather conditions that ultimately captivates the reader.

The first full account of a truly remarkable life.

When Jan Morris passed away in 2020, she was considered one of Britain’s best-loved writers. The author of Venice, Pax Britannica, Conundrum, and more than fifty other books, her work was known for its observational genius, lyricism, and humour, and had earned her a passionate readership around the world.

Morris’s life was no less fascinating than her oeuvre. Born in 1926, she spent her childhood amidst Oxford’s Gothic beauty and later participated in military service in Italy and the Middle East, before embarking on a career as an internationally fêted foreign correspondent. From being the only journalist to join the first ascent of Mount Everest in 1953 to covering the trial of Adolf Eichmann, Morris’s reportage spanned many of the twentieth century’s defining moments.

However, public success masked a private dilemma that was only resolved when she transitioned genders in the late 1960s, becoming renowned as a transgender pioneer. She went on to live happily with her wife Elizabeth in Wales for another five decades, and never stopped writing and publishing.

Here, for the first time, the many strands of Morris’s rich and at times paradoxical life are brought together. Based on a wealth of interviews, archival material, and hitherto unpublished documents, Jan Morris: life from both sides portrays a person of extraordinary talent, curiosity, and joie de vivre.