Paul E. Szarmach - Böcker

This is a collection of essays on the literature of "saints' lives" in Anglo-Saxon literature.

This is a collection of essays on the literature of "saints' lives" in Anglo-Saxon literature.

With the decline of formalism and its predilection for Old English poetry, Old English prose is leaving the periphery and moving into the center of literary and cultural discussion. The extensive corpus of Old English prose lends many texts of various kinds to the current debates over literary theory and its multiple manifestations. The purpose of this collection is to assist the growing interest in Old English prose by providing essays that help establish the foundations for considered study and offer models and examples of special studies. Both retrospective and current in its examples, this collection can serve as a first book for an introduction to study, particularly suitable for courses that seek to entertain such issues as authorship, texts and textuality, source criticism, genre, and forms of historical criticism as a significant part of a broad, cultural teaching (and research) plan.

This volume is a reference work, organized chronologically in its sections, with a separate entry for each translator’s work. The sections are defined by the type of translations they comprise. The plan of the book is encyclopedic in nature: some biographical material is provided for each translator; the translations are described briefly, as are their linguistic peculiarities, their implied audiences, their links with other translations, and their general reception. Sample passages from the translations are provided, and where possible these samples are taken from two of the most well-known moments in the Consolatio: the appearance of Lady Philosophy, narrated by the Prisoner, and the cosmological hymn to the Deus of the work, sung by Lady Philosophy.Where possible, an attempt also has been made to keep the general appearance of the original printed pages. Orthographic peculiarities (in spelling, capitalization, indentation, etc.) except for the elongated “s” have been maintained. Notes inserted by the translators or editors upon the passages transcribed in this volume are maintained as footnotes. These notes are included because they reveal much about the scholarship that the translators bring to their work of translating. The notes signal the translators’ familiarity with commentaries and earlier Consolatio translations, and they help to identify the types of audiences targeted by the translators (whether general or scholarly). The notes indicate points in the text (either grammatical or cultural) that translators or editors deemed needful of clarification for their readers, but the notes often also represent actual borrowings of notes, sometimes verbatim, from earlier translations. Such “borrowed notes” help to establish or verify lines of affiliation between the translations.

Essays on the largest body of prose work in Old English, by Stafford, Gatch, Smetana, Goddin, HuppéLetson, Nichols, Tandy, Jurovics, Dalbey, Szarmach.

Old English prose before the late tenth century is examined in this collection of hitherto unpublished essays. Using a variety of techniques, the authors explore well-known and lesser-known texts in search of a better understanding of why, how, and by whom the manuscripts were produced.Part I of the collection contains six studies of Alfredian prose-the Soliloquies, the Pastoral Care, and Consolation of Philosophy-all of which are translations traditionally associated with King Alfred.Part II contains nine essays on various prose works outside of the Alfredian milieu, including the Old English Dialogues, the Old English Bede, the Chronicle and Laws, and various religious works. The authors emphasize the importance of a fresh look at Latin backgrounds and sources and the need to return to manuscript evidence for new insights. As a group, they argue for sympathetic contextual analysis, urging scholars in the field to reexamine the prose of the earlier Old English period to find cultural and literary value and significance.A bibliographical appendix supplements the Greenfield-Robinson bibliography for the period ending in 1982.The contributions in this volume complement the eleven essays found in The Old English Homily and Its Background, edited by Paul E. Szarmach and Bernard F. Huppe, also published by SUNY Press.

With the decline of formalism and its predilection for Old English poetry, Old English prose is leaving the periphery and moving into the center of literary and cultural discussion. The extensive corpus of Old English prose lends many texts of various kinds to the current debates over literary theory and its multiple manifestations. The purpose of this collection is to assist the growing interest in Old English prose by providing essays that help establish the foundations for considered study and offer models and examples of special studies. Both retrospective and current in its examples, this collection can serve as a "first book" for an introduction to study, particularly suitable for courses that seek to entertain such issues as authorship, texts and textuality, source criticism, genre, and forms of historical criticism as a significant part of a broad, cultural teaching (and research) plan.

This collection of essays is designed to capitalize on the success of Seamus Heaney' prize-winning translation of Beowulf, which bridges the gap between the ivory tower where most who study Beowulf reside and lay readers drawn to the poem because of Heaney's reputation, the review in the New York Times Book Review, the Whitbread Prize for poetry, and even perhaps the attractive and eye-catching cover. The book is conceived in three parts. The first section explores translations into modern English and languages other than English; the second explores issues of oral theory and performance; the third offers a wide selection of reviews of Heaney's Beowulf written by Anglo-Saxonists. A DVD of readings of the first fifty-two lines of Beowulf in Old English, Czech, Spanish, Icelandic, Hungarian, and Italian, and selections from Turkish and Asian epics accompanies the volume.