Paul Hyland – författare

A study in vanity and ambition, madness and resignationSir Walter Ralegh was the greatest courtier of his day, Elizabeth's favourite, dashing, brilliant, wily and powerful. But by the summer of 1618, his last voyage a failure and suffering the hostility of James I, he was escorted from Plymouth to London and the scaffold.Paul Hyland unfurls the story of the last twenty weeks of Sir Walter's life, of that fateful journey, of Ralegh's grotesque behaviour along the way, of the web of deceit and counter-treachery woven between him and his reviled betrayer 'Judas' Stucley, and of their travelling companion the French physician and double agent Dr Manoury.Around this last journey are intertwined other key players: Bes – Elizabeth Throckmorton – Ralegh's handsome, resourceful and distracted wife; Carew, their thirteen-year-old son; and Samuel King, privateering captain and link with past glories. On several occasions Ralegh has the opportunity to escape, and refuses it; then, when at last he opts for freedom (wearing a false beard), in a sprint down the Thames by rowing boat, he finds himself again betrayed.

This is a collection of essays by international scholars which focuses on Irish writing in English from the 18th century to the present. The essays explore the recurrent motif of exile and the subversive potential of Irish writing in political, cultural and literary terms. Case-studies of major writers such as Swift, Steele, Wilde, Yeats, Shaw, Joyce, Beckett and Heaney are set alongside discussions of relatively unexplored writing such as radical pamphleteering in the age of the French Revolution, rhetorical constructions of the Great Famine, and the contribution of women writers to Nationalistic journalism.

This is a collection of essays by international scholars which focuses on Irish writing in English from the 18th century to the present. The essays explore the recurrent motif of exile and the subversive potential of Irish writing in political, cultural and literary terms. Case-studies of major writers such as Swift, Steele, Wilde, Yeats, Shaw, Joyce, Beckett and Heaney are set alongside discussions of relatively unexplored writing such as radical pamphleteering in the age of the French Revolution, rhetorical constructions of the Great Famine, and the contribution of women writers to Nationalistic journalism.

The Enlightenment brings together the work of major Enlightenment thinkers such as Hobbes, Rousseau, Diderot and Kant, to illustrate the full importance and achievements of this period in history. Extracts are gathered thematically into sections on such aspects of the Enlightenment as:political theoryreligion and beliefart and nature.All essays are introduced, and a final section on 'critical reflections' provides a selection of modern critical opinions on the period by writers including Foucault, Habermas, and Lyotard.Containing illustrations from the work of artists such as Hogarth and Gainsborough, a chronology of the Enlightenment, and a detailed bibliography, The Enlightenment is a rich source of information and inspiration for all those studying this great period of change.

The Enlightenment brings together the work of major Enlightenment thinkers such as Hobbes, Rousseau, Diderot and Kant, to illustrate the full importance and achievements of this period in history. Extracts are gathered thematically into sections on such aspects of the Enlightenment as:political theoryreligion and beliefart and nature.All essays are introduced, and a final section on 'critical reflections' provides a selection of modern critical opinions on the period by writers including Foucault, Habermas, and Lyotard.Containing illustrations from the work of artists such as Hogarth and Gainsborough, a chronology of the Enlightenment, and a detailed bibliography, The Enlightenment is a rich source of information and inspiration for all those studying this great period of change.

A volume that reflects a broadening area of English Studies that takes in non-western literatures and places more emphasis on the contexts and broader notions of "writing". It discusses writing from and about Africa and also touches on studies in black writing.

This collection brings together a range of international historians and educationalists interested in the future of history education. The book is designed to provide a clear and critical account of recent initiatives in the teaching of history, in order to stimulate debate on the current scope and nature of history, and its enhancement and development. It also provides practical information and assistance for those wishing to refresh their own thinking in the light of recent research into teaching and learning.

This is the story of the extraordinary life of Claver Morris and the society in which he lived. After his marriage at Chelsea in 1685, Claver Morris moved to Somerset where he established an outstanding reputation for his work as a physician. His diaries show us how he worked with apothecaries and surgeons, and travelled widely to treat all kind of patients, from the children of the poor to those of the landed gentry. The diaries also tell us about the joys and pains of Claver’s personal and family life, and of his various intrigues. Claver Morris was a man of many talents: immensely enterprising, knowledgeable, sociable and loving. His house was always filled with music, guests and entertainments. Yet he was often faced with disputes and troubles partly of his own making — as when he courted a bishop’s daughter, or stole some land to build his Queen Anne house. The Doctor’s World provides a unique portrait of a physician living and working through the political and religious turmoils that beset the nation at the turn of the eighteenth century. Tales of medical treatments, clandestine marriages and self-serving priests are entwined with famous acts of treason and rebellion, and the pleasures and tragedies of daily life. This meticulously researched book will appeal to all readers of social, political, medical and family history.

This is the story of the extraordinary life of Claver Morris and the society in which he lived. After his marriage at Chelsea in 1685, Claver Morris moved to Somerset where he established an outstanding reputation for his work as a physician. His diaries show us how he worked with apothecaries and surgeons, and travelled widely to treat all kind of patients, from the children of the poor to those of the landed gentry. The diaries also tell us about the joys and pains of Claver’s personal and family life, and of his various intrigues. Claver Morris was a man of many talents: immensely enterprising, knowledgeable, sociable and loving. His house was always filled with music, guests and entertainments. Yet he was often faced with disputes and troubles partly of his own making — as when he courted a bishop’s daughter, or stole some land to build his Queen Anne house. The Doctor’s World provides a unique portrait of a physician living and working through the political and religious turmoils that beset the nation at the turn of the eighteenth century. Tales of medical treatments, clandestine marriages and self-serving priests are entwined with famous acts of treason and rebellion, and the pleasures and tragedies of daily life. This meticulously researched book will appeal to all readers of social, political, medical and family history.

First published in 1992, Writing and Censorship in Britain explores the issue of censorship, from a range of cultural and literary perspectives, from the Tudor period to the 1990s. Written by some of the leading experts in the field, this collection charts the struggles for artistic expression, reveals how censorship is appropriated as a legitimate tactic in the defence of oppressed and marginalised groups, and analyses the struggles writers have employed in the face of its complex dynamics. Here variously defined, defended and deplored, censorship emerges as both an unstable and a potent concept. Through it we define ourselves: as readers, as writers and as citizens. This book will be of interest to students of literature, history and law.

First published in 1992, Writing and Censorship in Britain explores the issue of censorship, from a range of cultural and literary perspectives, from the Tudor period to the 1990s. Written by some of the leading experts in the field, this collection charts the struggles for artistic expression, reveals how censorship is appropriated as a legitimate tactic in the defence of oppressed and marginalised groups, and analyses the struggles writers have employed in the face of its complex dynamics. Here variously defined, defended and deplored, censorship emerges as both an unstable and a potent concept. Through it we define ourselves: as readers, as writers and as citizens. This book will be of interest to students of literature, history and law.

This volume reflects one of the new areas of English Studies as it broadens to take in non-western literatures, and places more emphasis on the contexts and broader notions of `writing'. In discussing writing from and about Africa, this collection touches on studies in black writing, colonialism and imperialism and cultural development in the third world. It begins by providing a historical introduction to the main regional traditions, and then builds on this to discuss major issues, such as oral tradition, the significance of `literature' as a western import, representations of Africa in western writing, African writing against colonialism and its themes and politics in a post-colonial world, popular writing and the representation of women.