Paul Tremblay – författare

“A Head Full of Ghosts scared the living hell out of me, and I’m pretty hard to scare.” – Stephen KingSoon to be a feature film from Lionsgate, starring David Harbour, Rebecca Hall and Esmé Creed-Miles.Winner of the 2015 Bram Stoker Award® for Superior Achievement in a Novel.A chilling and gripping twist of psychological suspense and supernatural horror about a family ripped apart by ghostly possession and madness, all under the baleful eye of a reality TV crew. Perfect for fans of Shirley Jackson and William Peter Blatty's The Exorcist.The lives of the Barretts, a normal suburban New England family, are torn apart when fourteen-year-old Marjorie begins to display signs of acute schizophrenia.To her parents’ despair, the doctors are unable to stop Marjorie’s descent into madness. As their stable home devolves into a house of horrors, they reluctantly turn to a local Catholic priest for help. Father Wanderly suggests an exorcism; he believes the vulnerable teenager is the victim of demonic possession. He also contacts a production company that is eager to document the Barretts’ plight. With John, Marjorie’s father, out of work for more than a year and the medical bills looming, the family agrees to be filmed, and soon find themselves the unwitting stars of The Possession, a hit reality television show. When events in the Barrett household explode in tragedy, the show and the shocking incidents it captures become the stuff of urban legend.Fifteen years later, a bestselling writer interviews Marjorie’s younger sister, Merry. As she recalls those long ago events that took place when she was just eight years old, long-buried secrets and painful memories that clash with what was broadcast on television begin to surface—and a mind-bending tale of psychological horror is unleashed, raising vexing questions about memory and reality, science and religion, and the very nature of evil.

A genre-bending near-future tech nightmare that is as bitingly funny as it is horrifically believable, from the New York Times bestselling author of The Cabin at the End of the World.Meet Julia Flang, a twenty-something former professional gamer, living with her retired uncle, and working two jobs she doesn’t like. Out of the blue, her estranged mother, a CFO for one of the world’s largest tech companies, offers her a temp job with a payday Julia can’t refuse. One sham interview later, she’s offered the job: to chaperone a man in a vegetative state from California to the East Coast. But he’s not dead dead: he has an AI mind implanted in his head…Meet a middle-aged man who wakes within a disorienting hellscape filled with monstrous grotesqueries. Worse than the fluid, morphing reality in which he’s trapped, he has no memory of who he is. He certainly doesn’t remember getting the rabbit tattoo on his arm. He only knows that he must find a certain person. Who? He can’t remember.Dead but Dreaming of Electric Sheep is a heady, terrifying genre-bender from one of the most groundbreaking voices in fiction today, exploring the ‘I’ in AI.Praise for Dead but Dreaming of Electric Sheep'Philip K. Dick would be honored to read Tremblay's novel, which, with its hypnotic prose, compels us to confront our existential horror even as it makes us laugh, excites us, moves us, and yes, makes us shudder a lot' - Agustina Bazterrica, the international best-selling author of Tender Is the Flesh'A master of his craft, Tremblay creates a new genre with every book he writes. This ingenious novel is refreshing, hilarious, teeming with warnings of real horrors to come, and ultimately entirely human. It will be the most stressfully entertaining journey of your year' - Virginia Feito, author of Victorian Psycho'Innovative, terrifying, and deeply human. An electric and wild skewering of Silicon Valley's takeover of the human mind and body that could only be written by Paul Tremblay. Dead But Dreaming of Electric Sheep will keep you up at night' - Sarah Rose Etter, author of Ripe

A genre-bending near-future tech nightmare that is as bitingly funny as it is horrifically believable, from the New York Times bestselling author of The Cabin at the End of the World.Meet Julia Flang, a twenty-something former professional gamer, living with her retired uncle, and working two jobs she doesn’t like. Out of the blue, her estranged mother, a CFO for one of the world’s largest tech companies, offers her a temp job with a payday Julia can’t refuse. One sham interview later, she’s offered the job: to chaperone a man in a vegetative state from California to the East Coast. But he’s not dead dead: he has an AI mind implanted in his head…Meet a middle-aged man who wakes within a disorienting hellscape filled with monstrous grotesqueries. Worse than the fluid, morphing reality in which he’s trapped, he has no memory of who he is. He certainly doesn’t remember getting the rabbit tattoo on his arm. He only knows that he must find a certain person. Who? He can’t remember.Dead but Dreaming of Electric Sheep is a heady, terrifying genre-bender from one of the most groundbreaking voices in fiction today, exploring the ‘I’ in AI.

Late one summer night, Elizabeth Sanderson receives the devastating news that every mother fears: her 13-year-old son, Tommy, has vanished in the woods of a local park. Riddled with worry, pain, and guilt, Elizabeth is wholly unprepared for the strange series of events that follow. As the search grows more desperate, and the implications of what happened become more haunting and sinister, no one is prepared for the shocking truth about that night.

The Stoker Award-winning, taut and propulsive twist on home invasion horror, packed psychological suspense. Soon to be a major film, Knock At the Cabin, directed by M. Night Shyamalan.Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake, with their closest neighbours more than two miles in either direction.As Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young and friendly. Leonard and Wen talk and play until Leonard abruptly apologises and tells Wen, "None of what's going to happen is your fault". Three more strangers arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out, "Your dads won't want to let us in, Wen. But they have to. We need your help to save the world."So begins an unbearably tense, gripping tale of paranoia, sacrifice, apocalypse, and survival that escalates to a shattering conclusion, one in which the fate of a loving family and quite possibly all of humanity are intertwined.