Per Rumberg – författare
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During his reign, King Charles I (1600-1649) assembled one of Europe's most extraordinary art collections. Indeed, by the time of his death, it contained some 2,000 paintings and sculptures. Charles I: King and Collector explores the origins of the collection, the way it was assembled and what it came to represent. Authoritative essays provide a revealing historical context for the formation of the King's taste. They analyse key areas of the collection, such as the Italian Renaissance, and how the paintings that Charles collected influenced the contemporary artists he commissioned.Following Charles's execution, his collection was sold. This book, edited by the curators of a spectacular exhibition at the Royal Academy, reunites its most important works in sumptuous detail. Featuring paintings by such masters as Van Dyck, Rubens and Raphael, this striking publication offers a unique insight into this fabled collection.
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"Put your money on Leonardo in this restaging of the Turner prize of the High Renaissance." — The GuardianAt the turn of the 16th century, three titans of the Italian Renaissance briefly crossed paths, competing for the attention of the most powerful patrons in Republican Florence. In January 1504 the city’s most prominent artists came together to advise on an appropriate location for Michelangelo’s nearly finished sculpture of David. Among them was Leonardo da Vinci, who – like Michelangelo – had only recently returned to his native Florence. In this beautifully designed book, Scott Nethersole and Per Rumberg take Michelangelo’s celebrated Taddei Tondo as their starting point, and examine the rivalry between Michelangelo and Leonardo, and the influence of both on the young Raphael. Some of the finest examples of Italian Renaissance drawing are reproduced, including Leonardo’s Burlington House Cartoon and studies by Leonardo and Michelangelo for their murals commissioned by the Florentine government for the newly constructed council hall in the Palazzo della Signoria.