Peter Alilunas – författare

In the late 1970s, the adult film industry began the transition from celluloid to home video. Smutty Little Movies traces this change and examines the cultural and legal efforts to regulate, contain, limit, or eradicate pornography. Drawing on a wide variety of materials, Smutty Little Movies de-centers the film text in favor of industry histories and contexts. In so doing, the book argues that the struggles to contain and regulate pleasure represent a primary starting point for situating adult video's place in a larger history, not just of pornography, but of media history as a whole.

In the late 1970s, the adult film industry began the transition from celluloid to home video. Smutty Little Movies traces this change and examines the cultural and legal efforts to regulate, contain, limit, or eradicate pornography. Drawing on a wide variety of materials, Smutty Little Movies de-centers the film text in favor of industry histories and contexts. In so doing, the book argues that the struggles to contain and regulate pleasure represent a primary starting point for situating adult video's place in a larger history, not just of pornography, but of media history as a whole.

This collection of 39 original essays is designed to support film screenings. Each chapter focuses on a single adult film—a category broadly construed as films that foreground sex as a primary narrative, aesthetic, or marketing element. The chapters draw on a variety of perspectives, contexts, histories, themes, and politics in examinations of style, genre, authorship, performance, and stardom.The first of its kind, Screening Adult Cinema brings together a broad range of established scholars alongside new voices to demonstrate the global breadth and diversity of adult cinema, from a variety of time periods and transnational contexts, paying particular attention to regions and films that have been underrepresented within existing adult film scholarship. Following the Screening Cinema series, Screening Adult Cinema is intended as a teaching text and reference for courses in which film screenings are a core activity, while also appealing to adult film scholars.This unique collection will be invaluable for courses on adult or exploitation film history, feminist film studies, global queer cinema, and porn studies. It will also be useful for general courses in media studies with a focus on gender, sex, and sexuality.

This collection of 39 original essays is designed to support film screenings. Each chapter focuses on a single adult film—a category broadly construed as films that foreground sex as a primary narrative, aesthetic, or marketing element. The chapters draw on a variety of perspectives, contexts, histories, themes, and politics in examinations of style, genre, authorship, performance, and stardom.The first of its kind, Screening Adult Cinema brings together a broad range of established scholars alongside new voices to demonstrate the global breadth and diversity of adult cinema, from a variety of time periods and transnational contexts, paying particular attention to regions and films that have been underrepresented within existing adult film scholarship. Following the Screening Cinema series, Screening Adult Cinema is intended as a teaching text and reference for courses in which film screenings are a core activity, while also appealing to adult film scholars.This unique collection will be invaluable for courses on adult or exploitation film history, feminist film studies, global queer cinema, and porn studies. It will also be useful for general courses in media studies with a focus on gender, sex, and sexuality.

The first book on the renowned and notorious cult filmmaker Roberta FindlayArgues Findlay's centrality to modern exploitation, hardcore pornography, and horror cinemasOffers careful attention to numerous films that have received no previous scholarly attentionContributes to the history of women filmmakers by highlighting a female pioneer generally omitted from accounts of that historyReFocus: The Films of Roberta Findlay covers a variety of angles, using queer, feminist, historical, and close textual reading methods to grapple with the complicated and contradictory politics and meanings of this pioneering culture-worker. Chapters examine Findlay's marketing strategies, the gender politics of her exploitation and hardcore films, 1980s horror productions, and several case studies of key individual films, in addition to a new interview with Findlay reflecting on her life and career.

ReFocus: The Films of Roberta Findlay covers a variety of angles, using queer, feminist, historical, and close textual reading methods to grapple with the complicated and contradictory politics and meanings of this pioneering culture-worker. Chapters examine Findlay’s marketing strategies, the gender politics of her exploitation and hardcore films, 1980s horror productions, and several case studies of key individual films, in addition to a new interview with Findlay reflecting on her life and career.