Peter C. Bunnell – författare
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3 produkter
294 kr
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The personal journals of one of postwar America’s most influential photographers, published for the first timeOne of the most significant unpublished texts in the history of photography, Memorable Fancies is the daybooks of Minor White, an artist who played a leading role in shaping the practice of photography in postwar America. Begun in the early 1930s and taking its name from a series of dialogues in William Blake’s The Marriage of Heaven and Hell, these writings are part diary, part photography manual, and part aesthetic treatise. Minor White, Memorable Fancies presents this work in its entirety for the first time, offering an intimate look at the ideas and interior life of one of the most important photographers of the twentieth century.In this beautifully illustrated volume, art historian Todd Cronan sheds light on White’s guiding concerns and the connections between White’s writings and his public practice as a photographer and influential publisher and teacher. White’s journal is accompanied by an array of photographs by White as well as annotations that provide background and context, illuminating White’s life and career while capturing a vibrant and inventive moment in the history of modern photography.Challenging our assumptions about photographic agency and the interplay between art and life, Minor White, Memorable Fancies engages deeply with the creative potential of photographic work, the nature and effect of artworks on viewers, and the formative role that chance plays in the production of photographs.Distributed for the Princeton University Art Museum
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Peter C. Bunnell has been a major force in shaping the discourse about photography. This collection of texts—selected from work published throughout Bunnell’s career— marks his significant contribution to the field he has helped to establish. In each of the thirty-four essays, each devoted to individual (predominantly American) photographers and three key galleries, Bunnell brings to bear his distinctive sensibility and insight. While encouraging the reader to see previously overlooked aspects of the images he discusses so eloquently, he also provides an invaluable historical context for the photographers and their work. Bunnell offers a unique personal perspective on the world of art photography, documenting its journey as it morphed from a small group of practitioners to the supercharged international marketplace of today.
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Published on the occasion of Aperture magazine’s sixtieth anniversary, this is the first anthology of Aperture magazine ever published. This long-awaited volume will provide a selection of the best critical writing from the first twenty-five years of the magazine—the period spanning the tenure of cofounder and editor Minor White. Aperture was established in 1952 by a group of photographers, including Ansel Adams, Dorothea Lange, Barbara Morgan, and historian-curators Beaumont and Nancy Newhall. Their intention was to provide a forum “in which photographers can talk straight to each other, discuss the problems that face photography as profession an art, share their experiences, comment on what goes on, descry the new potentials.” With its far-ranging interests in spirituality in diverse forms, and an adventurous commitment to a broad international range, Aperture has had a profound impact on the course of fine-art photography. The texts and visuals in this anthology will be selected by Peter C. Bunnell, White’s protégé and an early member of the Aperture staff, who went on to become a major force in photography as an influential writer, curator, and professor. Essay contributors include Andreas Feininger, Henry Holmes Smith, Nathan Lyons, Frederick Sommer, Harry Callahan, Nancy Newhall, John Szarkowski, and other characters essential to the foundation of photography as an art form. Several issues will be reproduced in facsimile, and the book will be enlivened by other distinctive elements, including a selection of exceptional covers, and a selection of the colophons (short statements or quotes) that appeared at the front of each issue.