Peter Garside – författare

The first romantic historical novel and international bestseller, Waverley (1814) tells the story of Edward Waverley, a naïve, sensitive young man who is posted to Scotland with his regiment, and becomes caught between the clans of the Jacobite Rising and the forces of the Hanoverian regime. He must decide whether he will follow the civilization he has always known, or be drawn into an older world of honour and loyalty - and must also choose between the quiet, constant Rose, and the passionate, principled Flora.

This historical bibliography provides an entirely new foundation for the literary history of the late eighteenth century and the Romantic age. Offering a fresh assessment of the work of all novelists of the period, the two volumes address problems faced by generations of literary scholars and historians concerned with the development of the English novel. This first volume records full details of all known prose novels in English first published in the British Isles in the final three decades of the eighteenth century. They include many new discoveries, attributions to an extraordinary range of novelists and the first English translations of much Continental popular fiction. The bibliography firmly establishes publication details for many novels now apparently without any extant copies. A leading feature of the bibliography is its examination of a copy of every identified surviving novel. Research by James Raven, Antonia Forster, and many other international collaborators, has allowed a reconstruction of the full cast of British novelists of the period, their publishers and reviewers. A full transcription of titles and imprint lines is given, together with much other bibliographical and historical information, including contemporary reviews (with generous quotation), dedications, and pricing and printing details. Shelf-mark, microform and other library references assist readers to consult the surviving novels in modern library and research collections all over the world. In an introductory historical essay, James Raven considers the different themes embraced by the novel, profiles of popular authorship, translation, the economics and circumstances of novel production and design, and the scope of literary circulation and reception. By revisiting this history of the novel, identifying rare books now scattered across the world, and reconstructing the history of popular literature now lost, the volume challenges existing literary canons and refines our understanding of the range of imaginative writing and authorship in a critical period of English literature.

This bibliography provides the first complete and copy-based record of the production of new English fiction in the period 1800-1829. The main listings include 2,256 entries, all but forty of which (where no surviving copy could be found) are based on examination of a first edition of the actual novel described. As a result of ten years of Anglo-German co-operation the bibliography makes especial use of the recently discovered collection of English novels of Schloss Corvey in Germany, whose holdings in English fiction 1796-1834 almost certainly exceed those held by any other library, including the British Library. In particular the bibliography is able to record over 100 titles which investigations have suggested are entirely unique to Corvey. Numerous libraries have also been visited in Britain and North America, leading to further novels which have fallen from the record. In offering a full transcription of title page details, the bibliography offers a much sharper view than has been previously available of the ways in which novels were projected to their audience when originally published. A variety of new attributions are made, while at the same time existing attributions are challenged, An extensive historical introduction by Peter Garside offers a comprehensive overview of the main aspects of production, marketing and reception of fiction in the Romantic era.

The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume 2 examines the period from1750-1820, which was a crucial period in the development of the novel in English. Not only was it the time of Smollett, Sterne, Austen, and Scott, but it also saw the establishment and definition of the novel as we know it, as well as the emergence of a number of subgenres, several of which remain to this day. Conventionally however, it has been one of the least studied areas-seen as a falling off from the heyday of Richardson and Fielding, or merely a prelude to the great Victorian novelists. This volume takes full advantage of recent major advances in scholarly bibliography, new critical assessments, and the fresh availability of long-neglected fictional works, to offer a new mapping and appraisal. The opening section, as well as some remarkable later chapters, consider historical conditions underlying the production, circulation, and reception of fiction during these seventy years, a period itself marked by a rapid growth in output and expansion in readership. Other chapters cover the principal forms, movements, and literary themes of the period, with individual contributions on the four major novelists (named above), seen in historical context, as well as others on adjacent fields such as the shorter tale, magazine fiction, children's literature, and drama. The volume also views the novel in the light of other major institutions of modern literary culture, including book reviewing and the reprint trade, all of which played a part in advancing a sense of the novel as a defining feature of the British cultural landscape. A focus on 'global' literature and imported fiction in two concluding chapters in turn reflects a broader concern for transnat onal literary studies in general.

This Encyclopedia is the most comprehensive guide yet both to the nature and content of literature, and to literary criticism. In ninety essays by leading international critics and scholars, the volume covers both traditional topics such as literature and history, poetry, drama and the novel, and also newer topics such as the production and reception of literature. Current critical ideas are clearly and provocatively discussed, while the volume's arrangement reflects in a dynamic way the rich diversity of contemporary thinking about literature.Each essay seeks to provide the reader with a clear sense of the full significance of its subject as well as guidance on further reading.An essential work of reference, The Encyclopedia of Literature and Criticism is a stimulating guide to the central preoccupations of contemporary critical thinking about literature.Special Features* Clearly written by scholars and critics of international standing for readers at all levels in many disciplines* In-depth essays covering all aspects, traditional and new, of literary studies past and present* Useful cross-references within the text, with full bibliographical references and suggestions for further reading* Single index of authors, terms, topics

This Encyclopedia is the most comprehensive guide yet both to the nature and content of literature, and to literary criticism. In ninety essays by leading international critics and scholars, the volume covers both traditional topics such as literature and history, poetry, drama and the novel, and also newer topics such as the production and reception of literature. Current critical ideas are clearly and provocatively discussed, while the volume's arrangement reflects in a dynamic way the rich diversity of contemporary thinking about literature.Each essay seeks to provide the reader with a clear sense of the full significance of its subject as well as guidance on further reading.An essential work of reference, The Encyclopedia of Literature and Criticism is a stimulating guide to the central preoccupations of contemporary critical thinking about literature.Special Features* Clearly written by scholars and critics of international standing for readers at all levels in many disciplines* In-depth essays covering all aspects, traditional and new, of literary studies past and present* Useful cross-references within the text, with full bibliographical references and suggestions for further reading* Single index of authors, terms, topics

The picturesque (a set of theories, ideas, and conventions that grew up around the question of how we look at landscape) offers a valuable focus for new investigations into the literary, artistic, social, and cultural history of the late eighteenth and nineteenth centuries. This volume of essays by scholars from various disciplines in Britain and America incorporates a range of historically and theoretically challenging approaches to the topic. It covers the writers most closely identified with the exposition of the picturesque as a theory, and also traces the influence and implications of its aesthetic in a variety of fields in the Romantic period, including literary and pictorial works, estate management, and women's fashion. Several essays deal more specifically with radical critiques and appropriations of the picturesque in the nineteenth century, while in others its influence is traced beyond traditionally accepted geographical or historical bounds.

Set in south-west Scotland in the immediate aftermath of the 1707 Union, The Black Dwarf was intended to be a story about the first, abortive, Jacobite uprising of 1708. Instead it developed into a gothic tale of the supernatural. This new edition brings out the virtues in the story, long overlaid by Scott’s embellishments in later editions.

‘It will be a grand book for thae Englishers for they winna understand a word of it’Hogg’s boast to William BlackwoodWitty, humorous and comical as the title implies, the eccentric nature of many of the poems collected here nevertheless belies the often serious and moral issues contained within. Newly available in paperback, and including many of Hogg’s better known longer pieces, the present volume is based on the first edition of A Queer Book to be published since 1832 - though the similarity between the two editions ends with the running order. While the text for the original edition was substantially reworked by the publisher to smooth out Hogg’s use of Scots, this volume brings together manuscripts from all over the world to provide material as near to his final copy as possible. The result is a vibrant collection including many poems which have never been studied critically before. A thorough introduction to the best of Hogg’s poetry.

Edward Waverley is a young, cultured man whose sensibilities lead to his involvement in the Jacobite Rising of 1745. In his journey into Scotland, down to Derby, and back up again, he explores the cultural and political geography of Great Britain.Waverley; or, 'tis Sixty Years Since was Scott's first novel, but like its final chapter, 'A Postscript, which should have been a Preface', it appears as one of the last in this series, so that the full weight of experience gained from editing Scott's fiction can be brought to understanding his most influential novel, the one which gave its name to the Waverley Novels. To this edition, P. D. Garside brings new insights and new information, and he establishes a text which is significantly different from its predecessors.

Guy Mannering, or The Astrologer, first published in 1815, was Walter Scott's second novel. Guy Mannering only half-believes in his art, but does believe in the ability of his patriarchal power, wealth and social position to sort out social confusion. However he has to learn the limits of a nabob's authority in a society that (in the 1780s) is no longer a single hierarchy but has many subsets, each with its own laws - gypsies, smugglers, Edinburgh lawyers, the Border store farmer, the traditional landowner. Guy Mannering is set at the time of the American Revolution, and represents a Scotland at once backward and advanced, patriarchal and commercial, traditional and modern, a country in very varied stages of progression. This is the first modern edition of one of Scott's finest works. It is based on the first edition, but is corrected from the manuscript, and restores around two thousand readings lost through error or misunderstanding. For the first time it includes Scott's extended portraits of the Edinburgh literati which were unaccountably omitted from the printed version.

The second of Tales of the Crusaders, The Talisman is set in Palestine during the Third Crusade (1189 - 92). Scott constructs a story of chivalric action, apparently adopting a medieval romance view of the similarities in the values of both sides. But disguise is the leading theme of the tale: it is not just that characters frequently wear clothing that conceals their identity, but that professions and cultures hide their true nature. In this novel the Christian leaders are divided by a factious criminality, and are contrasted to the magnanimity and decisiveness of Saladin, the leader of the Moslem armies. In a period when the west was fascinated with the exotic east, Scott represents the Moslem other as more humane than the Christian west.The Talisman is one of Scott’s great novels. It is a superb tale. It is also a bold departure as, for the first time, Scott explores not cultural conflict within a country or society but in the opposition of two world religions.

Originally published in 1810, The Forest Minstrel represents the first full collection of songs by Hogg. The items contained include some of his first compositions as a shepherd in Ettrick, while others originate from early contact with the literary culture of Edinburgh. This edition for the first time supplies musical settings for the majority of items, whereas in 1810 Hogg only nominated tunes by title. These settings are based on extensive research in relevant pre-1810 Scottish music books. As a result, the modern reader is given access to the tunes which originally formed an integral part of the songs. An Introduction describes Hogg’s development as a song-writer and the musical context in 1810; while full annotation is provided on both the texts of the songs and the related tunes.Includes a CDThe volume also includes a CD containing audio recordings of the seventy-two tunes which are provided by means of the notations.

‘It will be a grand book for thae Englishers for they winna understand a word of it’Hogg’s boast to William BlackwoodWitty, humorous and comical as the title implies, the eccentric nature of many of the poems collected here nevertheless belies the often serious and moral issues contained within. Newly available in paperback, and including many of Hogg’s better known longer pieces, the present volume is based on the first edition of A Queer Book to be published since 1832 - though the similarity between the two editions ends with the running order. While the text for the original edition was substantially reworked by the publisher to smooth out Hogg’s use of Scots, this volume brings together manuscripts from all over the world to provide material as near to his final copy as possible. The result is a vibrant collection including many poems which have never been studied critically before. A thorough introduction to the best of Hogg’s poetry.

The first complete edition of Peter's Letters since 1819Offers an eyewitness account of Scotland at a key point in its cultural historyIncludes fully edited text and apparatusGenesis and publishing history of the workProvides detailed and precise annotationsIn Peter's Letters to his Kinsfolk (1819) the young John Gibson Lockhart (under the guise of an elderly Welsh physician) portrayed and analysed the society of Regency Glasgow and Edinburgh in terms of German nationalist and Romantic criticism. Focusing on the networks of the law, the church, the universities, fine art, antiquarianism, literature, theatre, and periodical culture he provided a series of brilliant, sometimes serious and sometimes satirical, portraits of the most notable characters of the day and the institutions they represented, and his text is accompanied by a series of portrait engravings and of vignettes of significant moments in his tour. This edition presents the first complete text of this widely-allusive work published since 1819, together with the substantial notes that a modern reader requires to understand it fully. The editorial apparatus also comprises a detailed index and an essay on the contemporary illustrations.

This modern scholarly edition is based on the two-volume abridged edition of 1848, which in being less weighed down by supplementary materials provides a more fluent record of Lockhart’s own often personally informed narrative. Volume I includes a substantial Introduction which presents an account of the genesis of the project, its initial completion in 1837-38 in the face of great difficulties, and subsequent publication history, during which it played a key part in establishing Scott’s reputation and finally relieving his debts. Explanatory annotation identifies elements such as allusions, personalities and events, while interrogating some of Lockhart’s more problematic statements. A special category of Textual Notes summarises omissions from the larger versions of the Life, as well as tracking new text as provided by the 1848 edition. In addition to commemorating Lockhart’s mammoth literary achievement, this edition through its various components effectively offers an encyclopaedic record of Scott’s life and output.

This now-famous book was given a hostile reception when it first appeared in 1824. It was not reprinted until the late 1830s, when a heavily bowdlerised version was included in a posthumous edition of Hogg's collected Tales and Sketches published by Blackie & Son of Glasgow. Thereafter Confessions of a Justified Sinner attracted little interest until the 1890s, when the unbowdlerised text was printed for the first time since the 1820s. However, the high reputation of Hogg's novel did not fully begin to establish itself until 1947, when a warmly enthusiastic Introduction by Andre Gide appeared in a new edition of the unbowdlerised text. He went on to record how he had read 'this astounding book [ ] with a stupefaction and admiration that increased at every page'. Many readers have subsequently shared Gide's enthusiasm, and Confessions of a Justified Sinner is now widely recognised as one of the outstanding British novels of the Romantic era. It has also been acclaimed as one of the defining texts of Scotland, with Iain Crichton Smith recently applauding 'a towering Scottish novel, one of the very greatest of all Scottish books'.

This now-famous book was given a hostile reception when it first appeared in 1824. It was not reprinted until the late 1830s, when a heavily bowdlerised version was included in a posthumous edition of Hogg's collected Tales and Sketches published by Blackie & Son of Glasgow. Thereafter Confessions of a Justified Sinner attracted little interest until the 1890s, when the unbowdlerised text was printed for the first time since the 1820s. However, the high reputation of Hogg's novel did not fully begin to establish itself until 1947, when a warmly enthusiastic Introduction by Andre Gide appeared in a new edition of the unbowdlerised text. He went on to record how he had read 'this astounding book [ ] with a stupefaction and admiration that increased at every page'. Many readers have subsequently shared Gide's enthusiasm, and Confessions of a Justified Sinner is now widely recognised as one of the outstanding British novels of the Romantic era. It has also been acclaimed as one of the defining texts of Scotland, with Iain Crichton Smith recently applauding 'a towering Scottish novel, one of the very greatest of all Scottish books'.

This modern scholarly edition is based on the two-volume abridged edition of 1848, which in being less weighed down by supplementary materials provides a more fluent record of Lockhart’s own often personally informed narrative. Following the pattern of the original 1848 edition, Volume II offers a new perspective on its subject. Beginning with Lockhart’s first visit to Abbotsford in October 1818, it marks the commencement of his direct personal relationship with Scott, which lasted unbroken until Scott’s death in 1832. An introduction to the second volume traces this relationship and its significance. Explanatory annotation identifies elements such as allusions, personalities and events, while interrogating some of Lockhart’s more problematic statements. A special category of Textual Notes summarises omissions from the larger versions of the Life, as well as tracking new text as provided by the 1848 edition.