Peter Green – författare

The second volume in Simone de Beauvoir’s celebrated autobiography recalls her formative years in Paris when she began to emerge as a public figureFirst published in 1960, The Prime of Life offers an intimate, captivating picture of Simone de Beauvoir in her twenties, thirties and forties. Beginning as a recent graduate from the Sorbonne teaching high-school girls, we see de Beauvoir revel in the freedom her new financial independence brings. We see her and Jean-Paul Sartre recognise the powerful romantic and intellectual partnership they have found in one another, as they fall in love and define their own unconventional parameters. The Second World War comes, bringing austerity, violence and questions of the reality of freedom and individual responsibility into de Beauvoir’s life. As relevant and penetrating as when first published, The Prime of Life offers rare insight into a truly fascinating mind.

"I hadn't, till I really started digging, gauged the fierce intensity of the need for myth in the human psyche, of any age, or sensed the variety of motives dictating that need," writes Peter Green in the introduction to this wide-ranging collection of essays on classical mythology and the mythic experience. Using the need for myth as the starting point for exploring a number of topics in Greek mythology and history, Green advances new ideas about why the human urge to make myths persists across the millennia and why the borderland between mythology and history can sometimes be hard to map. Green looks at both specific problems in classical mythology and larger theoretical issues. His explorations underscore how mythic expression opens a door into non-rational and quasi-rational modes of thought in which it becomes possible to rewrite painful truths and unacceptable history-which is, Green argues, a dangerous enterprise. His study of the intersections between classical mythology and Greek history ultimately drives home a larger point, "the degree of mythification and deception (of oneself no less than of others) of which the human mind is capable."

The Hellenistic Age, the three extraordinary centuries from the death of Alexander in 323 B. C. to Octavian's final defeat of Antony and Cleopatra at the Battle of Actium, has offered a rich and variegated field of exploration for historians, philosophers, economists, and literary critics. Yet few scholars have attempted the daunting task of seeing the period whole, of refracting its achievements and reception through the lens of a single critical mind. Alexander to Actium was conceived and written to fill that gap. In this monumental work, Peter Green--noted scholar, writer, and critic--breaks with the traditional practice of dividing the Hellenistic world into discrete, repetitious studies of Seleucids, Ptolemies, Antigonids, and Attalids. He instead treats these successor kingdoms as a single, evolving, interrelated continuum. The result clarifies the political picture as never before. With the help of over 200 illustrations, Green surveys every significant aspect of Hellenistic cultural development, from mathematics to medicine, from philosophy to religion, from literature to the visual arts.Green offers a particularly trenchant analysis of what has been seen as the conscious dissemination in the East of Hellenistic culture, and finds it largely a myth fueled by Victorian scholars seeking justification for a no longer morally respectable imperialism. His work leaves us with a final impression of the Hellenistic Age as a world with haunting and disturbing resemblances to our own. This lively, personal survey of a period as colorful as it is complex will fascinate the general reader no less than students and scholars.

This is a reissue, with a new introduction and an update to the bibliography, of the original edition, published in 1970 as The Year of Salamis in England and as Xerxes at Salamis in the U.S. The long and bitter struggle between the great Persian Empire and the fledgling Greek states reached its high point with the extraordinary Greek victory at Salamis in 480 B.C. The astonishing sea battle banished forever the specter of Persian invasion and occupation. Peter Green brilliantly retells this historic moment, evoking the whole dramatic sweep of events that the Persian offensive set in motion. The massive Greek victory, despite the Greeks' inferior numbers, opened the way for the historic evolution of the Greek states in a climate of creativity, independence, and democracy, one that provided a model and an inspiration for centuries to come. Green's accounts of both Persian and Greek strategies are clear and persuasive; equally convincing are his everyday details regarding the lives of soldiers, statesmen, and ordinary citizens. He has first-hand knowledge of the land and sea he describes, as well as full command of original sources and modern scholarship.With a new foreword, The Greco-Persian Wars is a book that lovers of fine historical writing will greet with pleasure.

In a 1988 conference, American and British scholars unexpectedly discovered that their ideas were converging in ways that formed a new picture of the variegated Hellenistic mosaic. That picture emerges in these essays and eloquently displays the breadth of modern interest in the Hellenistic Age. A distrust of all ideologies has altered old views of ancient political structures, and feminism has also changed earlier assessments. The current emphasis on multiculturalism has consciously deemphasized the Western, Greco-Roman tradition, and Nubians, Bactrians, and other subject peoples of the time are receiving attention in their own right, not just as recipients of Greco-Roman culture. History, like Herakleitos' river, never stands still. These essays share a collective sense of discovery and a sparking of new ideas--they are a welcome beginning to the reexploration of a fascinatingly complex age.

Best-selling classicist Peter Green recreates the life and times of the Greek lyric poet Sappho in this beautifully conceived, sharply detailed work of historical imagination. We meet Sappho at the age of fifty, when she is shaken by her fatal and final love affair with Phaon. She narrates her own story from the vantage point of self-questioning middle age, and her candid meditations make intimate, engrossing reading. Only fragments of Sappho's poetry survive. In imagining Sappho's life, Green found his task 'rather like that of an archaeologist reassembling some amphora from hundreds of shards - of which more than half are missing'. Yet, in his synthesis of historical evidence and ebullient invention, Green produces a seamless, moving, and persuasive portrait. He recreates Sappho's life by interweaving her surviving poetry into the narrative, not as quotations, but as her own imagined speeches and thoughts. Sappho's life spanned one of the most exciting periods in Greek history.Green's novel, full of details about daily life on ancient Lesbos, draws the reader into the political and social climate of her world: the civil strife accompanying the transition from aristocracy to mercantilism, the household relations between slave and aristocrat, the details of sea travel in the Aegean. Green wrote the novel while living on Lesbos, and his graceful rendering of the landscape, the rhythms of the seasons, and the varied flora of Sappho's island pervades the narrative. Sappho's poetry reveals a direct, spontaneous woman who eschewed artifice and embellishment. Green's extraordinary talent captures those qualities and brings this woman of unflinching honesty very much to life.

In this collection of sixteen literary and historical essays, Peter Green informs, entertains, and stimulates. He covers a wide range of subjects, from Greek attitudes toward death to the mysteries of the Delphic Oracle, from Tutankhamun and the gold of Egypt to sex in ancient literature, from the island of Lesbos (where he once lived) to the challenges of translating Ovid's wit and elegant eroticism into present-day English verse, from Victorian pederastic aesthetics to Marxism's losing battle with ancient history. This third volume of Green's essays (several previously unpublished) reveals throughout his serious concern that we are, in a very real sense, losing the legacy of antiquity through the corrosive methodologies of modern academic criticism.

A lively combination of scholarship and unorthodoxy makes these studies in ancient history and literature unusually rewarding. Few of the objects of conventional admiration gain much support from Peter Green (Pericles and the "democracy" of fifth-century Athens are treated to a very cool scrutiny) but he has a warm regard for the real virtues of antiquity and for those who spoke with "an individual voice." The studies cover both history and literature, Greece and Rome. They range from the real nature of Athenian society to poets as diverse as Sappho and Juvenal, and all of them, without laboring any parallels, make the ancient world immediately relevant to our own. (There is, for example, a very perceptive essay on how classical history often becomes a vehicle for the historian's own political beliefs and fantasies of power.) The student of classical history will find plenty in this book to enrich his own studies. The general reader will enjoy the vision of a classical world which differs radically from what he probably expects.

Until recently, popular biographers and most scholars viewed Alexander the Great as a genius with a plan, a romantic figure pursuing his vision of a united world. His dream was at times characterized as a benevolent interest in the brotherhood of man, sometimes as a brute interest in the exercise of power. Green, a Cambridge-trained classicist who is also a novelist, portrays Alexander as both a complex personality and a single-minded general, a man capable of such diverse expediencies as patricide or the massacre of civilians. Green describes his Alexander as "not only the most brilliant (and ambitious) field commander in history, but also supremely indifferent to all those administrative excellences and idealistic yearnings foisted upon him by later generations, especially those who found the conqueror, tout court, a little hard upon their liberal sensibilities." This biography begins not with one of the universally known incidents of Alexander's life, but with an account of his father, Philip of Macedonia, whose many-territoried empire was the first on the continent of Europe to have an effectively centralized government and military.What Philip and Macedonia had to offer, Alexander made his own, but Philip and Macedonia also made Alexander form an important context for understanding Alexander himself. Yet his origins and training do not fully explain the man. After he was named hegemon of the Hellenic League, many philosophers came to congratulate Alexander, but one was conspicuous by his absence: Diogenes the Cynic, an ascetic who lived in a clay tub. Piqued and curious, Alexander himself visited the philosopher, who, when asked if there was anything Alexander could do for him, made the famous reply, "Don't stand between me and the sun." Alexander's courtiers jeered, but Alexander silenced them: "If I were not Alexander, I would be Diogenes." This remark was as unexpected in Alexander as it would be in a modern leader. For the general reader, the book, redolent with gritty details and fully aware of Alexander's darker side, offers a gripping tale of Alexander's career. Full backnotes, fourteen maps, and chronological and genealogical tables serve readers with more specialized interests.

This is a reissue, with a new introduction and an update to the bibliography, of the original edition, published in 1970 as The Year of Salamis in England and as Xerxes at Salamis in the U.S.The long and bitter struggle between the great Persian Empire and the fledgling Greek states reached its high point with the extraordinary Greek victory at Salamis in 480 B.C. The astonishing sea battle banished forever the specter of Persian invasion and occupation. Peter Green brilliantly retells this historic moment, evoking the whole dramatic sweep of events that the Persian offensive set in motion. The massive Greek victory, despite the Greeks'' inferior numbers, opened the way for the historic evolution of the Greek states in a climate of creativity, independence, and democracy, one that provided a model and an inspiration for centuries to come.Green''s accounts of both Persian and Greek strategies are clear and persuasive; equally convincing are his everyday details regarding the lives of soldiers, statesmen, and ordinary citizens. He has first-hand knowledge of the land and sea he describes, as well as full command of original sources and modern scholarship. With a new foreword, The Greco-Persian Wars is a book that lovers of fine historical writing will greet with pleasure.

In a 1988 conference, American and British scholars unexpectedly discovered that their ideas were converging in ways that formed a new picture of the variegated Hellenistic mosaic. That picture emerges in these essays and eloquently displays the breadth of modern interest in the Hellenistic Age.A distrust of all ideologies has altered old views of ancient political structures, and feminism has also changed earlier assessments. The current emphasis on multiculturalism has consciously deemphasized the Western, Greco-Roman tradition, and Nubians, Bactrians, and other subject peoples of the time are receiving attention in their own right, not just as recipients of Greco-Roman culture.History, like Herakleitos'' river, never stands still. These essays share a collective sense of discovery and a sparking of new ideas—they are a welcome beginning to the reexploration of a fascinatingly complex age.In a 1988 conference, American and British scholars unexpectedly discovered that their ideas were converging in ways that formed a new picture of the variegated Hellenistic mosaic. That picture emerges in these essays and eloquently displays the breadth o

Best-selling classicist Peter Green recreates the life and times of the Greek lyric poet Sappho in this beautifully conceived, sharply detailed work of historical imagination. We meet Sappho at the age of fifty, when she is shaken by her fatal and final love affair with Phaon. She narrates her own story from the vantage point of self-questioning middle age, and her candid meditations make intimate, engrossing reading.Only fragments of Sappho''s poetry survive. In imagining Sappho''s life Green found his task "rather like that of an archaeologist reassembling some amphora from hundreds of shards—of which more than half are missing." Yet, in his synthesis of historical evidence and ebullient invention, Green produces a seamless, moving, and persuasive portrait. He recreates Sappho''s life by interweaving her surviving poetry into the narrative, not as quotations, but as her own imagined speeches and thoughts.Sappho''s life spanned one of the most exciting periods in Greek history. Green''s novel, full of details about daily life on ancient Lesbos, draws the reader into the political and social climate of her world: the civil strife accompanying the transition from aristocracy to mercantilism, the household relations between slave and aristocrat, the details of sea travel in the Aegean. Green wrote the novel while living on Lesbos, and his graceful rendering of the landscape, the rhythms of the seasons, and the varied flora of Sappho''s island pervades the narrative.Sappho''s poetry reveals a direct, spontaneous woman who eschewed artifice and embellishment. Green''s extraordinary talent captures those qualities and brings this woman of unflinching honesty very much to life.Best-selling classicist Peter Green recreates the life and times of the Greek lyric poet Sappho in this beautifully conceived, sharply detailed work of historical imagination. We meet Sappho at the age of fifty, when she is shaken by her fatal and final l

In this collection of sixteen literary and historical essays, Peter Green informs, entertains, and stimulates. He covers a wide range of subjects, from Greek attitudes toward death to the mysteries of the Delphic Oracle, from Tutankhamun and the gold of Egypt to sex in ancient literature, from the island of Lesbos (where he once lived) to the challenges of translating Ovid''s wit and elegant eroticism into present-day English verse, from Victorian pederastic aesthetics to Marxism''s losing battle with ancient history. This third volume of Green''s essays (several previously unpublished) reveals throughout his serious concern that we are, in a very real sense, losing the legacy of antiquity through the corrosive methodologies of modern academic criticism.In this collection of sixteen literary and historical essays, Peter Green informs, entertains, and stimulates. He covers a wide range of subjects, from Greek attitudes toward death to the mysteries of the Delphic Oracle, from Tutankhamun and the gold of E

A lively combination of scholarship and unorthodoxy makes these studies in ancient history and literature unusually rewarding. Few of the objects of conventional admiration gain much support from Peter Green (Pericles and the "democracy" of fifth-century Athens are treated to a very cool scrutiny) but he has a warm regard for the real virtues of antiquity and for those who spoke with "an individual voice."The studies cover both history and literature, Greece and Rome. They range from the real nature of Athenian society to poets as diverse as Sappho and Juvenal, and all of them, without laboring any parallels, make the ancient world immediately relevant to our own. (There is, for example, a very perceptive essay on how classical history often becomes a vehicle for the historian''s own political beliefs and fantasies of power.) The student of classical history will find plenty in this book to enrich his own studies. The general reader will enjoy the vision of a classical world which differs radically from what he probably expects.

Until recently, popular biographers and most scholars viewed Alexander the Great as a genius with a plan, a romantic figure pursuing his vision of a united world. His dream was at times characterized as a benevolent interest in the brotherhood of man, sometimes as a brute interest in the exercise of power. Green, a Cambridge-trained classicist who is also a novelist, portrays Alexander as both a complex personality and a single-minded general, a man capable of such diverse expediencies as patricide or the massacre of civilians. Green describes his Alexander as "not only the most brilliant (and ambitious) field commander in history, but also supremely indifferent to all those administrative excellences and idealistic yearnings foisted upon him by later generations, especially those who found the conqueror, tout court, a little hard upon their liberal sensibilities."This biography begins not with one of the universally known incidents of Alexander''s life, but with an account of his father, Philip of Macedonia, whose many-territoried empire was the first on the continent of Europe to have an effectively centralized government and military. What Philip and Macedonia had to offer, Alexander made his own, but Philip and Macedonia also made Alexander form an important context for understanding Alexander himself. Yet his origins and training do not fully explain the man. After he was named hegemon of the Hellenic League, many philosophers came to congratulate Alexander, but one was conspicuous by his absence: Diogenes the Cynic, an ascetic who lived in a clay tub. Piqued and curious, Alexander himself visited the philosopher, who, when asked if there was anything Alexander could do for him, made the famous reply, "Don''t stand between me and the sun." Alexander''s courtiers jeered, but Alexander silenced them: "If I were not Alexander, I would be Diogenes." This remark was as unexpected in Alexander as it would be in a modern leader.For the general reader, the book, redolent with gritty details and fully aware of Alexander''s darker side, offers a gripping tale of Alexander''s career. Full backnotes, fourteen maps, and chronological and genealogical tables serve readers with more specialized interests.

Frank Vogel has developed a unique line of hair-care products and needs money to grow. When he runs an ad in The New York Times asking for investors, Thomas Harwood replies and agrees to invest three million dollars to get the products into the market.Harwood claims that his money is coming from a settlement with the federal government that involves a bank in Colorado and the government bailout of the Savings and Loan industry in the 1980s. He tells Vogel that he's signed a confidentiality agreement and can't say any more about it. Nine months later, he's still saying the same thing, while Vogel teeters on the verge of bankruptcy. After contacting other companies in which Harwood has promised to invest, Vogel learns an interesting fact: they're all desperate for capital and Harwood's been giving them all the same runaround.Finally, Harwood informs Vogel that there's been a breakthrough. The government has agreed to pay him and everyone will get their money. But before the payout date comes, Harwood is found dead on the side of the road. Is it a hit-and-run accident, or is it cold-blooded murder?

A masterly narrative survey of three centuries, from Alexander's conquest and empire to the triumph of Rome.The book begins with the personality and achievements of Alexander the Great, and continues with the military and political violence of the successor-kingdoms that fought over his inheritance.This era saw many important developments: a shift from the oral to the written; a move from the public to the private and a new individualist ethos; a huge growth in slavery, and therefore a glut of slave-labour which destroyed the incentive to innovate; a growing gap between rich and poor; a growing taste for luxury.

A survey of the work of Andrei Tarkovsky, the Russian film-maker who lived from 1932-1986. It is a critical examination of his films in the light of his own writings and life, his aesthetics of film, his theory of time in cinematography and an attempt to comprehend his vision.

A survey of the work of Andrei Tarkovsky, the Russian film-maker who lived from 1932-1986. It is a critical examination of his films in the light of his own writings and life, his aesthetics of film, his theory of time in cinematography and an attempt to comprehend his vision.

For the British 1st Airborne Division Operation Market Garden in September 1944 was a disaster. The Division was eliminated as a fighting force with around a half of its men were captured.The Germans were faced with dealing with 6,000 prisoners in a fortnight; many of them seriously wounded. Somehow the men were processed and despatched to camps around Germany and German occupied eastern Europe. Here the men experienced the reality of the collapsing regime - little food and shrinking frontiers.Once liberated in 1945 returning former prisoners were required to complete liberation questionnaires. Some refused. Others returned before 'Operation Endor' to handle released men and their repatriation to Britain was in place. Around a third did. However the questionnaires that do exist give an picture of every day experience for the 2,357 of these elite troops' time in captivity from capture to release.They show that German procedures still operating, but that men were often treated inhumanely, when moved to camps by closed box cars and when camps were evacuated. Although their interrogators were interested in Allied aircraft and airfields, their interrogators were also concerned the effect of the new miracle weapons and with politics, how Germany would be treated after an Allied victory?Nevertheless the airborne men's morale remained high; carrying out sabotage at artificial oil plants, railway repairs, factories and mines. Some overcame their guards when being evacuated at the end of the War, in some cases joining the Resistance. They record help received from Dutch, French and German civilians.