Peter Heath – författare

Originally published in 1966 On the Syllogism and Other Logical Writings assembles for the first time the five celebrated memoirs of Augustus De Morgan on the syllogism. These are collected together with the more condensed accounts of his researches given in his Syllabus of a Proposed System of Logic an article on Logic contributed to the English Cyclopaedia. De Morgan was among the most distinguished of nineteenth century British mathematicians but is chiefly remembered today as one of the founders of modern mathematical logic. His writings on this subject have been little read, however since apart from his Formal Logic, they lie buried for the most part in inaccessible periodicals. De Morgan’s own later amendments are inserted in the text and the editorial introduction gives a summary of the whole and traces in some detail the course of the once-famous feud with Sir William Hamilton of Edinburgh.

Originally published in 1966 On the Syllogism and Other Logical Writings assembles for the first time the five celebrated memoirs of Augustus De Morgan on the syllogism. These are collected together with the more condensed accounts of his researches given in his Syllabus of a Proposed System of Logic an article on Logic contributed to the English Cyclopaedia. De Morgan was among the most distinguished of nineteenth century British mathematicians but is chiefly remembered today as one of the founders of modern mathematical logic. His writings on this subject have been little read, however since apart from his Formal Logic, they lie buried for the most part in inaccessible periodicals. De Morgan’s own later amendments are inserted in the text and the editorial introduction gives a summary of the whole and traces in some detail the course of the once-famous feud with Sir William Hamilton of Edinburgh.

This book describes the terminology, dancing and teaching techniques used for modern line dancing. It describes the skills and competencies required for participants in all facets of the line dance industry, from dancer and instructor, through to choreographer, event coordinator, DJ and stage performer.

For anyone writing up a line dance dance sheet, this book should be essential reading. Way too many dance sheets do not consider the consumers of the dance sheet and are far too brief and ambiguous. The information in this book will assist in producing a much clearer sheet, enabling the dance to be more likely to be understood and adopted.

I have attempted to capture what works for me and my organisation over the past quarter century. I have proposed a lot of things that work for us, that are likely to be very different from what others are doing. If this book makes people think about what they are doing, and commences a standardisation process across the world, then I will have achieved my major goal.