Peter Robson – författare

International economic integration can in many ways be seen as one of the everyday consequences of globalization. As communication lines grow shorter, more and more countries are seeing the use in hacking down trade barriers. This new edition of Peter Robson's classic text will doubtless please its many fans

This new edition of the an established introduction to the economics of regional integration among nation states, has been completely revised to reflect the latest developments in the past decade and current policy initiatives. Features of the new edition include:* revised and updated analysis of customs unions, free trade areas, common markets, fiscal integration and harmonisation, monetary integration and regional policy* two entirely new chapters dealing with the 'new' economics of market integration and the role of transnational corporations* analysis of influential initiatives in the European Community* an assessment of the Single Market programme and the implications of enlargement into Eastern Europe* a survey of the new initiatives for regionalism outside Europe, including NAFTA.

First published in 1968, this reissue is a study of contemporary international economic policy, with particular emphasis upon economic integration as a means of bringing about a faster rate of economic progress and of helping to overcome poverty. Peter Robson’s book is a study of the rationale of common markets and other forms of economic integration among African states and of their operation in practice.The book will be of great value to those concerned with administering or assessing integration schemes in Africa and indeed in less developed areas throughout the world. In addition, it is an important contribution to the field of development economics.

This reissue, first published in 1983, is an authoritative study of economic integration among the states of West Africa, focusing upon the issues and experience of the four main initiatives for regional integration in West Africa, namely the Economic Community of West African States, the Mano River Union, the Communauté Economique de l’Afrique de l’Ouest, and the recent initiative for the establishment of an economic and monetary union between Senegal and the Gambia.

This reissue, first published in 1969 brings together structural and analytical studies of seven single African countries, together with two studies of groups of countries which, although politically separate, have in the past had close economic links. These countries are Algeria, Cameroon, Ghana, Ivory Coast, Liberia, Nigeria and the Sudan. The groups are East Africa, comprising Kenya, Uganda and Tanzania; and Central Africa, comprising Rhodesia, Malawi and Zambia.The countries have been chosen to bring out the main contemporary economic issues arising in the efforts of the independent African States to achieve economic growth. The book will be invaluable to students and practicing economists concerned with Africa and the developing economies generally.

This reissue, first published in 1983, is an authoritative study of economic integration among the states of West Africa, focusing upon the issues and experience of the four main initiatives for regional integration in West Africa, namely the Economic Community of West African States, the Mano River Union, the Communauté Economique de l’Afrique de l’Ouest, and the recent initiative for the establishment of an economic and monetary union between Senegal and the Gambia.

First published in 1968, this reissue is a study of contemporary international economic policy, with particular emphasis upon economic integration as a means of bringing about a faster rate of economic progress and of helping to overcome poverty. Peter Robson’s book is a study of the rationale of common markets and other forms of economic integration among African states and of their operation in practice.The book will be of great value to those concerned with administering or assessing integration schemes in Africa and indeed in less developed areas throughout the world. In addition, it is an important contribution to the field of development economics.

This reissue, first published in 1969 brings together structural and analytical studies of seven single African countries, together with two studies of groups of countries which, although politically separate, have in the past had close economic links. These countries are Algeria, Cameroon, Ghana, Ivory Coast, Liberia, Nigeria and the Sudan. The groups are East Africa, comprising Kenya, Uganda and Tanzania; and Central Africa, comprising Rhodesia, Malawi and Zambia.The countries have been chosen to bring out the main contemporary economic issues arising in the efforts of the independent African States to achieve economic growth. The book will be invaluable to students and practicing economists concerned with Africa and the developing economies generally.

This collection brings together contemporary work from Britain, Germany and the United States on how law and lawyers have been represented in film, particularly in the past 40 years. The collection recognises the major influence of Hollywood and the American legal system and seeks to explore the nature and significance of this dominance. A historical dimension to the portrayal of law and film. The nature and actual impact of the dominant Anglo-American portrayal is include. A European dimension is provided.

This volume deals with the question of welfare provision, which is conceived as the modern civilized response to the problem of poor people in society. Welfare mechanisms have generally been thought of in a relatively limited way, constructed with the world of the able-bodied industrial worker in mind.

This title was first published in 2001. Inspired by the thirtieth anniversary of Shelter Scotland, this volume provides an overview of Scottish housing policies and legislation, looks back at the changes to major tenures, eviction policies and homelessness over the past thirty years and explores the potential of the new Scottish Parliament to bring about change in this important social, political and economic arena.

This title was first published in 2001. Inspired by the thirtieth anniversary of Shelter Scotland, this volume provides an overview of Scottish housing policies and legislation, looks back at the changes to major tenures, eviction policies and homelessness over the past thirty years and explores the potential of the new Scottish Parliament to bring about change in this important social, political and economic arena.

This monograph looks at the various strands of policy and activities which produced the first residential Rent Act in 1915. It looks at the ways in which tenants were removed from the land in Ireland and Scotland leading to a strong aversion to landlords as a group. This is addressed in the way it appears in art, literature, song and poetry. It traces the ways in which actions of women-led tenants' groups before and during the First World War offered an alternative way for housing policy. Precisely how these actions linked with political and industrial forces are explored. The study concludes with how this legislation links with modern day housing policy issues.

This monograph looks at the various strands of policy and activities which produced the first residential Rent Act in 1915. It looks at the ways in which tenants were removed from the land in Ireland and Scotland leading to a strong aversion to landlords as a group. This is addressed in the way it appears in art, literature, song and poetry. It traces the ways in which actions of women-led tenants' groups before and during the First World War offered an alternative way for housing policy. Precisely how these actions linked with political and industrial forces are explored. The study concludes with how this legislation links with modern day housing policy issues.

Television and streamed series that viewers watch on their TVs, computers, phones, and tablets are a crucial part of popular culture They have an influence on viewers and on law. People acquire values, behaviors, and stereotypes, both positive and negative, from television shows, which are relevant to people’s acquisition of beliefs and to the development of law.. In this book, readers will find the first transnational, empirical look at ethnicity, gender, and diversity on legally-themed TV shows. Scholars determine the three most watched legally-themed shows in Brazil, Britain, Canada, Germany, Greece, Poland, Switzerland and the United States and then examine gender, age, ability, ethnicity, race, class, sexual orientation and nationality in those shows and countries. As such, this book provides an important link between law, TV, and what is going on in real life.

This collection examines law and justice on television in different countries around the world. It provides a benchmark for further study of the nature and extent of television coverage of justice in fictional, reality and documentary forms. It does this by drawing on empirical work from a range of scholars in different jurisdictions. Each chapter looks at the raw data of how much "justice" material viewers were able to access in the multi-channel world of 2014 looking at three phases: apprehension (police), adjudication (lawyers), and disposition (prison/punishment).All of the authors indicate how television developed in their countries. Some have extensive public service channels mixed with private media channels. Financing ranges from advertising to programme sponsorship to licensing arrangements. A few countries have mixtures of these. Each author also examines how "TV justice" has developed in their own particular jurisdiction. Readers will find interesting variations and thought-provoking similarities. There are a lot of television shows focussed on legal themes that are imported around the world. The authors analyse these as well.This book is a must-read for anyone interested in law, popular culture, TV, or justice and provides an important addition to the literature due to its grounding in empirical data.

This collection examines law and justice on television in different countries around the world. It provides a benchmark for further study of the nature and extent of television coverage of justice in fictional, reality and documentary forms. It does this by drawing on empirical work from a range of scholars in different jurisdictions. Each chapter looks at the raw data of how much "justice" material viewers were able to access in the multi-channel world of 2014 looking at three phases: apprehension (police), adjudication (lawyers), and disposition (prison/punishment).All of the authors indicate how television developed in their countries. Some have extensive public service channels mixed with private media channels. Financing ranges from advertising to programme sponsorship to licensing arrangements. A few countries have mixtures of these. Each author also examines how "TV justice" has developed in their own particular jurisdiction. Readers will find interesting variations and thought-provoking similarities. There are a lot of television shows focussed on legal themes that are imported around the world. The authors analyse these as well.This book is a must-read for anyone interested in law, popular culture, TV, or justice and provides an important addition to the literature due to its grounding in empirical data.

This book looks at the architecture of the courts in Scotland and the importance of these civic spaces. Given the importance of courts to the legal experience it starts by exploring why scholars have been so reticent in examining spaces in which the administration of justice takes place. It notes the major changes already unfolding in Scotland and puts these into a historical and cultural context. The authors trace the emergence of the notion of the dedicated courtroom space in 19th century Scotland and the ways in which the courtroom setting affected the exercise of power through law. They show what factors led to the adoption of different architectural styles. They examine the changes in the legal, political and social world which drove such changes and how these changed in the 20th and 21st centuries. They also examine the symbolic functions of courts both internally and externally. They note the changes in the decision-makers and their goals in the 21st century and how this will lead to a very different kind of courtroom in the near future. They examine the wider factors affecting the process of litigation and trends in dispute resolution. They conclude that the goals of transparency and civil dignity have serious implications for the kinds of spaces which will serve as halls of justice in the future. Since these are driven, it seems, by financial imperatives it does not bode well for the retention of civic pride and community which the courts of justice might be said to embody.

The essays presented in The Ian Willock Collection on Law and Justice in the Twenty-First Century by those who knew Ian Willock, as well as those who have been inspired by his concerns, represent the wide compass of Ian’s interests. These range from a concern with the development of legal regulation to the relationship between social change and the justice system, as well as his particular interest in the accessibility of the justice system. This tribute provides a microcosm of the changes and shifts which occurred in legal education and the legal profession in the years between 1964 and the current century. The profound impact of Ian Willock’s life work is evident through the wide-ranging essays in this collection.

This unique collection explores the complex issue of vigilantism, how it is represented in popular culture, and what is its impact on behavior and the implications for the rule of law. The book is a transnational investigation across a range of eleven different jurisdictions, including accounts of the Anglophone world (Australia, Britain, Canada, and the United States), European experiences (Germany, Greece, Italy, Poland, and Portugal), and South American jurisdictions (Argentina and Brazil). The essays, written by prominent international scholars in law, sociology, criminology, and media studies, present data, historical and recent examples of vigilantism; examine the national Laws and jurisprudence; and focus on the broad theme of vigilante justice in popular culture (literature, films, television). Vigilante Justice in Society and Popular Culture sheds light on this topic offering a detailed look beyond the Anglophone world. This collection will enrich the debate by adding the opportunity for comparison which has been largely lacking in scholarly debate. As such, it will appeal not only to scholars of law, sociology, criminology, and media studies, but also to all those who are engaged with these topics alike.

This unique collection explores the complex issue of vigilantism, how it is represented in popular culture, and what is its impact on behavior and the implications for the rule of law. The book is a transnational investigation across a range of eleven different jurisdictions, including accounts of the Anglophone world (Australia, Britain, Canada, and the United States), European experiences (Germany, Greece, Italy, Poland, and Portugal), and South American jurisdictions (Argentina and Brazil). The essays, written by prominent international scholars in law, sociology, criminology, and media studies, present data, historical and recent examples of vigilantism; examine the national Laws and jurisprudence; and focus on the broad theme of vigilante justice in popular culture (literature, films, television). Vigilante Justice in Society and Popular Culture sheds light on this topic offering a detailed look beyond the Anglophone world. This collection will enrich the debate by adding the opportunity for comparison which has been largely lacking in scholarly debate. As such, it will appeal not only to scholars of law, sociology, criminology, and media studies, but also to all those who are engaged with these topics alike.

Rumpole and His Rivals examines comic legal fiction and the role it plays in the public’s understanding of the legal system. The work focuses on the writings of eight lawyer authors over the past century and traces the different approaches taken in this form of comedic literature. Over sixty comic legal fiction books have been published in Britain between 1924 and 2024, with the desire of their authors not only to entertain, but to inform, educate, and create a valuable resource for anyone seeking to understand how and why the rule of law and legal profession have garnered the current reputation and level of confidence which they have.

Vincenzo Tomeo’s pioneering research in the 1960s and 1970s drew attention to the importance of popular culture in our understanding of the operation of the justice system. He was the first to recognize that how laws are interpreted and put into effect depends heavily on how the public understand them. This understanding comes from the ideas and understanding which the public have about the justice system. These ideas, in an era of mass popular culture, come largely from film. In his groundbreaking research he examined how judges and the police were viewed in popular film. He also stressed the importance of popular culture as opposed to classical accounts of law and justice and showed how these meshed with law and justice on film. The Judge on the Screen preceded the attention paid to popular culture by over a decade and provided empirical data some thirty years before any such work was carried out by Anglo-American and other European scholars. This classic work now appears for the first time in an English translation with additional supporting materials.

This collection of essays focuses attention on the global impact of legal policies on levels of poverty. They illustrate the distinct dimensions of poverty in a range of different political and cultural settings and also show how poverty is exacerbated by quite discrete local cultural factors in some instances. There is,nonetheless a universal element which runs through all the contributions. The fate of those who are disadvantaged in society depends crucially on their access to goods through the world of work. Thus gender, ethnic background or disability can result in individuals having a much higher chance of experiencing poverty than those outwith these groups and the success of these groups in achieving a measure of prosperity is bound up with a multiplicity of geographical and political factors. This book is part of the Onati International Series in Law and Society.

This collection of essays focuses attention on the global impact of legal policies on levels of poverty. They illustrate the distinct dimensions of poverty in a range of different political and cultural settings and also show how poverty is exacerbated by quite discrete local cultural factors in some instances. There is,nonetheless a universal element which runs through all the contributions. The fate of those who are disadvantaged in society depends crucially on their access to goods through the world of work. Thus gender, ethnic background or disability can result in individuals having a much higher chance of experiencing poverty than those outwith these groups and the success of these groups in achieving a measure of prosperity is bound up with a multiplicity of geographical and political factors. This book is part of the Onati International Series in Law and Society.

Described by Richard Sherwin of New York Law School as the law and film movement's 'founding text', this text is a second, heavily revised and improved edition of the original Film and the Law (Cavendish Publishing, 2001). The book is distinctive in a number of ways: it is unique as a sustained book-length exposition on law and film by law scholars; it is distinctive within law and film scholarship in its attempt to plot the parameters of a distinctive genre of law films; its examination of law in film as place and space offers a new way out of the law film genre problem, and also offers an examination of representations of an aspect of legal practice, and legal institutions, that have not been addressed by other scholars. It is original in its contribution to work within the wider parameters of law and popular culture and offers a sustained challenge to traditional legal scholarship, amply demonstrating the practical and the pedagogic, as well as the moral and political significance of popular cultural representations of law. The book is a valuable teaching and learning resource, and is the first in the field to serve as a basic guidebook for students of law and film.

This volume brings to light a variety of previously ignored ways in which law can be central to the causes and structure of poverty, and explores new legal arenas and theories that could form the basis of a transformative use of law in order to reduce poverty.The contributions range over a wide terrain, including international human rights conventions, domestic constitutional and statutory provisions, and the law relating to social insurance and social assistance. Poverty is examined as being in certain respects legally constructed (i.e. there are ways in which specific laws create and exacerbate poverty). Also explored is the role of law in establishing specific rights or entitlements that contribute to reducing poverty, in particular social security provision and litigation as a tool for combating poverty. Finally, and most concretely, the volume examines divergent approaches to legal initiatives addressing specific aspects of poverty such as tackling child labour, reducing economic discrimination against women, and protecting the freedom of employees to organize collectively. Throughout the volume is an acute awareness of the contradictory ways in which law can impact on poverty, and on the reality of poverty as not simply a domestic issue, but a cross-border and global challenge.

'Law and Justice on the Small Screen' is a wide-ranging collection of essays about law in and on television. In light of the book's innovative taxonomy of the field and its international reach, it will make a novel contribution to the scholarly literature about law and popular culture. Television shows from France, Canada, the United Kingdom, Germany, Spain and the United States are discussed. The essays are organised into three sections: (1) methodological questions regarding the analysis of law and popular culture on television; (2) a focus on genre studies within television programming (including a subsection on reality television), and (3) content analysis of individual television shows with attention to big-picture jurisprudential questions of law's efficacy and the promise of justice. The book's content is organised to make it appropriate for undergraduate and graduate classes in the following areas: media studies, law and culture, socio-legal studies, comparative law, jurisprudence, the law of lawyering, alternative dispute resolution and criminal law. Individual chapters have been contributed by, among others: Taunya Banks, Paul Bergman, Lief Carter, Christine Corcos, Rebecca Johnson, Stefan Machura, Nancy Marder, Michael McCann, Kimberlianne Podlas and Susan Ross, with an Introduction by Peter Robson and Jessica Silbey.